Saudi Orchestra…Artistic Experience Raising National Music to International Horizons

Since February 2020, the Music Commission has worked to develop
the infrastructure for musical culture in the Kingdom (SPA).
Since February 2020, the Music Commission has worked to develop the infrastructure for musical culture in the Kingdom (SPA).
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Saudi Orchestra…Artistic Experience Raising National Music to International Horizons

Since February 2020, the Music Commission has worked to develop
the infrastructure for musical culture in the Kingdom (SPA).
Since February 2020, the Music Commission has worked to develop the infrastructure for musical culture in the Kingdom (SPA).

When a group of international musicians stood on the sidelines of the G20’s ministers of culture’s meeting in India to perform “Sur Vasudha”, celebrating the musical heritage of these countries, the head of the Saudi Orchestra appeared in their national garment and Arabic accent to partake in the song, which described the whole world as one family. From India, to France, Mexico, Jordan, and many other countries, the Saudi National Orchestra has played a universal musical language that connects people from around the world, and reminds them of what they have in common.

In every international event, with the participation of around 70 Saudi performers and instrument players, the National Saudi Orchestra and Choir perform a bouquet of folkloric, patriotic, and modern songs that highlight the Saudi musical culture, and the special products of the national music library.

The Saudi Orchestra led unprecedented international events in which it blended the diverse and rich Saudi musical folklore with the music of the hosting countries. On social media, fans shared some of the exceptional pieces the Saudi National Orchestra and Choir performed with other international groups, including the Carlos Chávez Orchestra at Mexico’s National Theater, where the audience genuinely applauded in appreciation of the great performance blending the two musical experiences.

An 80-year-old experience

The Saudi National Orchestra and Choir debuted as an early experience, in 1942, when Saudi Defense Minister, Prince Mansour bin Abdulaziz named renowned artist and one of the first Saudi composers, Tariq Abdul-Hakim to form a military music band, which became the core of an artistic journey that grew with time and helped create a unique Saudi musical identity.

Abdul-Hakim traveled to Egypt in 1952, to start the preparations for a Saudi orchestra. During his trip, he met with esteemed Arabic and Egyptian musicians, who helped shape his musical taste and journey. Back from his trip, which also included Lebanon, he started founding the first military music institute in the kingdom, and a musical group that paved the road for a prospering artistic era.

New phase and promising start

In 2019, in light of a rising momentum in the culture sector, the Saudi Culture Ministry announced the formation of the Saudi National Music Band, and the development of a professional team that represents the kingdom internationally, and promotes the Saudi music and musical heritage around the globe. The ministry chose the Saudi esteemed crooner, Abdel Rab Idris, who convoyed the Saudi music experience since its early days, to build the national team and teach different types of Arabic and international music, as well as supporting and promoting the music industry in Saudi Arabia, and spreading the national musical folklore around the world.

Following the revelation of a new cultural network in the kingdom led by the ministry of culture, which distributed the sector’s missions on 11 specialized commissions, the Saudi Music Commission launched in 2021 its own strategy to develop and support music in the kingdom in accordance with the Vision 2030. As part of its strategy, the commission has supported the outlets that facilitate access to the Saudi music product, enhanced the presence of the Saudi National Orchestra and Choir, an upgraded version of the Saudi National Music Band born in 2019.

Symbolic power and cultural identity

Maestro Imad Zaree said the National Orchestra and Choir represent the Saudi musical heritage on the international level, and provides a support system for the Saudi artists and musician in different fields. He also noted that the national band supports the local artistic movement with the discovery of talents and their qualification through specially-curated programs, as well as supporting the different art fields, promoting the Saudi heritage internationally, and boosting the goals of the Vision 2030, which defines culture, in its different categories, as a symbolic power, cultural identity, and economic addition.

Zaree, who led the National Orchestra and Choir in several international events, hailed the efforts of the ministry in setting plans that resulted in early accomplishments in international events. “We have seen the efforts of Culture Minister, Prince Badr bin Abdullah and their remarkable interest in supporting the foundation of the group and the development of its work. These efforts are manifested in the level of professionalism among the group’s members performing local and Arabic arts,” he added. This serves the interest of the Saudi art and artists, and helps spread the Saudi music experience to the world.

