Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”



Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
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Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA

Arts AlUla has announced the lineup of Saudi and international artists participating in the fourth edition of Desert X AlUla, the international open-air art exhibition held in collaboration with Desert X.

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks, ranging from large-scale installations and sound pieces that stretch across and beneath the desert landscape, to kinetic works and immersive interactive experiences.

The showcase reflects a deep connection to AlUla’s unique environment, its dramatic natural landscapes, and rich cultural heritage.

Desert X AlUla, the region’s first public art biennial, will feature 11 artists presenting diverse perspectives, materials, and artistic traditions in their large-scale works in its 2026 edition.

The program offers a delightful mix of performances and interactive family activities, alongside dedicated programs that blend sound, movement, storytelling, and play.

Also, the visitor pavilion will host a live music program curated in collaboration with AlUla Music Hub, creating moments where art, nature, and community converge in a shared experience shaped by rhythm and a strong sense of place.

Arts AlUla confirmed that Desert X AlUla 2026 will be open to the public.


Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
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Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)

Saudi Arabia’s Heritage Commission, in collaboration with Soudah Development, a Public Investment Fund company, announced on Tuesday the discovery of 20 ancient rock art sites within the Soudah Peaks area.

Spanning more than 636.5 square kilometers across Soudah and parts of Rijal Almaa, the project area is now recognized as home to some of the region’s oldest cultural landmarks. The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old, offering valuable insights into the region’s rich history.

The findings include Thamudic inscriptions, along with vivid depictions of ibex, hyenas, and ostriches, as well as scenes of hunters, dancers, palm trees, and weapons, reflecting the environmental and social practices of the ancient communities that once inhabited the area.

The survey forms part of a memorandum of understanding signed between the Heritage Commission and Soudah Development. Conducted in four scientific phases, the initiative began with data collection and site analysis, concluding with the documentation and classification of high-value archaeological sites in preparation for future development and preservation efforts.

Soudah Development remains committed to protecting and promoting the natural and cultural heritage of the project area. The company continues to work towards creating an integrated cultural and tourism experience that reflects the authenticity and historical richness of the region, in line with its vision to transform Soudah Peaks into a premier luxury mountain destination rooted in heritage.


Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

 Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
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Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

 Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)

One of the best-preserved ancient Roman homes on the Palatine Hill is opening to the public for the first time, albeit via a livestreamed tour of its hard-to-reach underground frescoes and mosaics.

The House of the Griffins was first discovered during the excavations in the early 20th century of the Palatine Hill, the verdant hill that rises up from the Roman Forum and dominates views of central Rome today with its striking red brick ruins.

The hill, located just off the Colosseum, was the site of temples and homes of leading citizens during Rome’s Republican era, which is traditionally dated from 509 B.C. to 27 B.C. It became the aristocratic quarter during the Roman Empire that followed, when new palaces were built on top of the older homes.

The House of the Griffins is one of those earlier Republican-era homes, and was hidden to the world underground after the Emperor Domitian built his palace on top of it in the first century A.D.

Now for the first time, the general public can virtually visit the House of the Griffins and its newly restored frescoes, including the decoration that gives the home its name: An arched lunette fresco featuring two griffins — the half-eagle, half-lion mythological creatures.

Visitors won’t actually walk through the home’s intimate rooms, which are only accessible via a perilously steep staircase underground. Rather, visitors above ground will watch as a tour guide wearing a head-mounted smartphone descends into the domus and walks through its rooms, livestreaming the visit and narration.

The live, virtual tour serves multiple purposes: It allows visitors to “see” a domus that, because of its underground location, would otherwise be off-limits. And by limiting the number of people in its rooms, the livestreaming protects the delicate frescoes from too much humidity and carbon dioxide.

Project chief Federica Rinaldi said archaeologists don’t know much about the family who lived there, but said they were clearly well-off. The level of decoration recalls some of the elegant homes of the era in Pompeii: The frescoes feature richly colored faux marble designs, and floor mosaics of three-dimensional cubes.

“Its location at the highest point of the hill, its distribution over several levels that take advantage of the slopes of the Palatine Hill itself, and its preservation make it today an almost textbook reference," she said. “It was certainly a domus of the highest standard.”

Starting on March 3, the livestreamed tours will be held weekly, on Tuesdays, with one in Italian and one in English, though more are foreseen. Groups are limited to a dozen people and require reservations, as well as an additional ticket beyond the typical Colosseum-Palatine Hill entrance fee.

The restoration of the House of the Griffins is one of 10 projects funded by the European Union in the archaeological park and is part of an effort to spread tourists out beyond the must-see Colosseum and Forum, which often get overwhelmed with visitors.

“It’s a great occasion to value the full territory of the park,” said the head of the park, Simone Quilici.