Saudi Initiative Digitizes Rare Manuscripts, A Treasure for Arab Enthusiasts

A rare manuscript preserved on the shelf of one of the libraries in Saudi Arabia (Saudi Libraries Authority)
A rare manuscript preserved on the shelf of one of the libraries in Saudi Arabia (Saudi Libraries Authority)
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Saudi Initiative Digitizes Rare Manuscripts, A Treasure for Arab Enthusiasts

A rare manuscript preserved on the shelf of one of the libraries in Saudi Arabia (Saudi Libraries Authority)
A rare manuscript preserved on the shelf of one of the libraries in Saudi Arabia (Saudi Libraries Authority)

A rare copy of the holy Quran dating back to the 13th century of the Islamic calendar is adorned with intricate decorations and gilded pages, totaling over 300 pages.

Other attention-grabbing manuscripts in the field of Islamic jurisprudence include a precious manuscript on the science of grammar by its author Muhammad Al-Rai, dating back to the year 1112 of the Islamic calendar, written in black ink, as well as another manuscript on the art of biography, narrating the life of one of the prominent figures in Islamic history, Umar ibn Abdul Aziz, written in the Naskh script almost two centuries ago.

Thousands of these rare manuscripts and unique preserved writings are now meticulously numbered and digitally accessible to researchers and enthusiasts seeking a closer examination of the valuable treasures of Arab and Islamic heritage.

A valuable wealth of thousands of manuscripts sheds light on the richness of the Arabic library and its abundance in various arts, as well as the contributions of Arab and Muslim scholars.

These are presented by the “Manuscript Access Initiative” launched by the Saudi Culture Ministry’s Libraries Authority through a specialized online platform that enables researchers and enthusiasts to browse through numerous numbered manuscripts across diverse classifications.

In Saudi Arabia, 27% of Arabic Manuscripts Are Found

Rare manuscripts have been preserved on the shelves of national libraries in Saudi Arabia, which possess a vast wealth of knowledge encompassing more than 27% of the total original Arabic and Islamic manuscripts in the Arab countries.

These manuscripts are now easily accessible, allowing for a thorough examination of their intricately adorned details, embellished with the ink and intellectual contributions of scholars who enriched the Arab and Islamic library with diverse arts and knowledge.

Saudi Arabia enjoys a leading position in preserving and safeguarding rare manuscripts, as well as in valuing the treasures of Arab and Islamic heritage that reflect the efforts of pioneers in knowledge, understanding, and culture, with all their diverse arts and colors.

The Kingdom is recognized as one of the proactive and pioneering countries in preserving historical records, driven by its geographical location and historical presence, dating back to pre-Islamic times and spanning the Islamic eras.

Over time, the Kingdom has served as a profound source for Arab and Islamic civilization, a home to various civilizations, a cradle for divine messages, and a bridge connecting cultures and messages.

Saudi Leadership in Preserving Scientific Heritage

Efforts in Saudi Arabia are distributed across its specialized scientific, intellectual, and cultural institutions, which engage in the collection, restoration, and preservation of manuscripts.

These institutions also equip laboratories with state-of-the-art technologies for restoration and maintenance.

One prominent example is the General Administration of Acquisitions and Rare Books at the King Fahad National Library, which is responsible for the restoration of manuscripts, as well as the preservation of documents and rare items.

Moreover, another center dedicated to the restoration of manuscripts, documents, photographs, and rare books at the King Abdulaziz Public Library supports the preservation of maps, magazines, newspapers, as well as currencies, coins, and other heritage and historical materials.

It ensures their protection against damage and deterioration while maintaining a diverse range of historical artifacts in the library.

In turn, the Restoration and Conservation Department at the King Faisal Center for Research and Islamic Studies carries out the same mission, ever since its first experiments in the field of manuscript restoration in 1984, under the supervision of a group of experts from the UK.

In 2005, King Salman bin Abdulaziz inaugurated the new headquarters of the King Abdulaziz Foundation.

This facility supports its efforts in serving history, preserving heritage, documents, and ancient manuscripts, and caring for them. The center's work extends beyond the preservation of the foundation's collections to the safeguarding of heritage held by citizens, public, and private libraries.

Moreover, Saudi Arabia supports the establishment of independent manuscript departments in most of its libraries, encouraging the study and publication of manuscripts through the support of postgraduate programs at universities, issuing specialized catalogs for manuscripts, and digitally making them available to researchers worldwide.



Monumental Cave Art on Paris’ Oldest Bridge Finally Opens, as the Public Steps and Sniffs Inside

 Visitors walk into the artwork "The Pont Neuf Cave" by French street artist JR on the Pont Neuf bridge, Tuesday, June 16, 2026, in Paris, open to the public from June 15 to 28. (AP)
Visitors walk into the artwork "The Pont Neuf Cave" by French street artist JR on the Pont Neuf bridge, Tuesday, June 16, 2026, in Paris, open to the public from June 15 to 28. (AP)
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Monumental Cave Art on Paris’ Oldest Bridge Finally Opens, as the Public Steps and Sniffs Inside

 Visitors walk into the artwork "The Pont Neuf Cave" by French street artist JR on the Pont Neuf bridge, Tuesday, June 16, 2026, in Paris, open to the public from June 15 to 28. (AP)
Visitors walk into the artwork "The Pont Neuf Cave" by French street artist JR on the Pont Neuf bridge, Tuesday, June 16, 2026, in Paris, open to the public from June 15 to 28. (AP)

For weeks, a black mountain loomed over the Seine where Paris’ oldest bridge should have been. On Monday evening, its doors finally opened.

