Afghan Village Potters Keep Centuries-old Tradition Alive

An Afghan potter takes sun-dried bowls from the roof of his kiln to stack for firing in Istalif village, Afghanistan. Wakil Kohsar / AFP
An Afghan potter takes sun-dried bowls from the roof of his kiln to stack for firing in Istalif village, Afghanistan. Wakil Kohsar / AFP
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Afghan Village Potters Keep Centuries-old Tradition Alive

An Afghan potter takes sun-dried bowls from the roof of his kiln to stack for firing in Istalif village, Afghanistan. Wakil Kohsar / AFP
An Afghan potter takes sun-dried bowls from the roof of his kiln to stack for firing in Istalif village, Afghanistan. Wakil Kohsar / AFP

Twice a month, Noor Agha Faqiri lights up the kiln at his small workshop around 50 kilometers (30 miles) northwest of the Afghan capital to fire a fresh batch of pottery.

Faqiri is one of dozens of potters in Qarya-e-Kulalan (potter's village) in the picturesque Istalif district, but many have ceased production since the Taliban's return to power in 2021 as the distressed economy has led to sales plummeting.

Faqiri, however, is determined to carry on, AFP said.

"A business that your parents, grandparents, and great-grandparents have worked on should not be let go because it is particularly blessed," the 53-year-old told AFP during a visit.

"My children are also looking at the family business and want to maintain it in any circumstances and prevent it from going under."

Afghanistan has a centuries-old tradition of pottery across the country, but Istalif's reputation for craftsmanship and quality stands out.

The main street of Qarya-e-Kulalan is lined with pottery shops, at least half shuttered because of a lack of business.

Scenic village

But those still open display a dazzling array of jugs, pots, bowls and plates glazed with an eye-catching turquoise, aquamarine and earth-brown finish.

Most customers are day trippers from Kabul, who make the 90-minute drive to picnic in the hills or alongside the rivers surrounding the scenic village.

But wholesale merchants also occasionally show up with bigger orders for hotels and guest houses across Afghanistan -- and beyond.

"Previously, foreigners would come, and people from other provinces would come to see Istalif as it's one of the ancient, green places for tourism," said potter Abdul Hameed Mehran, 32.

The pottery is still made the same way it has been for centuries.

Clay from the surrounding mountains is thrown on wheels that are spun by the potter's feet as his hands deftly work.

"The work that I do is a matter of pride for me," he says.

"It is a source of pride for me that we make items like this in Afghanistan."

'Innovative work'

Mehran throws around 70 to 100 different pieces a day, depending on demand, which are then carefully stacked to part-dry naturally before the monthly bake.

"I come here again and again because new items are always being made and they are good quality," said Shah Agha Azimi, 25, a customer from Kabul



OIC, King Salman Arabic Academy Hold Symposium on 'Culture of Islamic Peoples'

The Organization of Islamic Cooperation (OIC) logo
The Organization of Islamic Cooperation (OIC) logo
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OIC, King Salman Arabic Academy Hold Symposium on 'Culture of Islamic Peoples'

The Organization of Islamic Cooperation (OIC) logo
The Organization of Islamic Cooperation (OIC) logo

The Organization of Islamic Cooperation (OIC) General Secretariat, represented by the Department of Cultural Affairs, will hold a virtual symposium Thursday titled the “Culture of Islamic Peoples and the Arabic Language."

The symposium will be held in cooperation with the King Salman Global Academy for Arabic Language (KSGAAL).

Holding the symposium comes in implementation of the resolution issued by the 50th session of the Council of Foreign Ministers, which took place August 29-30 in Yaoundé, regarding the support, promotion, preservation, consolidation, and dissemination of the Arabic language.

It aims to focus on the realization of studies, research, and linguistic references related to the Arabic language, as well as the cultural identity components of Islamic countries.

It also seeks to support the presence of the Arabic language locally and internationally through cultural events.