Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
TT

Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”



Royal Order Issued on Establishment of Riyadh University of Arts

Custodian of the Two Holy Mosques King Salman bin Abdulaziz. SPA
Custodian of the Two Holy Mosques King Salman bin Abdulaziz. SPA
TT

Royal Order Issued on Establishment of Riyadh University of Arts

Custodian of the Two Holy Mosques King Salman bin Abdulaziz. SPA
Custodian of the Two Holy Mosques King Salman bin Abdulaziz. SPA

A royal order has been issued approving the establishment of the Riyadh University of Arts, an independent educational institution headquartered in Riyadh under the supervision of the Ministry of Culture.

With legal personality and financial and administrative autonomy, the university is dedicated to specialized education in culture and the arts, aiming to cultivate national talent across creative disciplines through advanced academic programs aligned with global best practices and the objectives of Saudi Vision 2030.

The royal order authorizes the Minister of Culture to exercise the powers of the Board of Trustees until it is formally established, ensuring the swift completion of organizational procedures to begin operations.

To enhance its academic mission, the university will seek partnerships with prestigious international institutions to exchange expertise and develop high-level educational programs.

This initiative underscores the leadership's commitment to bolstering the Kingdom’s position as a regional cultural hub and fostering the growth of its creative industries.


Riyadh’s Markets Thrive as Men Prepare Traditional Attire for Eid Al-Fitr

Riyadh’s markets are experiencing a significant surge in activity - SPA
Riyadh’s markets are experiencing a significant surge in activity - SPA
TT

Riyadh’s Markets Thrive as Men Prepare Traditional Attire for Eid Al-Fitr

Riyadh’s markets are experiencing a significant surge in activity - SPA
Riyadh’s markets are experiencing a significant surge in activity - SPA

In preparation for Eid Al-Fitr, Riyadh’s markets are experiencing a significant surge in activity as men follow the Prophetic tradition of adorning themselves for the holiday, creating high demand for new thobes, bishts, and high-quality perfumes such as oud oil and incense, while tailoring shops and specialty retailers work at peak capacity to meet the community’s needs before the Eid morning celebrations, SPA reported.

The classic white thobe remains the most popular choice for Eid morning, often paired with a shemagh and a white bisht to symbolize cultural identity and elegance.

Beyond appearance, these preparations reflect deep-rooted social and religious values, emphasizing gratitude, family visits, and the strengthening of communal ties.


Prince Mohammed bin Salman Project Restores Al-Fuwaihi Mosque in Sakaka

The restoration expanded the mosque’s area from 72.33 to 93.98 square meters - SPA
The restoration expanded the mosque’s area from 72.33 to 93.98 square meters - SPA
TT

Prince Mohammed bin Salman Project Restores Al-Fuwaihi Mosque in Sakaka

The restoration expanded the mosque’s area from 72.33 to 93.98 square meters - SPA
The restoration expanded the mosque’s area from 72.33 to 93.98 square meters - SPA

As part of the Prince Mohammed bin Salman Project for the Development of Historical Mosques, Al-Fuwaihi Mosque in Sakaka, originally built in 1380 AH (1960) and commissioned by Shaman Al-Fuwaihi, has undergone a comprehensive restoration to preserve its architectural and cultural identity while serving as a vital link to the urban and social history of Al-Jouf Region, SPA reported.

The restoration expanded the mosque’s area from 72.33 to 93.98 square meters, yet maintained its original capacity of 28 worshippers.

Supervised by Saudi engineers and executed by specialized heritage firms, the project successfully balanced traditional standards with modern technology.

This initiative aligns with Vision 2030 by rehabilitating historic sites for prayer, highlighting the Kingdom’s cultural heritage, and ensuring the long-term sustainability of these religious landmarks.