عربي English Türkçe اردو فارسى
Logo
Latest News
Culture

Under Saudi Heritage Authority’s Microscope: Exploring Historical Souq Thul-Majaz

The Saudi Heritage Authority sheds light on the historical site of Souq Thul-Majaz (Heritage Authority)
The Saudi Heritage Authority sheds light on the historical site of Souq Thul-Majaz (Heritage Authority)
TT
TT

Under Saudi Heritage Authority’s Microscope: Exploring Historical Souq Thul-Majaz

The Saudi Heritage Authority sheds light on the historical site of Souq Thul-Majaz (Heritage Authority)
The Saudi Heritage Authority sheds light on the historical site of Souq Thul-Majaz (Heritage Authority)

The Saudi Heritage Authority has shed light on the historical site of Souq Thul-Majaz, one of the most renowned pre-Islamic Arab markets.

The Authority's survey and excavation team successfully completed their inaugural season, aimed at uncovering the site’s archaeological treasures, unearthing findings, and revealing architectural remnants that bear witness to the market’s historical and cultural significance.

This bustling market was once frequented by Arabs and Muslims during the early days of Islam before they embarked on the annual Hajj pilgrimage season.

The Authority, in collaboration with a group of Saudi experts, has successfully concluded the first season of archaeological survey and excavation at the site of the market in the holy city of Makkah.

The endeavor aimed to unearth scientific and historical evidence related to the location as part of the Authority's efforts to explore national heritage sites, preserve their historical significance, and promote awareness about them.

Additionally, the initiative seeks to utilize these sites as valuable cultural and economic resources, enriching the experiences of both citizens and visitors to the holy city.

Saudi Arabia, with its vast geographical expanse and pivotal role in the region’s history, is home to numerous historical sites that have embraced the heritage and epics of Arab communities, nationalities, and neighboring cultures over the ages.

Among these renowned sites are the ancient markets that have flourished since pre-Islamic times, through the early Islamic eras, where societies gathered in their shops and stalls.

Notably, the markets of Okaz, Majnah, and Thul-Majaz stand out, known as the pilgrimage markets since they took place during the pilgrimage months.

These markets served as hubs for trade and commerce and witnessed the exchange of poetry, literature, and diverse intellectual endeavors.

Located in Wadi Al-Mughmas, Souq Thul-Majaz lies about 20 kilometers to the east of the city of Makkah. This market holds historical, cultural, and archaeological significance, being one of the renowned Arabian markets in the Arabian Peninsula from pre-Islamic times until the early Islamic era.

Souq Thul-Majaz was linked to overland trade routes through which Arabs and merchants from various regions arrived in Makkah.

On the other hand, it was connected to the historic port of Al-Shuaiba on the Red Sea coast, south of Jeddah.

The prominence of Souq Thul-Majaz continued to endure even beyond the year 129 AH in the Islamic calendar year.

Most Viewed

 
 
Culture

Japanese Poet Shuntaro Tanikawa, Master of Modern Free Verse, Dies at 92

Shuntaro Tanikawa, a Japanese poet and translator, speaks during an interview with The Associated Press in Tokyo, on May 25, 2022. (AP)
Shuntaro Tanikawa, a Japanese poet and translator, speaks during an interview with The Associated Press in Tokyo, on May 25, 2022. (AP)
TT
TT

Japanese Poet Shuntaro Tanikawa, Master of Modern Free Verse, Dies at 92

Shuntaro Tanikawa, a Japanese poet and translator, speaks during an interview with The Associated Press in Tokyo, on May 25, 2022. (AP)
Shuntaro Tanikawa, a Japanese poet and translator, speaks during an interview with The Associated Press in Tokyo, on May 25, 2022. (AP)

Shuntaro Tanikawa, who pioneered modern Japanese poetry, poignant but conversational in its divergence from haiku and other traditions, has died. He was 92.

