Saudi Arabian Historic Gems under Global Microscope

Al-Ahsa Oasis joined the UNESCO's  World Heritage List
in 2018. (UNESCO).
Al-Ahsa Oasis joined the UNESCO's World Heritage List in 2018. (UNESCO).
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Saudi Arabian Historic Gems under Global Microscope

Al-Ahsa Oasis joined the UNESCO's  World Heritage List
in 2018. (UNESCO).
Al-Ahsa Oasis joined the UNESCO's World Heritage List in 2018. (UNESCO).

Riyadh’s embrace of the 45th session of the UNESCO’s World Heritage Committee hosting 3,000 guests from 21 countries, highlights the deep civilizational roots of the Saudi heritage sites.The kingdom boasts six sites enlisted on the World Heritage List, three out of which will be visited by the committee’s representatives. The list is expected to include further sites that reflect the richness of the Saudi culture and heritage in different regions. During its meeting in Riyadh, the committee has studied proposals to add 50 new sites from around the world on its World Heritage List, which already features 1,157 sites in 167 countries.

Six History-rich Heritage Sites

The six Saudi sites featured on the UNESCO’s World Heritage List shed lights on the kingdom’s rich legacy consisting of many historic events and civilizations with esteemed history.

Al-Hijr Valley overlooks 153 stone structures

Wadi Al-Hijr or Al-Hijr Valley was the first Saudi site to join the World Heritage List. Located in northwestern Saudi Arabia, it overlooks 153 sculpted stone structures, Islamic antiquities, fortresses, and the remnants of the Hejaz Railway, which all witness on the different historic eras that Al-Hijr saw, and highlight its strategic location on the route connecting the south of the Arabian Peninsula to Mesopotamia, the Levant, and Egypt.The valley was one of the most prominent centers of the Nabatean Kingdom, which ruled the region until the 4th century AD, and the largest southern Nabatean settlement after Jordan’s Petra. The valley was also the capital of the Lihyanite Kingdom in the north of the Arabian Peninsula.In 2008, the site was the first Saudi site added on the UNESCO’s World Heritage List.

At-Turaif District ... cornerstone in the establishment of Saudi Arabia

Standing proudly in the heart of Diriyah, At-Turaif District is described as a historic gem whose mud walls reflect a bright history. It was the base of the First Saudi State, and the starting point of the country’s unification and the kingdom’s foundation.Surrounded by Wadi Hanifa, one of the most famed valleys in the Arabian Peninsula, At-Turaif District was established in the 15th century. It’s known for its unique Najdi architecture, and was the capital of the First Saudi State and a hub for trade and education.The district has maintained its unique architectural style boasting sturdy buildings and fortresses made of mud and palm branches that survived over the years. It has recently opened its doors as a tourism destination that takes visitors in a trip back to the early moments of the prospering Saudi entity.The historic district embraces the Salwa palace, extending over an area of 10,000 sqm, a historic landmark and a residence of the Al Saud princes and kings. Its name was inspired by its diverse functions, the palace was not only a residence, but also a center of entertainment for its old and current inhabitants.

Al-Balad, Jeddah... Window on the sea, history

Overlooking the Red Sea, the coastal city of Jeddah tells the story of a community with many experiences that cumulated over the years in Al-Balad area, also known as Historic Jeddah, which boasts unique architectural features and ancient houses that captivate visitors flocking from eight gates that each has its own significance and stories.Hundreds-year-old alleys, houses, and khans have formed the historic area from which the contemporary Jeddah has emerged, the charming city on the Red Sea coast that has become one of the brightest Arabic modern cities. The historic city, combined with the promising future and the spirit of great history, make the story of Jeddah, a historic center of Muslims since 647 AD.

Stone art in Hail

The sites of Jubbah, Rata and Al-Manjur in Hail, famed for exceptional stone engravings on their mountains, which dates back to more than 10,000 years BC, have joined the World Heritage List in 2015.Stone engravings can be seen everywhere on the mountains of Umm Senman, Rata and Al-Manjur area. The illustrations, dating back to prehistory, mostly the modern stone age (14,000 years before history) depict people and animals.

