India’s Yamuna River Laps Walls of Taj Mahal after Heavy Rain

A man takes picture of historic Taj Mahal as the Yamuna River overflows following heavy rains, in Agra, India July 18, 2023. (Reuters)
A man takes picture of historic Taj Mahal as the Yamuna River overflows following heavy rains, in Agra, India July 18, 2023. (Reuters)
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India’s Yamuna River Laps Walls of Taj Mahal after Heavy Rain

A man takes picture of historic Taj Mahal as the Yamuna River overflows following heavy rains, in Agra, India July 18, 2023. (Reuters)
A man takes picture of historic Taj Mahal as the Yamuna River overflows following heavy rains, in Agra, India July 18, 2023. (Reuters)

A river that runs through the northern Indian state of Uttar Pradesh has risen to lap the compound walls of the iconic Taj Mahal in Agra city, causing concern about damage to the 17th-century white marble monument.

The water level of the Yamuna River has increased over the last few days after unusually heavy rain in northern India, including Uttar Pradesh, which has received 108% of its normal rainfall since the four-month monsoon season began on June 1.

According to India's Central Water Commission (CWC), the portion of the river flowing alongside the Taj Mahal rose to 152 meters (499 feet) late on Tuesday, well above the warning level for potential danger of 151.4 meters. The level considered dangerous is 152.4 meters.

Local media outlets reported that the last time the river reached the walls of the monument, built by Mughal Emperor Shah Jahan in memory of his queen Mumtaz Mahal, was 45 years ago, in 1978.

CWC data also indicates that its station near the monument recorded the river's highest flood level that year at 154.76 meters.

Visuals from the area on Tuesday showed the red sandstone boundary wall of the Taj Mahal surrounded by muddy water, with pieces of garbage floating in it, the mausoleum itself looming over the scene, untouched by the river.

Officials from the Archaeological Survey of India (ASI), which oversees the Taj Mahal along with several other monuments in the country, said there was "no serious concern" about the monument at present.

"If it rains more, or the water stays this high for some days, we will need to assess the situation again," said Raj Kumar Patel, superintendent archaeologist with ASI.

Several other monuments and gardens located in the vicinity of the Taj Mahal, closer to the banks of the Yamuna, however, "have been submerged" and damaged, he said.

These include the tomb of Itimad-ud-Daulah, often called "baby Taj", which dates back to the 1600s, and Mehtab Bagh, also from the same period, whose structure has been damaged and garden area - currently under water - completely destroyed.

Tourists from around the world continued to stream in through the gates of the Taj Mahal on Tuesday evening, undeterred by the rising water levels.

"It is crazy to see the water go up so much, but to see the Taj Mahal was beautiful," said Mathew Kreton, 20, a student from Lucerne, Switzerland.

Local residents were more concerned, fearing the river would eventually invade their homes.

"We have kept our belongings on top so that they do not float away. Along with that we are staying on alert," said Sundar Dubey, 49, who lives near the temple.



Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
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Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA

The Dia Aziz Dia Award for Portrait, hosted by the Saudi Arabian Society for Culture and Arts in Jeddah, is a leading platform for portraiture and the only competition of its kind in the Middle East. It fosters national identity through contemporary art, connecting veteran and emerging artists.

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives, including Saudi women, the Arabian horse, the Saudi Green Initiative, and King Abdulaziz.

These themes highlight art's role in reflecting social transformations and contributing to the cultural goals of Saudi Vision 2030, SPA reported.

The current ninth edition, with a theme focused on King Salman, invited artists to depict the leadership and humanity of the Custodian of the Two Holy Mosques. This edition attracted significant participation, with 787 submissions from 42 cities, including international entries.

Of these, 61 works were shortlisted for the final competition, with prizes totaling SAR170,000 awarded to three main winners and seven incentive recipients.


Jazan Cultural House Explores Symbolism of Saudi Flag

The evening featured a critical reading on the symbolism of the Saudi flag and its ties to national identity and core values
The evening featured a critical reading on the symbolism of the Saudi flag and its ties to national identity and core values
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Jazan Cultural House Explores Symbolism of Saudi Flag

The evening featured a critical reading on the symbolism of the Saudi flag and its ties to national identity and core values
The evening featured a critical reading on the symbolism of the Saudi flag and its ties to national identity and core values

The Jazan Cultural House hosted a cultural evening on the Saudi flag, in collaboration with the Cultural Café, a literary partner of the Literature, Publishing, and Translation Commission.

The evening featured a critical reading on the symbolism of the Saudi flag and its ties to national identity and core values. Speakers discussed its historical and cultural significance as a symbol of unity and sovereignty, reflecting themes of faith, strength, and national cohesion.

The reading also explored the flag's role in fostering a sense of belonging and national pride, as well as various interpretations of its significance in cultural and intellectual discourse.


Prince Mohammed bin Salman Project Restores Historic Al-Qalaah Mosque in Riyadh Region

The mosque is a prime example of traditional Najdi architecture - SPA
The mosque is a prime example of traditional Najdi architecture - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Qalaah Mosque in Riyadh Region

The mosque is a prime example of traditional Najdi architecture - SPA
The mosque is a prime example of traditional Najdi architecture - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques continues its mission to preserve the Kingdom’s architectural heritage by restoring Al-Qalaah Mosque in Hawtat Bani Tamim, Riyadh Region. Built in 1250 AH (1834 CE), this historic landmark is situated within the fortress of Second Saudi State founder Imam Turki bin Abdullah.

The mosque is a prime example of traditional Najdi architecture, featuring stone foundations, mud walls constructed using molded brick techniques, and a roof of tamarisk trunks and palm fronds supported by stone-bead cylindrical columns, SPA reported.

Through the current renovation, the mosque’s area has expanded from 608.68 to 625.78 square meters while maintaining a capacity for 180 worshippers. Executed by specialized Saudi firms under expert engineering supervision, the project balances traditional standards with modern sustainability to ensure the mosque remains a living testament to Islamic and national history.

This initiative aligns with Vision 2030 objectives to rehabilitate historical sites for worship, highlight cultural heritage, and preserve the Kingdom’s authentic architectural identity for future generations.