Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”



A Rare First Edition of ‘Wuthering Heights’ Complete with Spelling Mistakes Is up for Auction

 A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
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A Rare First Edition of ‘Wuthering Heights’ Complete with Spelling Mistakes Is up for Auction

 A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)

A rare first-edition copy of “Wuthering Heights,” complete with spelling mistakes, is up for auction for the first time in more than a century, as Emily Brontë’s tragic, tempestuous romance gains new fans through a big-screen adaptation.

Christie’s auction house said Monday that it's the first copy of the novel in the publisher’s original cloth binding to be auctioned since 1908. Only about 250 copies of the first edition were printed, and this one has been in a private library since shortly after its publication in 1847.

“The vast majority of surviving copies were rebound for collectors or libraries, meaning original cloth examples are now extremely scarce,” said Christie’s books and manuscripts specialist Mark Wiltshire.

Being sold along with a copy of sister Anne Brontë’s “Agnes Grey,” it’s expected to sell for between 400,000 pounds and 600,000 pounds ($540,000 and $800,000) at a June 30 auction in London. Both books carry the male pen names the sisters adopted to get published: Ellis Bell for Emily and Acton Bell for Anne.

“Wuthering Heights” was rushed to publication after the success of Charlotte Brontë’s “Jane Eyre,” and the first edition is notorious for its typographical errors including, Wiltshire noted, the occasional misspelling of the word “heights.”

Emerald Fennell ’s recent movie with Margot Robbie and Jacob Elordi as mismatched pair Cathy and Heathcliff is the latest work to be inspired by — and take liberties with — Brontë’s brooding, Gothic tale.

The novel shocked some critics when it was published, with one in 1848 decrying its “vulgar depravity and unnatural horrors.”

Since then, Wiltshire said, it has “moved beyond literature to become a cultural touchstone,” inspiring art, music — notably Kate Bush’s pop-operatic 1978 song — and multiple film adaptations.

“It remains a work that artists return to again and again because of its emotional force, its atmosphere, and its psychological intensity, ensuring its place not only in literary history but in wider cultural imagination,” Wiltshire said.


Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4
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Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

The Red Sea Film Foundation has extended the application deadline for the sixth edition of the 48-Hour Film Challenge to July 4, 2026, allowing more young Saudi citizens and residents the opportunity to take part in the initiative aimed at discovering and supporting emerging filmmakers, SPA reported.

Organized in partnership with the Red Sea International Film Festival, the French Consulate General in Jeddah, and Alliance Française, the challenge is open to aspiring filmmakers aged 18 to 25, SPA reported.

Participants will form creative teams and compete to produce a short film within 48 hours after completing specialized mentorship workshops.

The two winning teams will receive awards, while their team leaders will earn an artistic residency in France in 2027. The winning films will also be screened at the next edition of the Red Sea International Film Festival.


The 91-Year-Old Weaving Venezuelan Ancestral Tradition into Art

 Venezuelan weaver Margarita Mora. (The New York Times)
Venezuelan weaver Margarita Mora. (The New York Times)
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The 91-Year-Old Weaving Venezuelan Ancestral Tradition into Art

 Venezuelan weaver Margarita Mora. (The New York Times)
Venezuelan weaver Margarita Mora. (The New York Times)

Though electric machines are now standard, the Venezuelan weaver Margarita Mora has clung to a mix of ancestral Indigenous and Spanish practices to create surprisingly modern work, reported the New York Times.

As she sat at her loom on the rooftop of her home in Mucuchies, a town high in the Venezuelan Andes, Margarita Mora, recalled the morning when, at 5, she delivered some wool her mother had spun to a local weaver in nearby Mitivivó. It was her first encounter with the very loom she would use for decades to come.

“This loom has made me very happy,” she said during an interview at her home in 2024. “When I learned to weave, I was able to buy my own clothes and shoes.”

It was also how she discovered the craft that she has dedicated her life to. All those decades ago, Mitivivó was a remote settlement with just a few families, set where the mountains met the sky. It was here that she began selling her weavings.

In most parts of the world, electric machines have replaced ancient weaving techniques, but Mora, who is 91 and tiny, wearing head scarves around her weathered face, has clung to a mix of ancestral Indigenous and Spanish traditions.

Her weavings have gained her a modest level of fame in Venezuela. For years, she was an instructor at the Moconoque School of Trade, Arts and Crafts, a nonprofit with the mission of preserving and promoting traditional crafts.

In 2008, her face adorned a huge billboard on the facade of a convention center hosting an art exposition in the city of Mérida, southwest of Mucuchies, along with two other weavers and former president Hugo Chávez. She has also received multiple honorary degrees.

*Silvia Benedetti for the New York Times