Near UN in Geneva, Giant Fresco Advocates for World without Weapons 

An aerial photograph taken on September 11, 2023 shows a giant biodegradable land art painting by French artist Guillaume Legros, aka SAYPE, representing a hand fixing the fourth leg to the "Broken Chair" a monumental wood sculpture installed in front of the Palace of Nations, which houses the United Nations offices in Geneva. (Fabrice COFFRINI / AFP)
An aerial photograph taken on September 11, 2023 shows a giant biodegradable land art painting by French artist Guillaume Legros, aka SAYPE, representing a hand fixing the fourth leg to the "Broken Chair" a monumental wood sculpture installed in front of the Palace of Nations, which houses the United Nations offices in Geneva. (Fabrice COFFRINI / AFP)
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Near UN in Geneva, Giant Fresco Advocates for World without Weapons 

An aerial photograph taken on September 11, 2023 shows a giant biodegradable land art painting by French artist Guillaume Legros, aka SAYPE, representing a hand fixing the fourth leg to the "Broken Chair" a monumental wood sculpture installed in front of the Palace of Nations, which houses the United Nations offices in Geneva. (Fabrice COFFRINI / AFP)
An aerial photograph taken on September 11, 2023 shows a giant biodegradable land art painting by French artist Guillaume Legros, aka SAYPE, representing a hand fixing the fourth leg to the "Broken Chair" a monumental wood sculpture installed in front of the Palace of Nations, which houses the United Nations offices in Geneva. (Fabrice COFFRINI / AFP)

On the square across from the United Nations in Geneva, Swiss-French artist SAYPE has used eco-friendly paint to create a giant fresco intended to draw attention to the plight of civilians in armed conflicts.

Working with the Handicap International charity, the 34-year-old painted a gigantic hand on a grass canvas using chalk and coal that, from above, can be seen repairing a huge wooden sculpture known as the Broken Chair.

The three-legged Broken Chair, a work by Swiss artist Daniel Berset erected on Place des Nations in 1997, was designed to raise awareness about the impact of landmines on civilians in conflict zones.

"The idea was to paint a hand that comes to fix the broken leg," SAYPE told Reuters as he stood near his fresco, which is called "All Of Us".

"In my mind, this hand represents the whole world and that we can all get involved and help Handicap International in its fight."

Handicap International was founded in 1982 to assist Cambodian refugees who had lost limbs and it co-founded the International Campaign to Ban Landmines (ICBL) in 1992, which won the Nobel Peace Prize.

It assists vulnerable populations around the world, including civilians who have lost limbs due to armed conflict.

The issue of landmines even more topical due to the war in Ukraine, SAYPE said.

The number of people killed or wounded by cluster munitions has increased massively and the destruction in June of the Kakhovka dam and resulting flooding has most likely displaced many mines, creating more danger for civilians.

"For most of my projects, I try to use art to spread messages," SAYPE said. "I like to say that I impact society without impacting nature."

SAYPE is mostly known for his "Beyond Walls" series in which he spray painted giant hands clasping each other in cities including Berlin, Istanbul and Cape Town.



Morocco's Tribeswomen See Facial Tattoo Tradition Fade

Amazigh women pose for a picture in the village of Imilchil in central Morocco’s High Atlas Mountains on September on August 19, 2024. Agence France-Presse
Amazigh women pose for a picture in the village of Imilchil in central Morocco’s High Atlas Mountains on September on August 19, 2024. Agence France-Presse
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Morocco's Tribeswomen See Facial Tattoo Tradition Fade

Amazigh women pose for a picture in the village of Imilchil in central Morocco’s High Atlas Mountains on September on August 19, 2024. Agence France-Presse
Amazigh women pose for a picture in the village of Imilchil in central Morocco’s High Atlas Mountains on September on August 19, 2024. Agence France-Presse

As a young girl growing up in the Atlas mountains, Hannou Mouloud's family took her to have her chin tattooed with the cherished lines that generations of Moroccan Amazigh tribeswomen wore.
"When I was six, they told me tattoos were pretty adornments," recalled the 67-year-old from Imilchil village of the once-common practice among women in North Africa's Amazigh groups, AFP reported.
Long referred to as Berbers, many tribespeople from the area prefer to be called Amazigh, or Imazighen, which means "free people".
Today, like in many of the Indigenous cultures across the world where facial tattoos were long prevalent, the practice has largely faded.
Many attribute the near-disappearance of facial tattoos to Morocco's changing religious attitudes in recent decades, with interpretations of Islam where inked skin and other body modifications like piercings are prohibited taking hold.
"We would use charcoal to draw the designs on our faces, then a woman would prick the drawing with a needle until blood came out," Mouloud told AFP, adding that they would rub the wound daily with a chewed green herb to deepen the tattoo's color.
The markings vary in design between the minority's tribes and were used to signify the wearer's origin while offering beauty and protection.
Being tattooed would hurt, said Hannou Ait Mjane, 71, and "we couldn't hold back our tears" but it "remains a tradition that our ancestors passed down to us".
Fundamentalism
Morocco has the largest Amazigh population in North Africa, with Tamazight, the community's language, recognised as an official language alongside Arabic.
According to the most recent census in 2014, more than a quarter of Morocco's 35 million inhabitants speak at least one dialect -- Tarifit, Tamazight or Tachelhit.
Abdelouahed Finigue, a geography teacher and researcher from Imilchil, told AFP that women often had their chins, foreheads or hands tattooed.
The designs held different meanings to the different communities.
"The woman, through her tattoos, expresses her beauty and her value as an individual independent of the man," he said, explaining what the different shapes can mean.
"The circle, for example, represents the universe and beauty, just like the moon and the sun which occupied an important place in local rites," he said.
But changing religious trends means fewer women are getting inked.
Bassou Oujabbour, member of local development association AKHIAM, said women with the markings have faced social pressure.
"Fundamentalists sometimes describe tattooing as the devil's book or as the first thing to be burned on the human body," he said.
"Some women even removed the tattoos long after getting them for fear of punishment after death."