Al-Ahsa Oasis... Green Gem

Surrounded by over two million trees, Al-Ahsa Oasis enjoys a natural beauty and historic glare that have made it one of the largest palm oases in the world, and a historic and cultural witness on the ancient human in the Arabian Peninsula, how they adapted to the local environmental conditions and used the available tools to ensure a sustainable life.Located in eastern Saudi Arabia, the oasis includes historic sites, green parks, conventional irrigation channels and fresh water wells. It also features Al-Asfar Lake, the largest water compound in the Gulf region, where lives a complete fungi ecosystem.Alongside the unique natural landscapes, the oasis has many historic buildings and sites that reflect the history and cultural structure of the place, and shed lights on the human settlement in the Gulf region since the modern stone age. This unique cultural and natural landscape is an exceptional model on the interaction between human beings and their surrounding environment.

The Bir Hima Cultural Region ...largest stone art complex

The historic Bir Hima region in Najran, southern Saudi Arabia, is the sixth and last Saudi site that joined the UNESCO’s World Heritage List. It includes over 34 locations of stone engravings and wells that stretch along the route that convoys used to cross from the south to the north of the Arabian Peninsula.The 557-sqm art stone area in Bir Hima features 550 stone art structures with hundreds of thousands of engravings depicting hunting, animals, plants, and the lifestyles of a culture that spanned over 7,000 years.

Sites on the waiting list

In 2015, the UNESCO has added ten Saudi sites to its tentative list, a first step on the way to the World Heritage List, including Al-Ahsa Oasis, which was later upgraded to a World Heritage Site in 2018.Other Saudi sites are expected to join the list given their historic significance, such as the Damascene and Egyptian pilgrimage route, the Zubaydah Trail, the Hejaz Railway, and Qaryat Al Faw.



Vatican Returns to Canada Artefacts Connected to Indigenous People

A pair of gauntlets made in the late 19th-century Cree-Metif native Canadian traditional style by indigenous activist Gregory Scofield. Gregory Scofield, AP
A pair of gauntlets made in the late 19th-century Cree-Metif native Canadian traditional style by indigenous activist Gregory Scofield. Gregory Scofield, AP
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Vatican Returns to Canada Artefacts Connected to Indigenous People

A pair of gauntlets made in the late 19th-century Cree-Metif native Canadian traditional style by indigenous activist Gregory Scofield. Gregory Scofield, AP
A pair of gauntlets made in the late 19th-century Cree-Metif native Canadian traditional style by indigenous activist Gregory Scofield. Gregory Scofield, AP

The Vatican on Saturday returned 62 artefacts connected to the Indigenous peoples of Canada to the country's Catholic bishops, offering what it called "a concrete sign of dialogue, respect and fraternity", a statement said.

Pope Leo gifted the objects to the Canadian Conference of Catholic Bishops following a meeting with their representatives including their president, Bishop Pierre Goudreault, said Reuters.

"The CCCB will proceed, as soon as possible, to transfer these artefacts to the National Indigenous Organizations (NIOs). The NIOs will then ensure that the artefacts are reunited with their communities of origin," the Canadian bishops said.

Catholic missionaries sent the artefacts to Rome on the occasion of a 1925 exhibition held by Pope Pius XI that displayed more than 100,000 objects. Nearly half of them later formed a new Missionary Ethnological Museum and were transferred to the Vatican Museums in the 1970s.

In 2022, the late Pope Francis issued a historic apology to Canada's Indigenous peoples ahead of his visit to the country for the Catholic Church's role in residential schools where many children suffered abuse and were buried in unmarked graves.

The repatriation of the native artefacts held at the Vatican Museums was also part of the talks between the Church and the Indigenous leaders.


Rebooted Harlem Museum Celebrates Rise of Black Art

To mark its reopening, the Studio Museum is mounting a retrospective on Ton Lloyd, whose works were shown in the museum's 1968 inaugural show. TIMOTHY A. CLARY / AFP
To mark its reopening, the Studio Museum is mounting a retrospective on Ton Lloyd, whose works were shown in the museum's 1968 inaugural show. TIMOTHY A. CLARY / AFP
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Rebooted Harlem Museum Celebrates Rise of Black Art

To mark its reopening, the Studio Museum is mounting a retrospective on Ton Lloyd, whose works were shown in the museum's 1968 inaugural show. TIMOTHY A. CLARY / AFP
To mark its reopening, the Studio Museum is mounting a retrospective on Ton Lloyd, whose works were shown in the museum's 1968 inaugural show. TIMOTHY A. CLARY / AFP

As the Studio Museum reopens this weekend in its gleaming new building, New York's premier institution for Black art finds itself looking back and looking forward at the same time.

