Saudi Heritage Commission Works on Modern Urban Heritage Strategy Project

The Saudi Heritage Commission logo
The Saudi Heritage Commission logo
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Saudi Heritage Commission Works on Modern Urban Heritage Strategy Project

The Saudi Heritage Commission logo
The Saudi Heritage Commission logo

The Heritage Commission began work on the Modern Heritage Strategy project, the main stage of the action plan of the Modern Urban Initiative launched in November 2022, which is concerned with preserving the important features of modern urban heritage. It represents key elements that shaped the memory and history of architecture and urbanism in the Kingdom.

The initiative goes through several stages, including the current phase of setting up a future strategy concerning documenting, preserving and developing modern heritage buildings and sites in the Kingdom's regions; it entails initial listing and classification, architectural and urban documentation, registration and coding, restoration and rehabilitation, development and investment, and management and operation, all of which fall under the main scientific programs identified by UN Women to activate the initiative, namely: the modern urban heritage exploration and registration program, the modern urban heritage documentation program, and the modern urban heritage conservation and restoration program.

The commission had identified eight key benchmarks that shape the pillars of the "Modern Urban Heritage Initiative" in selecting and registering modern urban heritage landmarks and buildings. They are beauty, cultural historical value, scientific and technological value, whether a building is a landmark, scarcity, spatial context, the current status and the authenticity of the site. When all or at least four of these standards are attained, the targeted building may be included in the national urban heritage register.

This initiative is part of the Heritage Commission's vision of celebrating heritage as a cultural wealth; it is driven by its mission to protect, manage and nurture innovation and sustainable development of the components of cultural heritage, and the buildings of modern urban heritage.

The initiative covers a major architectural period in the Kingdom's development that has been closely associated with changing construction patterns, coinciding with the economic and social growth that the Saudi society has experienced over the past six decades.

It also seeks to restore the memory of buildings that reflect this period, whether they still stand or have been lost or neglected in previous periods.



Morocco's Women Rug Weavers Battle to Save Age-old Craft

Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP
Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP
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Morocco's Women Rug Weavers Battle to Save Age-old Craft

Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP
Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP

In southern Morocco, women are the guardians of the age-old craft of carpet weaving, an intricate art form that often leaves them with meagre earnings.

Women like Ijja Benchri, who creates carpets on a wooden weaving loom outside her small home in the village of Taznakht, follows traditions going back many generations.

"I started when I was 11 or 12, imitating the women I saw weaving," said Benchri, 60.

Known for their bold geometric patterns and vibrant colors, the handwoven rugs are a fixture in local markets and a favorite among tourists.

In 2022, traditional carpets accounted for nearly 22 percent of the kingdom's artisan exports, according to government data, AFP reported.

The mountain villages around Taznakht are famous for their Ait Ouaouzguite carpets, named after a native Amazigh tribe, one among a grouping of several communities indigenous to North Africa long referred to as Berbers.

The carpets are woven by the women on small traditional looms, either at home or in specialised workshops.

They are then categorized into various styles, depending on their region of origin and their designs.

Some of Morocco's finest rugs are crafted from high-quality sheep wool in Jbel Sirwa just south of the Atlas Mountains, and dyed using natural pigments from plants like henna, pomegranate peels, or indigo.

Though industrial dyes have replaced natural ones for most weavers because they are cheaper and can be produced more quickly.

"This tradition has been handed down for centuries, from mothers to daughters," said Safia Imnoutres, who leads a local women's weaving cooperative.

She was one of the women showcasing their creations at a recent festival in Taznakht dedicated to safeguarding the heritage.

- 'Comes from within' -

Creating a single carpet can take two to four weeks depending on its size, said Benchri, speaking in Tamazight, the community's language recognized as an official language alongside Arabic in Morocco.

"I choose the colors as I go, according to my feelings," she added.

Imnoutres also described the process as "instinctive", guided by emotion rather than a predetermined design.

"Weaving is an expression of the women's feelings, when they are joyful, when they are melancholic," she added. "It's an art that comes from within."

But beyond its artistic value, weaving is a vital source of income.

Every Thursday, many travel to a weekly market to sell their rugs, often to middlemen who set the prices.

On average, a large rug sells for just 250 Moroccan dirhams (around $24), with its final price later raking astronomical profits.

In cities like Marrakech, some 250 kilometres (160 miles) north of Taznakht, they are sold in bazaars for up to ten times the original price.

Other rugs are listed at up to $6,000 on online platforms.

"We earn very little," said Benchri. "The intermediaries decide the price, and we have no choice but to accept it because this is our livelihood."

These diminishing returns, she added, have contributed to making the craft less attractive for younger women and jeopardising the handcraft tradition.

Additionally, the influx of cheaper, machine-made rugs has deepened competition.

To address these challenges, a new exhibition space in Taznakht allows some weavers to sell their work directly to buyers, cutting out middlemen.

The center also tries to open new avenues for these women to sell their products independently through courses in digital marketing.

"If this heritage isn't made financially viable, we risk losing it," Imnoutres warned.