Saudi Initiative Digitizes Rare Manuscripts, A Treasure for Arab Enthusiasts

A rare manuscript preserved on the shelf of one of the libraries in Saudi Arabia (Saudi Libraries Authority)
A rare manuscript preserved on the shelf of one of the libraries in Saudi Arabia (Saudi Libraries Authority)
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Saudi Initiative Digitizes Rare Manuscripts, A Treasure for Arab Enthusiasts

A rare manuscript preserved on the shelf of one of the libraries in Saudi Arabia (Saudi Libraries Authority)
A rare manuscript preserved on the shelf of one of the libraries in Saudi Arabia (Saudi Libraries Authority)

A rare copy of the holy Quran dating back to the 13th century of the Islamic calendar is adorned with intricate decorations and gilded pages, totaling over 300 pages.

Other attention-grabbing manuscripts in the field of Islamic jurisprudence include a precious manuscript on the science of grammar by its author Muhammad Al-Rai, dating back to the year 1112 of the Islamic calendar, written in black ink, as well as another manuscript on the art of biography, narrating the life of one of the prominent figures in Islamic history, Umar ibn Abdul Aziz, written in the Naskh script almost two centuries ago.

Thousands of these rare manuscripts and unique preserved writings are now meticulously numbered and digitally accessible to researchers and enthusiasts seeking a closer examination of the valuable treasures of Arab and Islamic heritage.

A valuable wealth of thousands of manuscripts sheds light on the richness of the Arabic library and its abundance in various arts, as well as the contributions of Arab and Muslim scholars.

These are presented by the “Manuscript Access Initiative” launched by the Saudi Culture Ministry’s Libraries Authority through a specialized online platform that enables researchers and enthusiasts to browse through numerous numbered manuscripts across diverse classifications.

In Saudi Arabia, 27% of Arabic Manuscripts Are Found

Rare manuscripts have been preserved on the shelves of national libraries in Saudi Arabia, which possess a vast wealth of knowledge encompassing more than 27% of the total original Arabic and Islamic manuscripts in the Arab countries.

These manuscripts are now easily accessible, allowing for a thorough examination of their intricately adorned details, embellished with the ink and intellectual contributions of scholars who enriched the Arab and Islamic library with diverse arts and knowledge.

Saudi Arabia enjoys a leading position in preserving and safeguarding rare manuscripts, as well as in valuing the treasures of Arab and Islamic heritage that reflect the efforts of pioneers in knowledge, understanding, and culture, with all their diverse arts and colors.

The Kingdom is recognized as one of the proactive and pioneering countries in preserving historical records, driven by its geographical location and historical presence, dating back to pre-Islamic times and spanning the Islamic eras.

Over time, the Kingdom has served as a profound source for Arab and Islamic civilization, a home to various civilizations, a cradle for divine messages, and a bridge connecting cultures and messages.

Saudi Leadership in Preserving Scientific Heritage

Efforts in Saudi Arabia are distributed across its specialized scientific, intellectual, and cultural institutions, which engage in the collection, restoration, and preservation of manuscripts.

These institutions also equip laboratories with state-of-the-art technologies for restoration and maintenance.

One prominent example is the General Administration of Acquisitions and Rare Books at the King Fahad National Library, which is responsible for the restoration of manuscripts, as well as the preservation of documents and rare items.

Moreover, another center dedicated to the restoration of manuscripts, documents, photographs, and rare books at the King Abdulaziz Public Library supports the preservation of maps, magazines, newspapers, as well as currencies, coins, and other heritage and historical materials.

It ensures their protection against damage and deterioration while maintaining a diverse range of historical artifacts in the library.

In turn, the Restoration and Conservation Department at the King Faisal Center for Research and Islamic Studies carries out the same mission, ever since its first experiments in the field of manuscript restoration in 1984, under the supervision of a group of experts from the UK.

In 2005, King Salman bin Abdulaziz inaugurated the new headquarters of the King Abdulaziz Foundation.

