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Syrian Refugee Describes Struggle with Nightmares in 'Black Forest'

Syrian Refugee Describes Struggle with Nightmares in 'Black Forest'
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Syrian Refugee Describes Struggle with Nightmares in 'Black Forest'

Syrian Refugee Describes Struggle with Nightmares in 'Black Forest'

Ramina Books, London, has recently released the “Black Forest” novel by Germany-based Syrian novelist Mazen Arafa.

The story takes place in a city, southern Germany, where a Syrian refugee lives in struggle from “war trauma”. The title of the book reflects the darkness in his spirit caused by the terror he saw during the war and how it still haunts him through nightmares.

One day, the refugee wakes up without a memory, in a safe “European city” that has no people, without knowing how he arrived there. He lives alone with illusions and surrealistic nightmares, and his unconsciousness manifests in worlds of madness and absurdity.

These worlds not only express the terror he’s keeping inside him, but also the cultural trauma of a refugee living in a cold, emotionless western community after he was used to the eastern intimacy and warmth in his country. But his temporary break outside the “mental therapy resort” helps to draw a real image of the social environment he lives in, in an attempt to explain his nightmares.

The protagonist’s fight with his terror eventually leads him to record his story in the “memories’ trees”, a real tree in the forest with a hole that contains a notebook in which passerby write down their stories.

The cover of the 206-page book, is designed by Yassine Ahmadi, and features a painting of the Kurdish-Syrian artist Khodr Abdul Karim.

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Culture

Indonesia Showcases Returned Artifacts it Had Sought for Decades from the Netherlands

Indonesia Showcases Returned Artifacts it Had Sought for Decades from the Netherlands
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Indonesia Showcases Returned Artifacts it Had Sought for Decades from the Netherlands

Indonesia Showcases Returned Artifacts it Had Sought for Decades from the Netherlands

Centuries-old stone Buddha statues and precious jewelries repatriated by the Dutch government to its former colony are on display at Indonesia's National Museum, providing a glimpse into the country's rich heritage that the government had struggled to retrieve.
The collection is part of more than 800 artifacts that were returned under a Repatriation Agreement signed in 2022 between Indonesia and the Netherlands, said Gunawan, the museum's head of cultural heritage. The objects are not just those looted in conflict, but also seized by scientists and missionaries or smuggled by mercenaries during the four centuries of colonial rule, The Associated Press reported.
“I was so amazed that we have all of these artifacts,” said Shaloom Azura, a visitor to the museum in Jakarta. She hoped other historical objects can be repatriated too, "so we don’t have to go to the Netherlands just to see our own cultural heritage.”
The agreement to return cultural objects was inspired by the new era of global restitution and repatriation efforts.
In 2021, France said it was returning statues, royal thrones and sacred altars taken from the West African nation of Benin. Belgium returned a gold-capped tooth belonging to the slain Congolese independence hero Patrice Lumumba.
Cambodia in 2023 welcomed the return of priceless stolen artifacts that had been seized during periods of war and instability. Many of the items returned so far have come from the United States. And the Berlin museum authority said it would return hundreds of human skulls from the former German colony of East Africa.
The Dutch government announced the same year the return of the Indonesian treasures and looted artifacts from Sri Lanka.
Only a few objects made it back before a deal was struck. The repatriation “is not something out of the blue” but followed a lengthy process, said I Gusti Agung Wesaka Puja, former Indonesian ambassador to the Netherlands who also headed the government's team tasked to recover the objects.
He said negotiations with the Dutch government have been ongoing since Indonesia’s independence in August 1945, but it was only in July 2022 that Indonesia formally requested the return of its cultural objects with a list of specific items.
“This repatriation is important for us to reconstruct history that may be lost or obscured or manipulated,” Puja said. “And we can fill the gap of the historical vacuum that has existed so far.”
The Dutch government in 1978 returned the famous 13th-century statue of princess Pradnya Paramita from the Javanese Singhasari Kingdom. During the same visit to Indonesia, then-Queen Juliana also returned a saddle and spear seized from Prince Diponegoro, a Javanese nobleman considered a national hero for his struggle against colonial rule in the 19th century.
The prince's scepter was returned in 2015. In 2020, Dutch King Willem-Alexander handed over Diponegoro's gold-plated kris dagger in his first state visit to Indonesia.
Also pending is the return of the “Java Man” — the first known example of homo erectus that was collected by Dutch paleoanthropologist Eugene Dubois in the 19th century.
“The importance of the most recent repatriation is knowledge creation, that will give society a more complete knowledge of our past history,” said Puja.
He said the recent repatriation efforts seem to also be motivated by practical considerations, such as when the Delf city administration sent back 1,500 objects in 2019. They were part of the bankrupted Nusantara Museum collection.
However, Marc Gerritsen, the Dutch ambassador to Indonesia, said the repatriation would only focus on cultural objects that are requested, rather than emptying out European museums.
“There is a huge interest from the Dutch public in Indonesian history and Indonesian culture, so we do know that if Dutch museums put these objects on display, there will be an interest,” Gerritsen said, “But again, the heart of the matter is that the colonial collections artifacts that were stolen during the colonial period are returned on the basis of this process that was established.”
He said the Netherlands, the largest investor from the European Union in Indonesia, has a unique relationship with Southeast Asia’s biggest economy.
“Of course, we have elements of which we are not proud, but we are really grateful for the fact that Indonesia is so much attached to preserving that history,” Gerritsen said.
To support its former colony in safeguarding its repatriated cultural heritage, the Dutch government has offered to assist in improving museum storage conditions and staff expertise.
Some researchers have criticized Indonesia, the world’s largest archipelago nation of 17,000 islands, for a lack of legal framework to protect its rich cultural heritage and natural conservation.
At least 11 cases of museum thefts were reported between 2010 and 2020, according to a 2023 report by Rucitarahma Ristiawan, a lecturer of cultural science at Gajah Mada University, and two other researchers.
In 2023, dozens of ships dredged the bottom of the Batanghari River in Jambi province, and the crews looted archaeological objects including porcelain, coins, metal and gold artifacts, which are believed to have been sold abroad, the report said.
“I think there is a lot to be reviewed from our historical works that are still kept in other countries,” said Frengky Simanjuntak, who marveled at the Repatriation Exhibition at the National Museum, on display since October. “So it’s not just about bringing them back home, but how to protect them."