4 Exceptionally Preserved Roman Swords Discovered in Dead Sea Cave in Israel

Israeli archaeologists show four Roman-era swords and a javelin head found during a recent excavation in a cave near the Dead Sea, in Jerusalem, Wednesday, Sep. 6, 2023. (AP Photo/Ohad Zwigenberg)
Israeli archaeologists show four Roman-era swords and a javelin head found during a recent excavation in a cave near the Dead Sea, in Jerusalem, Wednesday, Sep. 6, 2023. (AP Photo/Ohad Zwigenberg)
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4 Exceptionally Preserved Roman Swords Discovered in Dead Sea Cave in Israel

Israeli archaeologists show four Roman-era swords and a javelin head found during a recent excavation in a cave near the Dead Sea, in Jerusalem, Wednesday, Sep. 6, 2023. (AP Photo/Ohad Zwigenberg)
Israeli archaeologists show four Roman-era swords and a javelin head found during a recent excavation in a cave near the Dead Sea, in Jerusalem, Wednesday, Sep. 6, 2023. (AP Photo/Ohad Zwigenberg)

Four Roman-era swords, their wooden and leather hilts and scabbards and steel blades exquisitely preserved after 1,900 years in a desert cave, surfaced in a recent excavation by Israeli archaeologists near the Dead Sea, the Israel Antiquities Authority announced Wednesday.
The cache of exceptionally intact artifacts was found about two months ago and tells a story of empire and rebellion, of long-distance conquest and local insurrection, The Associated Press reported.
Researchers, who published the preliminary findings in a newly released book, propose that the arms — four swords and the head of a javelin, known as a pilum — were stashed in the remote cavern by Jewish rebels during an uprising against the Roman Empire in the 130s.
The swords were dated based on their typology, and have not yet undergone radiocarbon dating.
The find was part of the antiquities authority's Judean Desert Survey, which aims to document and excavate caves near the Dead Sea and secure scrolls and other precious artifacts before looters have a chance to plunder them.
The cool, arid and stable climate of the desert caves has allowed exceptional preservation of organic remains, including hundreds of ancient parchment fragments known as the Dead Sea Scrolls.
Those Jewish texts, discovered last century and dated to the first centuries BCE and CE, contain the earliest known versions of the Hebrew Bible, as well an assortment of esoteric writings.
Archaeologists returned to this particular cave near the desert oasis of Ein Gedi to document an inscription found decades earlier.
“At the back of the cave, in one of the deepest part of it, inside a niche, I was able to retrieve that artifact — the Roman pilum head, which came out almost in mint condition,” said Asaf Gayer, an archaeologist with Ariel University.
But though the swords were found on the eastern edge of the Roman Empire, they were likely crafted in a distant European province and brought to the province of Judaea by soldiers in the military, said Guy Stiebel, a Tel Aviv University archaeologist specializing in Roman military history.
He said the quality of their preservation was exceptionally rare for Roman weapons, with only a small handful of examples from elsewhere in the empire and beyond its borders.
“Each one of them can tell you an entire story,” he said. Future research will focus on studying its manufacture and the origin of the materials in order to tease out the history of the objects and the people it belonged to — Roman soldiers and Jewish rebels.
“They also reflect a much grander narrative of the entire Roman Empire and the fact that from a small cave in a very remote place on the edge of the empire, we can actually shed light about those mechanisms is the greatest joy that the scientist can have,” he said.



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."