Colombian Painter, Sculptor Fernando Botero Passes Away at 91

Fernando Botero is seen during an interview in New York on October 30, 2013. (AP)
Fernando Botero is seen during an interview in New York on October 30, 2013. (AP)
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Colombian Painter, Sculptor Fernando Botero Passes Away at 91

Fernando Botero is seen during an interview in New York on October 30, 2013. (AP)
Fernando Botero is seen during an interview in New York on October 30, 2013. (AP)

Colombia's most famous artist, Fernando Botero, who was known for his voluptuous depictions of people and animals, has died aged 91.

"Fernando Botero, the painter of our traditions and defects, the painter of our virtues, has died," President Gustavo Petro wrote on the X platform previously known as Twitter.

“The painter of our violence and of peace. He painted the pigeon that was rejected one thousand times, and put one thousand times on a throne,” he added, referring to the bird the late painter used in one of his symbolic paintings.

The president did not mention where the artist died.

Born in 1932, in Medellín, Colombia, Botero is one of the most esteemed artists in the 20th century.

Local media hailed Botero as the greatest Colombian artist of all time, reporting his health had deteriorated in recent days.

"I often think about death and it saddens me to leave this world and not be able to paint more. I love it so much," the late artist said in an interview with AFP in 2012, the year of his 80th birthday.

Botero was drawn to art at a young age, and by 15, he was selling his paintings of bulls and matadors in Bogota.

After a first solo exhibition in the capital Bogota in the 1950s, Botero left for Europe, travelling to Spain, France and Italy, where he discovered classical art. Then, he moved to Mexico and fell under the influence of its muralists.

His artistic journey debuted in the 1970s, when he met Dietrich Malov, the director of the German Museum in New York, with whom he organized several successful exhibitions.



Diriyah Art Futures, Schiattarella Associati Inaugurate 'The Light Footprint' Exhibition in Venice

The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation. (SPA)
The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation. (SPA)
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Diriyah Art Futures, Schiattarella Associati Inaugurate 'The Light Footprint' Exhibition in Venice

The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation. (SPA)
The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation. (SPA)

The Saudi Arabia’s Diriyah Art Futures (DAF), the MENA region's first New Media Arts hub, inaugurated on Thursday "The Light Footprint," an exhibition in collaboration with Italian architecture studio Schiattarella Associati.

The exhibition's launch, which runs until June 15, coincides with the opening of the Venice Biennale of Architecture 2025 and explores the architectural development of DAF's groundbreaking headquarters in Riyadh, said DAF in a statement.

The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation and presents architectural models, sketches, videos, drawings, photographs, and archival objects to highlight the development process of DAF's remarkable headquarters.

The opening event brought together Advisor to Saudi Arabia's Ministry of Culture Mona Khazindar, Director of DAF Haytham Nawar, and Principal Architects of Schiattarella Associati Amedeo and Andrea Schiattarella for a guided curator-led tour of the exhibition, highlighting the building's architectural and conceptual vision.

Designed by Schiattarella Associati, the DAF hub sets a new benchmark for developing technologically advanced cultural landmarks that integrate historical context with forward-thinking architectural design. Carved into the escarpment of Diriyah, the design draws on Najdi traditions, local materials, and a philosophy that prioritizes sustainability, cultural resonance, and human connection.

Khazindar stated: "We are pleased to present our vision for Diriyah Art Futures alongside the launch of the Venice Biennale of Architecture 2025. This project embodies our efforts to develop forward-looking cultural institutions that foster bold experimentation and new forms of creative expression rooted in our distinct heritage."

"Through projects like Diriyah Art Futures, we are establishing new benchmarks for contemporary cultural institutions while transforming the Kingdom into a leading global capital for cultural exchange," she added.

Amedeo and Andrea Schiattarella said: "Our work begins with the belief that architecture must resist the global flattening of cultural identity by embracing the uniqueness of place. With Diriyah Art Futures, we sought to create something deeply rooted in the local context, which draws on natural materials, historical continuity, and the values of the Najdi tradition to build a contemporary language tied to its environment."

Developed by the Museums Commission, one of the 11 sector-specific commissions of the Saudi Ministry of Culture, DAF is an arts, research, and education hub driven by a belief in the power of interdisciplinary creative practice at the intersection of science and technology.

DAF's 6,550-square-meter hub is equipped with state-of-the-art facilities, symbolizing Saudi Arabia's efforts to develop forward-looking institutions, with strong roots in the nation's unique cultural heritage.