Colorful signs featuring permanent works have sprouted near the museum's home in Harlem, a center point in Black life and imagination in America for more than a century, AFP said.

The museum, closed for the more than seven-year project, has commissioned new works to commemorate the reboot, which features expanded studios for the institution's artists-in-residence program.

But the 57-year-old museum is also hearkening back to its roots with a retrospective of the late Tom Lloyd, whose electronically programmed wall sculptures anticipated today's digital age.

Some of the same pieces were hung in the museum's inaugural 1968 show back when works by artists of African descent were mostly absent from New York's leading museums.

Today's art scene is very different.

Rashid Johnson, Amy Sherald and others are regularly showcased in shows at the Guggenheim, Whitney and other nameplate New York museums, which have also hosted retrospectives belatedly recognizing Black movements.

"In the time of the museum's life, we have seen this incredible trajectory and some of that is a result of the work that the museum did in its establishment and its early years," said Studio Museum director Thelma Golden, who oversaw a more than $300 million drive to finance a teardown and newbuild project that cements the museum's ties to Harlem.

"The aperture opens, but even with that, we still believe deeply in the work that continues to need to be done."

'Truly current work'

The museum's history is laid out in photos of the 1968 groundbreaking, and there are posters of jazz nights, "Uptown Friday" gatherings, high school programs and of shows such as a retrospective of James Van Der Zee, a famed photographer during the Harlem Renaissance.

The founders' ambitions included creating a place distinct from New York establishments like the Museum of Modern Art.

The Studio Museum will present "truly current work," founders wrote in 1966. The work "could turn out to be a flash in the pan or could conceivably begin an entire new school or new direction in art."

Backers also sought to redefine Harlem, "which is all too often equated with slums, violence and other evils," and to deepen the commitment of supporters -- some white -- to "make New York City a united city rather than one which is currently divided by an invisible Berlin wall."

Key turning points included 1981, when the Studio Museum broke ground at its current address at 144 West 125th Street.

Another shift came after Golden joined in 2000, when the mission statement was expanded beyond US-born creators to artists of African descent "locally, nationally and internationally."

Signature works

That broadened scope is boldly expressed on the building's exterior with a red, black and green flag by David Hammons inspired by the Pan-African flag of the 1920s associated with activist Marcus Garvey.

Another signature work is Houston Conwill's "The Joyful Mysteries," containing statements by seven prominent Black Americans written for future generations. The time capsules will be opened in September 2034, 50 years after their creation.

The new edifice itself nods to Harlem's architectural vernacular, with a mass of geometries in gray concrete and glass. The building has received rapturous reviews, and this weekend offers the public a first look.

Golden described the site as aiming to "redefine what a museum can be in its space and content."

She credited her predecessors, not all of whom lived to see Black art achieve mainstream acceptance.

"I am well aware that they did not get to see the fruits of the labor," Golden told AFP. "The inheritance I have from them is that they believed so deeply that that belief carries from '68 to this moment."


China Showcases Rich Heritage with Live Craft Demonstrations at Saudi Int’l Handicrafts Week

The Chinese pavilion is offering live demonstrations where craftspeople showcase a diverse range of traditional arts. (SPA)
The Chinese pavilion is offering live demonstrations where craftspeople showcase a diverse range of traditional arts. (SPA)
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China Showcases Rich Heritage with Live Craft Demonstrations at Saudi Int’l Handicrafts Week

The Chinese pavilion is offering live demonstrations where craftspeople showcase a diverse range of traditional arts. (SPA)
The Chinese pavilion is offering live demonstrations where craftspeople showcase a diverse range of traditional arts. (SPA)

As the guest of honor at the Saudi International Handicrafts Week (Banan), the Chinese pavilion is offering live demonstrations where craftspeople showcase a diverse range of traditional arts integral to China's heritage, including wood carving, purple clay pottery, embroidery, weaving, metalwork, and folk crafts like shadow puppetry, reported the Saudi Press Agency on Saturday.

The artisans embody a civilizational philosophy that finds beauty in the details, combining respect for nature, ancient techniques, and contemporary innovation. Their demonstrations illustrate the intricate processes of drawing on wood, transforming clay into vibrant pottery, and weaving threads, feathers, and paper into stories passed down through time.

This unique participation represents a living cultural bridge between Saudi Arabia and China.

Visitors are invited to discover the depth and richness of Chinese civilization and witness how handicrafts can serve as a common human language that transcends both time and borders.