World War I Memorials in France, Belgium Are Vying Again to Become UNESCO World Heritage Sites 

Canadian soldiers march at a sunset ceremony and mounting of the vigil at the WWI Canadian National Vimy Memorial in Givenchy-en-Gohelle, France on April 8, 2017. (AP)
Canadian soldiers march at a sunset ceremony and mounting of the vigil at the WWI Canadian National Vimy Memorial in Givenchy-en-Gohelle, France on April 8, 2017. (AP)
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World War I Memorials in France, Belgium Are Vying Again to Become UNESCO World Heritage Sites 

Canadian soldiers march at a sunset ceremony and mounting of the vigil at the WWI Canadian National Vimy Memorial in Givenchy-en-Gohelle, France on April 8, 2017. (AP)
Canadian soldiers march at a sunset ceremony and mounting of the vigil at the WWI Canadian National Vimy Memorial in Givenchy-en-Gohelle, France on April 8, 2017. (AP)

With war ravaging Europe's heartland again, the countless headstones, cemeteries and memorials from World War I are a timeless testimony to its cruelty. Belgium and France want them recognized as UNESCO World Heritage sites to make sure people stop and think.

They bring pause and introspection to just about everyone visiting the sites dotted along the former battle lines of the 1914-1918 Great War that killed some 10 million soldiers.

At 12, Robin Borremans is dreaming of becoming a helicopter pilot in Belgium's elite Special Forces. At the Tyne Cot cemetery, where 12,000 Commonwealth soldiers are buried row upon row, his perspective on life and death, war and peace is being honed.

“It makes you so very quiet when you know what happened in this war,” he said as he took a break from walking between the rows of the fallen. “It's really terribly impressive.” He and his party planned to visit a cemetery for Germans, the erstwhile enemy, later that day.

It is because of that impact that both nations want UNESCO to include the area on its famed list of sites along with the Great Wall of China, Peru's Machu Picchu and Greece's Acropolis. A decision on the issue is expected to be made around Sept. 21 during UNESCO's World Heritage Committee meeting in Riyadh, Saudi Arabia.

The area has 139 sites spanning western Belgium and northern France and has been a living history almost since the guns finally fell silent in 1918. In neighboring Ypres, “every evening — every evening — of every single day since the 1920s there has been a couple of people blowing a horn out of the Menin Gate,” where the names of 54,000 soldiers who were never found in the chaos spawned by the war are engraved on its walls, said Matthias Diependaele, heritage minister of northern Belgium's region of Flanders.

"That is the idea of commemorating every individual lost life in that war,” he said.

But that is not necessarily enough to achieve such lofty recognition, UNESCO has already ruled. To the dismay of the two nations, it snubbed their request in 2018 with the advice of the International Council on Monuments and Sites marking its conclusions with comments like “several questions,” “lack of clarity,” “too narrow and limited” and “shortcomings.”

As well, it was long perceived that a site like the Auschwitz Birkenau German Nazi concentration camp in Poland should stand alone as witness to the horror and suffering and not be a precedent for a long list linked to wars.

That was five years ago and now, Diependaele said, “I believe and I'm counting on the fact that the ideas inside UNESCO changed and that now there is more a context of openness.” And with the 1 1/2-year-old Russian invasion of Ukraine, “the world has changed since then as well. And maybe there is a lot more understanding for the necessity of the defending of peace.”

Since the war in Ukraine started, several of the institutions linked to the memorials and cemeteries have begun initiatives to support the embattled nation.

As in World War I, casualties are also being counted in the tens of thousands, though, fortunately, the overall rate is still much smaller. The sense of loss though, remains the same.

“We get so many people coming through here and making that link with Ukraine just because it is so relevant at the moment,” said Erin Harris, a guide at Tyne Cot. “And you’re seeing the same situation happening — with these two sides fighting endlessly.”

“And you come here to a place like this and you really see, well, this is still happening,” Harris said. “And, you know, not much has changed.”



Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact
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Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

The Cultural Development Fund has announced its results for the first quarter of 2026, demonstrating significant growth in financial performance and developmental impact. This underscores the fund's role as a key financial enabler and center of excellence in developing a sustainable cultural sector, enhancing Saudi culture as a vital economic and social pillar, SPA reported.

Since its inception, the fund has provided over SAR770 million in financial support to 165 cultural projects across various sub-sectors and regions of the Kingdom. It has also benefited more than 1,630 creative individuals and entrepreneurs through developmental services aimed at building entrepreneurial capabilities.

The fund achieved a 30% increase in financial returns compared to the same period in 2025, contributing an estimated SAR4.1 billion to GDP and creating over 12,540 job opportunities.

Additionally, it has stimulated private sector involvement with approximately SAR1.1 billion in contributions, reflecting growing confidence in developing the cultural sector.

These figures highlight the fund's essential role in empowering the private sector and fostering innovative financial solutions that promote growth and enhance the quality of life, aligned with Saudi Vision 2030.


Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.


Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
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Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)

Against a backdrop of blooming cherry blossoms, a group of geishas elegantly shuffle onto a stage in Japan's Kyoto city to begin a centuries-old performance celebrating the arrival of spring.

Dressed in sky blue kimonos emblazoned with flowers, the dancers twist and twirl in unison in front of hundreds of spectators eager to see the annual "Miyako Odori" in the nation's spectacular ancient capital.

Geishas, known as geikos in Kyoto, and apprentices called maikos have been donning elaborate costumes and fluttering fans since the Miyako Odori -- or "capital city dance" -- first started in 1872.

"Just as cherry blossoms bloom when spring approaches, the Miyako Odori is a spring tradition in Kyoto," Kyoko Sugiura, head of the Yasaka Nyokoba Gakuen, a school for geishas in Kyoto's Gion district, told AFP.

In Japanese, the word geisha means "person of the arts", and can refer to a woman or man trained in traditional Japanese performing arts.

In the popular imagination geishas are often confused with courtesans but their work as trained masters of refined old artforms does not involve selling sex.

Their performances are usually small and private, and take place at high-class establishments which operate a no first-time customer policy.

"That's why it is often thought of as a very exclusive world," Sugiura said.

"But the Miyako Odori is a one-hour show in which geisha and maiko have the opportunity to showcase the arts they practise daily," she said.

"Anyone and everyone with a ticket can enjoy the show."

The Miyako Odori began soon after Kyoto hosted Japan's first national expo -- an effort to revitalize the western city following the relocation of the capital to Tokyo in 1869.

The format of the performance has not changed much, Sugiura explained, although the music and dance moves are sometimes switched up.

Maria Superata, a geisha expert who has worked with them as an interpreter, explained that the show "combines all of the traditional performing arts that you can see in Japan".

"For example, elements from kabuki (classical Japanese theatre), elements from traditional dance. So they have to act, they have to sing, they have to play the instruments, everything all in one," she said.

"That's why it's so special."

But the number of geishas, who once made a living through performing for Japan's wealthy elite, is in decline.

Superata said that fewer young Japanese want a life that demands huge discipline and comes with a strict practice schedule.

"Nowadays, young Japanese people... are not very interested that much in traditional art and in kimono."