Archaeologists in Louisiana Save Artifacts from Natural Disasters, Looters

Gray Tarry, bottom left, an archeological field technician for the University of Louisiana at Lafayette, digs, while Josiah Hamilton, left, and Jamie Butts, right, high school students from Youth Conservation Corps, watch at an archeological site in Kisatchie National Forest, La., Wednesday, June 7, 2023. (AP Photo/Gerald Herbert)
Gray Tarry, bottom left, an archeological field technician for the University of Louisiana at Lafayette, digs, while Josiah Hamilton, left, and Jamie Butts, right, high school students from Youth Conservation Corps, watch at an archeological site in Kisatchie National Forest, La., Wednesday, June 7, 2023. (AP Photo/Gerald Herbert)
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Archaeologists in Louisiana Save Artifacts from Natural Disasters, Looters

Gray Tarry, bottom left, an archeological field technician for the University of Louisiana at Lafayette, digs, while Josiah Hamilton, left, and Jamie Butts, right, high school students from Youth Conservation Corps, watch at an archeological site in Kisatchie National Forest, La., Wednesday, June 7, 2023. (AP Photo/Gerald Herbert)
Gray Tarry, bottom left, an archeological field technician for the University of Louisiana at Lafayette, digs, while Josiah Hamilton, left, and Jamie Butts, right, high school students from Youth Conservation Corps, watch at an archeological site in Kisatchie National Forest, La., Wednesday, June 7, 2023. (AP Photo/Gerald Herbert)

Long buried under the woods of west central Louisiana, stone tools, spearpoints and other evidence of people living in the area as long as 12,000 years ago have become more exposed and vulnerable, due to hurricanes, flooding and looters.

This summer, archaeologists have been gingerly digging up the ground at the Vernon Parish site in the Kisatchie National Forest. They have been sifting through dirt to unearth and preserve the evidence of prehistoric occupation of the area.

“The site appears to have been continuously occupied throughout prehistory, as evidenced by a wide range of stone tools and pottery dating to each Native American cultural era up to European contact,” the US Forest Service said in a news release.

The site was found by surveyors in 2003, according to the Forest Service. After hurricanes Laura and Delta uprooted trees, disturbing and exposing some of the artifacts, Kisatchie National Forest officials used hurricane relief money to begin salvage excavations to learn more about the site, and to preserve it.

“Between the looting and the hurricane damage we were really in danger of losing this site over time,” Forest Service archaeologist Matthew Helmer said during a media tour of the site in June.

Helmer, walked amid areas already excavated, pointing to changes in soil color and texture that, like the crude artifacts being excavated, can give clues as researchers work to determine facts about the people who occupied the area at different times over the millennia, The Associated Press reported.

“We're really writing the history of these peoples that lived prior to 1492, all the way back 10,000-plus years,” said Helmer.

It's a welcome opportunity for Mark Rees, a professor of archaeology at the University of Louisiana at Lafayette and director of the Louisiana Public Archaeology Lab.

Still, Rees laments that the work is hampered by people who have made unauthorized digs and made off with material from the site.

“It's like walking into the archive and finding a book that's so rare it's one of a kind and it predates writing itself, it's like tearing a page out of that book and walking off with it,” said Rees.

The salvaged artifacts will be sorted, catalogued and examined as researchers at the archaeology lab seek to make determinations about past cultures at the site.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.