Tanikawa, who translated the "Peanuts" comic strip and penned the lyrics for the theme song of the animation series "Astro Boy," died Nov. 13, his son Kensaku Tanikawa said Tuesday. He said his father died at a Tokyo hospital due to old age.

Shuntaro Tanikawa stunned the literary world with his 1952 debut "Two Billion Light Years of Solitude," a bold look at the cosmic in daily life, sensual, vivid but simple in its use of everyday language. Written before Gabriel García Márquez’ "One Hundred Years of Solitude," it became a bestseller.

Tanikawa’s "Kotoba Asobi Uta," or "Word Play Songs," is a rhythmical experiment in juxtaposing words that sound similar, such as "kappa," a mythical animal and "rappa," a horn, that makes for a joyful singsong compilation, filled with alliterations and onomatopoeia.

"For me, the Japanese language is the ground. Like a plant, I place my roots, drink in the nutrients of the Japanese language, sprouting leaves, flowers and bearing fruit," he said in a 2022 interview with The Associated Press at his Tokyo home.

Tanikawa explored the poetic, not only in the repetitive music of the spoken word but also the magic hidden in little things.

One of his works is titled, "I wanted to talk to you in the kitchen in the middle of the night."

"In the past, there was something about it being a job, being commissioned. Now, I can write as I want," he said.

In every work Tanikawa tackled, including the script for Kon Ichikawa’s "Tokyo Olympiad," a documentary film of the 1964 Tokyo Games, the respectful love for the beauty of the Japanese language resonates.

He also translated Mother Goose, Maurice Sendak and Leo Lionni. Tanikawa has in turn been widely translated, including English, Chinese and various European languages.

Some of his works were made into picture books for children, and they are often featured in Japanese school textbooks. He also incorporated Japanese words derived from foreign origins into his poems like Coca-Cola.

In his prose poem with that title, in which a boy is opening a Coke can, he wrote: "If, for instance, he saw the infinite universe that started or ended at the tip of his can, he was totally unaware of it. One might be able to opine that he named every bit of the unknown about to swallow him with all the vocabulary he could muster, which included his future vocabulary that was yet dormant in his subconscious."

In his debut poem that catapulted him to stardom, he is more sparse:

"Because the universe goes on expanding, we are all uneasy. With the chill of two billion light-years of solitude, I suddenly sneezed," is the way the poem ends, as translated by William I. Elliott and Kazuo Kawamura.

When asked about it, Tanikawa acknowledged it felt as though someone else had written it, but noted he still thought it was a good poem.

"Tanikawa’s poetry reflects a metaphysical and quasi-religious attitude toward experience. In simple, spare language, he sketches profound ideas and emotional truths," according to the Poetry Foundation, a US literary organization.

Tanikawa was born in 1931, a son of philosopher Tetsuzo Tanikawa, and began writing poetry in his teens, circulating with the famous poets of that era, like Makoto Ooka and Shuji Terayama.

He said he used to think poems descended like an inspiration from the heavens. But, as he grew older, he felt the poems welling up from the ground.

In person, Tanikawa was friendly and unassuming, often reading in public with other poets. He never seemed to take himself too seriously but used to confess his one regret in life was never finishing his education, having dropped out amid stardom at a young age.

His relative isolation from the bleakly serious scholarly poetry scene of postwar Japan likely helped him take his free-verse approach that went on to innovate and define Japanese contemporary poetics.

Tanikawa said he wasn’t afraid of death, implying he perhaps meant to write a poem about that experience, too.

"I am more curious about where I will go when I die. It’s a different world, right? Of course, I don’t want pain. I don’t want to die after major surgery or anything. I just want to die, all of a sudden," he said.

He is survived by his son, musician Kensaku Tanikawa and daughter Shino and several grandchildren. Funeral services were held privately with family and friends. A farewell event in his honor is being planned, Kensaku Tanikawa said.

"As they did with all of you, Shuntaro’s poems stunned and moved me, making me chuckle or shed a tear. Wasn’t it all so fun?" he said. "His poems are with you forever."