This facility supports its efforts in serving history, preserving heritage, documents, and ancient manuscripts, and caring for them. The center's work extends beyond the preservation of the foundation's collections to the safeguarding of heritage held by citizens, public, and private libraries.

Moreover, Saudi Arabia supports the establishment of independent manuscript departments in most of its libraries, encouraging the study and publication of manuscripts through the support of postgraduate programs at universities, issuing specialized catalogs for manuscripts, and digitally making them available to researchers worldwide.



Jeddah's Red Sea Museum Announces Ramadan Program 

The Red Sea Museum. (Red Sea Museum)
The Red Sea Museum. (Red Sea Museum)
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Jeddah's Red Sea Museum Announces Ramadan Program 

The Red Sea Museum. (Red Sea Museum)
The Red Sea Museum. (Red Sea Museum)

Jeddah's Red Sea Museum announced on Thursday a curated program of creative and cultural activities for the holy month of Ramadan, running from February 22 to March 14.

Led by local artists, artisans, and cultural practitioners, the museum's Ramadan program includes contemplative workshops, storytelling sessions, outdoor community gatherings, and musical performances that honor the spirit of reflection, creativity, and connection.

The series of engaging sessions creates space for visitors to explore traditional crafts, contemporary storytelling, and cultural heritage through hands-on experiences blending creativity and reflection.

Curated for families, artists, and visitors of all backgrounds, the program runs alongside "Sunken Treasures: The Maritime Heritage of the Red Sea," the museum's major temporary exhibition opening on February 25, which explores how archaeological discoveries reveal centuries of trade, navigation, and human connection across the Red Sea.

In celebration of Founding Day on February 22, the "Inspirational Threads: Makkah & Madinah" contemplative embroidery workshop invites participants to engage with archival black-and-white photographs of the Red Sea, Makkah, and Madinah. Through basic embroidery techniques, participants can embellish these images with Islamic geometric and symbolic motifs, adding layers of color, texture, and meaning while reflecting on devotion, memory, and connection.

The "Radiance in Pieces: Mosaic Lantern" hands-on workshop on February 24 explores the tradition of Islamic mosaic art through the creation of illuminated lanterns inspired by Red Sea heritage. Children and families will learn how small, colorful pieces come together to form meaningful geometric designs, blending creativity, cultural heritage, and reflection.

The opening evening of "Sunken Treasures: The Maritime Heritage of the Red Sea" on February 25 features a panel discussion with archaeologists, scientists, and historians exploring the maritime heritage of the Red Sea.

The "One Big Table - Ramadan Gathering" on March 5 brings everyone together in a shared space where families, friends, and neighbors celebrate the spirit of Ramadan.

On March 7, the "From Sand to Porcelain" painting workshop invites participants to paint calligraphy on fine porcelain using natural sand collected from Jeddah to add subtle texture and depth. While learning basic porcelain painting techniques, participants will engage in a reflective, hands-on experience that encourages mindful creation, resulting in a personal keepsake that embodies devotion, place, and the spirit of Ramadan.

In the spirit of International Women's Day on March 8, the "Ramadan Spirit: Thread & Needle" hands-on punch needling workshop explores Ramadan iconography through traditional symbols, including the crescent, star, and lantern. Participants will create textured textile pieces while learning basic punch needle techniques, celebrating both the holy month and the creative contributions of women to traditional textile arts.

On March 14, the "Spirit of Ramadan and the Tale of Jabir Al-Khawatir" storytelling session for children and families explores Ramadan as a season of compassion and healing, reminding people that the spirit of the holy month lives in small acts of care and human connection.


Saudi Arabia: Ship of Tolerance Initiative Promotes Cultural Dialogue in Jeddah

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
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Saudi Arabia: Ship of Tolerance Initiative Promotes Cultural Dialogue in Jeddah

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA

The Saudi Ministry of Culture, in collaboration with the "Lenobadir" volunteer and community partnership program and the Athr Foundation, has launched the Ship of Tolerance initiative in Historic Jeddah during Ramadan.