Thriving Saudi music and arts

Music has flourished in Saudi Arabia with many new experiences and entities created to develop the music sector and nurture promising talents. The sector has witnessed new initiatives and the opening of new music institutes for those wishing to develop their potential and engage in the new artistic phase.

Since February 2020, the Music Commission has been working on developing the infrastructure for a musical culture in the Kingdom, offering everyone the opportunity to learn music, as well as discovering, developing and empowering musical talents, spreading awareness of music culture, and establishing a sector that contributes to the domestic economy by creating jobs for both genders, live cultural performances, music recordings and amateur music education centers. The commission has also focused on reviving and documenting Saudi folklore and music performances to grow the national and social sense, developing the musical cultural identity of Saudi Arabia and promoting it regionally and globally, and emphasizing the kingdom’s leading position in the Arab and Islamic world.



Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
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Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)

In a historic building in central Tripoli, Libyans wander past ancient statues and artifacts, rediscovering a heritage that transcends political divides at their national museum which reopened this month after a 2011 uprising.

"I got here barely 15 minutes ago but I already feel like I've been transported somewhere. It's a different world," said architecture student Nirmine Miladi, 22.

In the waterfront building known as the red citadel -- once the seat of power -- visitors journey through a history that includes ancient art, Greek and Roman antiquities and Ottoman-era weapons and jewellery.

Miladi's sister Aya, 26, an interior design student, said she liked the bright new museum's layout, "the careful lighting, the screens and interactive tools" that all help make the museum accessible to all.

Libya plunged into chaos after a NATO-backed uprising toppled and killed longtime leader Moammar al-Gadhafi in 2011, and the country has struggled to regain stability.

Since then, the North African country has been divided, with two rival executives vying for power: a Tripoli-based Government of National Unity and an administration based in Benghazi in the country's east.

Mohamed Fakroun, head of international cooperation at the antiquities department, said the museum went through "a dark period during its 14-year closure".

Fearing looting and vandalism after Gadhafi's overthrow, the antiquities department removed "all the artifacts until the country re-stabilized", said Fakroun, 63, who has worked at the French archaeological mission to Libya for almost four decades.

- 'National symbol' -

Curator Fathiya Abdallah Ahmad is among a handful of people who knew the location of secret, sealed rooms where the museum's treasures were taken into hiding for more than a decade.

She said the antiquities department and staff worked to "preserve a historic and cultural heritage that belongs to all Libyans".

This allowed the works to be safeguarded until the museum could reopen "in a modern format that conforms to international standards", she added.

The bright new facility includes digital projections and interactive screens as well as videos, audio guides and QR codes enabling visitors to delve further.

Fakroun noted the museum has a room dedicated to Roman emperor Septimius Severus, who was born in the ancient city of Leptis Magna -- now a UNESCO World Heritage site east of Tripoli.

Another room is dedicated to stolen items that have since been returned, including from the United States and the United Kingdom, he added.

Interior design student Aya Miladi said many Libyans saw the museum's inauguration as the "return of a national symbol".

It is also "a step towards reconciliation between Libyans and with their often little-known past", after years of war, as well as a sign of stability, she added.

- 'Not without past' -

Teacher Fatima al-Faqi, 48, said there was "a world of difference" between the reopened museum and the dark, dusty facility she visited 30 years ago on a school trip.

This time, she was leading a group of high-school students to help them "discover Libya's history and nourish their sense of patriotism", she said, as pupils goggled at items from Roman statues to stuffed animals in the natural history section.

The Tripoli government has invested more than five million dollars in rehabilitating the museum and its surrounding area, despite the oil-rich country's economic woes including frequent cash and fuel shortages.

Fakroun said the six-year renovations were carried out in cooperation with the French mission and the ALIPH foundation -- the International Alliance for the Protection of Heritage.

The museum seeks to convey a hope-filled message about Libya's identity to its visitors, most of whom "were not born when it was last open before 2011", he added.

Visitor Sarah al-Motamid, 34, said that "many people don't know about our country's ancient history and look at us as if we were worthless".

She said she was visiting with her six-year-old daughter Mariam because she wanted her to "understand that we are not without a past or civilization".


Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.