Inside, Paris smells different. The air carries the scent of earth after rain — damp ancient stone, cellar walls, perhaps a trace of smoke.

Visitors step from the bright riverfront into a dark passage lined with glowing photographs of caves, as a low electronic pulse seems to breathe through the walls.

Beneath it all, the old cobblestones of the Pont Neuf rise and fall underfoot.

The Pont Neuf Cavern, a monumental installation by French street artist JR — also known as the French Banksy — is free to enter around the clock through June 28.

Made largely from printed fabric and air, it transforms the 17th-century bridge into an artificial cavern rising 18 meters (59 feet) above the Seine.

“It feels like the city has disappeared,” said Léa Martin, a 22-year-old art student from Lyon on Tuesday. “You know the river is right outside, but for a moment you’re somewhere ancient.”

Paris steps in and sniffs history

The smell is central to the illusion.

Olfactory expert Sarah Bouasse created two shifting scents: drawing on geosmin and isoborneol, compounds associated with the aroma released when rain strikes dry earth.

It changes along the crossing: first wet earth and mineral dampness, then something warmer, smokier and faintly animal.

“Usually I cross here without looking up once,” said Michel Dupré, a 67-year-old retiree, blinking as he emerged into daylight. “Today I felt the stones under my feet. And smelled them too. It makes you walk like a child again.”

A sound installation by Thomas Bangalter, formerly of the French electronic duo Daft Punk, accompanies the work, filling the cavern with low rumbles, echoes and pulses.

Completed in 1607, the Pont Neuf — despite its name, “New Bridge” — is the oldest bridge still standing in Paris.

JR’s installation asks people to experience the familiar crossing through their noses, ears and feet.

It also pays tribute to Christo and Jeanne-Claude, whose 1985 wrapping of the bridge in pale golden fabric drew an estimated 3 million visitors.

Their work covered the Pont Neuf in light.

The dark side JR sends visitors into darkness.

“You enter into the darkness,” he has said, “and emerge into the light on the other side.”

Visitors can also raise their phones to activate an augmented-reality experience developed with tech company Snap.

Digital bats trail light through the cave, passing bodies leave ghostly traces and a dancer materializes in space.

JR has linked the work to Plato’s allegory of the cave, in which prisoners mistake shadows for reality. Today’s cave walls, he argues, are screens and the algorithms that shape what people see. Yet the installation’s strongest effects require no phone.

“It’s completely strange,” said Nadia Benali, 34, smiling beside the artificial cliffs. “Paris needs things that make people stop.”

When the cave closes, its fabric will be reused or recycled.

The mountain will vanish, traffic will return and the Pont Neuf — older than the French Revolution — will emerge into the light once more.


A Rare First Edition of ‘Wuthering Heights’ Complete with Spelling Mistakes Is up for Auction

 A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
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A Rare First Edition of ‘Wuthering Heights’ Complete with Spelling Mistakes Is up for Auction

 A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)

A rare first-edition copy of “Wuthering Heights,” complete with spelling mistakes, is up for auction for the first time in more than a century, as Emily Brontë’s tragic, tempestuous romance gains new fans through a big-screen adaptation.

Christie’s auction house said Monday that it's the first copy of the novel in the publisher’s original cloth binding to be auctioned since 1908. Only about 250 copies of the first edition were printed, and this one has been in a private library since shortly after its publication in 1847.

“The vast majority of surviving copies were rebound for collectors or libraries, meaning original cloth examples are now extremely scarce,” said Christie’s books and manuscripts specialist Mark Wiltshire.

Being sold along with a copy of sister Anne Brontë’s “Agnes Grey,” it’s expected to sell for between 400,000 pounds and 600,000 pounds ($540,000 and $800,000) at a June 30 auction in London. Both books carry the male pen names the sisters adopted to get published: Ellis Bell for Emily and Acton Bell for Anne.

“Wuthering Heights” was rushed to publication after the success of Charlotte Brontë’s “Jane Eyre,” and the first edition is notorious for its typographical errors including, Wiltshire noted, the occasional misspelling of the word “heights.”

Emerald Fennell ’s recent movie with Margot Robbie and Jacob Elordi as mismatched pair Cathy and Heathcliff is the latest work to be inspired by — and take liberties with — Brontë’s brooding, Gothic tale.

The novel shocked some critics when it was published, with one in 1848 decrying its “vulgar depravity and unnatural horrors.”

Since then, Wiltshire said, it has “moved beyond literature to become a cultural touchstone,” inspiring art, music — notably Kate Bush’s pop-operatic 1978 song — and multiple film adaptations.

“It remains a work that artists return to again and again because of its emotional force, its atmosphere, and its psychological intensity, ensuring its place not only in literary history but in wider cultural imagination,” Wiltshire said.


Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4
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Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

The Red Sea Film Foundation has extended the application deadline for the sixth edition of the 48-Hour Film Challenge to July 4, 2026, allowing more young Saudi citizens and residents the opportunity to take part in the initiative aimed at discovering and supporting emerging filmmakers, SPA reported.

Organized in partnership with the Red Sea International Film Festival, the French Consulate General in Jeddah, and Alliance Française, the challenge is open to aspiring filmmakers aged 18 to 25, SPA reported.

Participants will form creative teams and compete to produce a short film within 48 hours after completing specialized mentorship workshops.

The two winning teams will receive awards, while their team leaders will earn an artistic residency in France in 2027. The winning films will also be screened at the next edition of the Red Sea International Film Festival.