The initiative aims to enhance shared human values through arts, and promote tolerance and coexistence among children and families. It provides an educational and cultural experience aligned with the area’s unique character as a UNESCO World Heritage site.

As part of this global art project, children will create artworks that represent acceptance and dialogue.

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan, linking the initiative's values with local heritage and enriching visitors' connection to the region's identity.

This effort supports cultural programs with educational and social dimensions in Historic Jeddah, activating local sites for experiences that combine art, crafts, and community participation. It aligns with the National Strategy for Culture under Saudi Vision 2030, focusing on heritage preservation and expanding culture's impact on daily life.


Oscar Contender ‘Hamnet’ Boosts Tourism at Shakespeare Heritage Sites 

A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
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Oscar Contender ‘Hamnet’ Boosts Tourism at Shakespeare Heritage Sites 

A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)

On a cloudy winter's day, visitors stream into what was once William Shakespeare's childhood home in Stratford-upon-Avon and the nearby Anne Hathaway's cottage, family residence of the bard's wife.

Hathaway's cottage is one of the settings for the BAFTA and Oscar best film contender "Hamnet", and the movie's success is drawing a new wave of tourists to Shakespeare sites in the town in central England.

Shakespeare's Birthplace is the house the young William once lived in and where his father worked as a glove maker, while Hathaway's cottage is where he would have visited his future wife early in their relationship.

Typically, around 250,000 visitors, from the UK, Europe, the United States, China and elsewhere, walk through the locations each year, according to the Shakespeare Birthplace Trust. ‌The charity looks after ‌Shakespeare heritage sites, which also include Shakespeare's New Place, the site of ‌the ⁠Stratford home where the ⁠bard died in 1616.

Visitors are flocking in this year thanks to "Hamnet", the film based on Maggie O'Farrell's 2020 novel, which gives a fictional account of the relationship between Shakespeare and Hathaway, also known as Agnes, and the death of their 11-year-old son Hamnet in 1596.

"Visitor numbers have increased by about 15 to 20% across all sites since the film was released back in January. I think that will only continue as we go throughout the year," Richard Patterson, chief operating officer for the Shakespeare Birthplace Trust, said.

"They particularly want ⁠to look (at) Anne Hathaway's cottage and the specifics around how the family ‌engaged in the spaces and the landscape in and around ‌the cottage... you can see why he would have been inspired."

NEW ACCESS TO SHAKESPEARE

"Hamnet" has 11 nominations at ‌Sunday's British BAFTA awards, including best film and leading actress for Jessie Buckley, who plays Agnes. It ‌also has eight Oscar nominations, with Buckley seen as the frontrunner to win best actress.

"Hamnet" is set in Stratford-upon-Avon and London although it was not filmed in Stratford.

It sees Paul Mescal's young Shakespeare fall for Agnes while teaching Latin to pay off his father's debts. The drama, seen mainly through Agnes' eyes, focuses on their ‌life together and grief over Hamnet's death, leading Shakespeare to write "Hamlet".

"Shakespeare... is notoriously enigmatic. He writes about humanity, about feeling, about emotion, about conflict, ⁠but where do we understand ⁠who he is in that story?" said Charlotte Scott, a professor of Shakespeare studies and interim director of collections, learning and research at the Shakespeare Birthplace Trust.

"And that's driven people creative and otherwise for hundreds and hundreds of years. Where is Shakespeare's heart? And this is what the film I think has so beautifully opened up."

Little is known about how the couple met. Shakespeare was 18 and Hathaway 26 when they married in 1582. Daughter Susanna arrived in 1583 and twins Judith and Hamnet in 1585.

The film acknowledges the names Hamnet and Hamlet were interchangeable back then. While grief is a dominant theme, audiences also see Shakespeare in love and as a father.

"A lot of people will see this film not necessarily having... had any kind of relationship with Shakespeare," Scott said.

"So people will come to this film, I hope, and find a new way of accessing Shakespeare that is about creativity, that is about understanding storytelling as a constant process of regeneration, but also crucially, looking at it from that kind of emotive angle."