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Under Saudi Heritage Authority’s Microscope: Exploring Historical Souq Thul-Majaz

The Saudi Heritage Authority sheds light on the historical site of Souq Thul-Majaz (Heritage Authority)
The Saudi Heritage Authority sheds light on the historical site of Souq Thul-Majaz (Heritage Authority)
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Under Saudi Heritage Authority’s Microscope: Exploring Historical Souq Thul-Majaz

The Saudi Heritage Authority sheds light on the historical site of Souq Thul-Majaz (Heritage Authority)
The Saudi Heritage Authority sheds light on the historical site of Souq Thul-Majaz (Heritage Authority)

The Saudi Heritage Authority has shed light on the historical site of Souq Thul-Majaz, one of the most renowned pre-Islamic Arab markets.

The Authority's survey and excavation team successfully completed their inaugural season, aimed at uncovering the site’s archaeological treasures, unearthing findings, and revealing architectural remnants that bear witness to the market’s historical and cultural significance.

This bustling market was once frequented by Arabs and Muslims during the early days of Islam before they embarked on the annual Hajj pilgrimage season.

The Authority, in collaboration with a group of Saudi experts, has successfully concluded the first season of archaeological survey and excavation at the site of the market in the holy city of Makkah.

The endeavor aimed to unearth scientific and historical evidence related to the location as part of the Authority's efforts to explore national heritage sites, preserve their historical significance, and promote awareness about them.

Additionally, the initiative seeks to utilize these sites as valuable cultural and economic resources, enriching the experiences of both citizens and visitors to the holy city.

Saudi Arabia, with its vast geographical expanse and pivotal role in the region’s history, is home to numerous historical sites that have embraced the heritage and epics of Arab communities, nationalities, and neighboring cultures over the ages.

Among these renowned sites are the ancient markets that have flourished since pre-Islamic times, through the early Islamic eras, where societies gathered in their shops and stalls.

Notably, the markets of Okaz, Majnah, and Thul-Majaz stand out, known as the pilgrimage markets since they took place during the pilgrimage months.

These markets served as hubs for trade and commerce and witnessed the exchange of poetry, literature, and diverse intellectual endeavors.

Located in Wadi Al-Mughmas, Souq Thul-Majaz lies about 20 kilometers to the east of the city of Makkah. This market holds historical, cultural, and archaeological significance, being one of the renowned Arabian markets in the Arabian Peninsula from pre-Islamic times until the early Islamic era.

Souq Thul-Majaz was linked to overland trade routes through which Arabs and merchants from various regions arrived in Makkah.

On the other hand, it was connected to the historic port of Al-Shuaiba on the Red Sea coast, south of Jeddah.

The prominence of Souq Thul-Majaz continued to endure even beyond the year 129 AH in the Islamic calendar year.

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Culture

Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”