Israeli Document: Persian Jewish Man Served as Muezzin in a Chad Mosque

The Grand Mosque in N'Djamena, formerly known as Fort Lamy (Facebook)
The Grand Mosque in N'Djamena, formerly known as Fort Lamy (Facebook)
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Israeli Document: Persian Jewish Man Served as Muezzin in a Chad Mosque

The Grand Mosque in N'Djamena, formerly known as Fort Lamy (Facebook)
The Grand Mosque in N'Djamena, formerly known as Fort Lamy (Facebook)

An Israeli document recently published by the State Archives revealed the story of a Jewish man of Persian descent who had served as a muezzin for several years in N'Djamena in Chad, formerly known as Fort Lamy, before letting on that he was Jewish.

The document includes a letter sent by an Israeli diplomat who served in Africa in 1962, and told the story, kept secret until now, of the only Jew in Chad.

Aryeh Lourie who was the chargé d'affaires at the Israeli embassy, sent the letter on September 30, 1962 to the Middle East Department of the Israeli Ministry of Foreign Affairs, of a Jewish man of Persian descent who had served as a muezzin in N'Djamena.

“I found the only Jew in Chad,” the diplomat wrote in his letter.

He said George Hamdani from the Persian city of Hamdan came to Fort Lamy a quarter of a century earlier.

At the time the city was made up entirely of Muslims who had just completed the construction of a large mosque and were searching for a Muslim cleric to call the faithful to prayer and lead the community's service.

Since they had found no one to fill the position, Hamdani offered his services – claiming he too was of the Muslim faith.

His voice reverberated across the town every day at dawn calling the faithful to prayer, and on Friday he led the Muslim service.

He filled this position until 1943 and over the years had amassed great wealth, which included 40 homes, two hotels and a movie theater, among other properties.

“In 1943 he suddenly stopped going to the mosque and somehow communicated to his flock that he was in fact of the Jewish faith,” Lourie wrote in his letter.

“This of course caused much of an uproar in the city but by then, Hamdani was already too rich and well established and protected by people who had ironclad interests on the one hand and by the African propensity not to take anything too much to heart, so the matter was forgotten and many still recognize his contribution to the Muslim cause in Fort Lamy.

The Ambassador said he was hoping to convince Hamdani to contribute to his own people by perhaps financing a building to house the Israeli embassy in Chad, a school for children of Persian descent or at least to donate to the Israel National Fund.

“I know that despite building luxurious homes, Hamdani still lives in a mud hut, as he had done for the past 25 years while the income from his many properties reaches 12 million CFA franc, the equivalent of 150,000 Israeli pounds, per month,” Lourie wrote. The Ambassador copied the Israeli embassy in Tehran and in Paris on his letter.



Saudi Heritage Commission Organizes 2nd Edition of Saudi Int’l Handicrafts Week

The event will take place at the Roshn Front in Riyadh from November 23 to 29. SPA
The event will take place at the Roshn Front in Riyadh from November 23 to 29. SPA
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Saudi Heritage Commission Organizes 2nd Edition of Saudi Int’l Handicrafts Week

The event will take place at the Roshn Front in Riyadh from November 23 to 29. SPA
The event will take place at the Roshn Front in Riyadh from November 23 to 29. SPA

The Saudi Heritage Commission is organizing the second edition of the Saudi International Handicrafts Week, "Banan," under the patronage of Culture Minister and Chairman of the Heritage Commission Prince Badr bin Abdullah bin Farhan Al Saud.

The event will take place at the Roshn Front in Riyadh from November 23 to 29, highlighting authentic handicrafts and traditional industries. It aims to support artisans from within and outside the Kingdom by showcasing their creations and enhancing their capabilities.

The exhibition includes various pavilions and activities that enrich visitors' experiences, such as a Handicraft Arts Village, a Live Craft Demonstration Pavilion, a Craft Exhibition, a Handicraft Workshop Pavilion, an Interactive Experience Zone, and an Entrepreneurs and Artisan Institutions Platform. There is also a Children's Pavilion featuring a range of activities designed for kids. More than 20 countries will participate, with over 500 local and international artisans showcasing their work.

"Banan" serves as a dynamic platform to celebrate traditional handicrafts. Its role extends beyond promoting these authentic arts; it also contributes to economically supporting artisans by enabling them to market their work to a broader audience of local and international visitors. Recognizing handicrafts as part of the Kingdom's intangible cultural heritage, the exhibition aims to raise awareness and develop them to ensure their continuity for future generations.
Following the successes of its first edition, "Banan" received several international awards, recognizing its excellence in utilizing the aesthetics of handicrafts through innovative artistic design. These awards reflect the Kingdom's progress in supporting designers and artisans on the international stage, highlighting the cultural and creative value of handicrafts. This also affirms the Commission’s commitment to the highest standards of artistic design in organizing heritage events, enhancing the Kingdom’s reputation as a leading destination in creative design related to heritage.
The exhibition aims to provide visitors with a rich and comprehensive cultural experience, allowing them to interact directly with artisans and observe the production processes of handmade artistic pieces. Through this experience, visitors will learn about the cultural diversity that the Kingdom embraces, enriching their knowledge of Saudi heritage and deepening their understanding of the country's customs and traditions. Additionally, the exhibition offers a unique opportunity to connect visitors with the national cultural identity and transmit it to future generations.
The Saudi Heritage Commission emphasizes that "Banan" represents a vision to support and empower the handicraft cultural sector, making it an important contributor to the Kingdom’s economy. This aligns with the objectives of the National Culture Strategy derived from Saudi Vision 2030. Through this event, the Commission reiterates its commitment to providing an encouraging environment for artisans and creatives to enhance their sustainable development. The Commission aims for "Banan" to become one of the prominent cultural exhibitions both locally and internationally, attracting a wide audience interested in heritage and handicrafts.