Versailles Palace Celebrates 400th Anniversary, Hosts King Charles III for State Dinner 

People visit the Hall of Mirrors inside the Palace of Versailles during a press visit on the occasion of the opening of the space dedicated to the history of the construction of the Chateau of Versailles, in Versailles, near Paris, France, 14 September 2023. (EPA)
People visit the Hall of Mirrors inside the Palace of Versailles during a press visit on the occasion of the opening of the space dedicated to the history of the construction of the Chateau of Versailles, in Versailles, near Paris, France, 14 September 2023. (EPA)
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Versailles Palace Celebrates 400th Anniversary, Hosts King Charles III for State Dinner 

People visit the Hall of Mirrors inside the Palace of Versailles during a press visit on the occasion of the opening of the space dedicated to the history of the construction of the Chateau of Versailles, in Versailles, near Paris, France, 14 September 2023. (EPA)
People visit the Hall of Mirrors inside the Palace of Versailles during a press visit on the occasion of the opening of the space dedicated to the history of the construction of the Chateau of Versailles, in Versailles, near Paris, France, 14 September 2023. (EPA)

France is rolling out the red carpet for King Charles III's state visit at one of its most magnificent and emblematic monuments: the Palace of Versailles, which celebrates its 400th anniversary.

Charles and Queen Camilla's three-day trip to Paris and Bordeaux, starting Wednesday, includes a grand dinner at Versailles in the presence of over 150 guests in the Hall of Mirrors.

It comes as the Palace of Versailles just opened to the public the gallery that retraces its history, from its creation as a modest hunting lodge in 1623 to last century's key diplomatic events — including the visits of Charles’ predecessors.

French President Emmanuel Macron’s office said Wednesday's dinner echoes the state visit of Queen Elizabeth II in 1972, when she was greeted at the Palace by President Georges Pompidou. King Charles liked the idea of following in his mother’s footsteps, according to Macron's office.

Elizabeth II also visited the palace in 1958 and 10 years before, when she was not yet a Queen.

Catherine Pégard, president of the Palace of Versailles, praised the "never-ending story" of the palace that "includes visits from French children who come to Versailles with their classes, as well as visits from His Majesty the King of England or tourists who arrive from Asia and are less familiar with the history."

"And we have a story to tell each one of them," she told the Associated Press.

Usually filled with a chaotic crowd of photo-snapping tourists from across the world, the Hall of Mirrors will be closed to visitors Wednesday to get prepared for the royal banquet. No details have been provided about the menu yet, but the French presidency said it will be an opportunity to showcase France's cultural and gastronomical excellence.

Charles' visit will make one more date in the Palace's long history starting from King Louis XIII, to the French revolution and all the way to modern times that is being presented on its ground floor into the newly opened Gallery of the History of the Palace.

The gallery has 11 rooms, each thematic and largely chronological, presenting over 120 works aimed at providing visitors from across the world an immediate understanding of the complex history of the palace.

It brings together recently acquired works alongside paintings and art pieces that for many years had gone unseen as they’d been in reserve and others that are now repositioned and better enhanced.

Laurent Salomé, director of the National Museum of the Palace of Versailles and Trianon, said the exhibit features a number of masterpieces.

"Our intention was to create a first great moment of pleasure for visitors. First of all, because they’ve traveled a lot. For a long time, they’ve dreamed of Versailles. We didn’t want to give them a boring lesson to start their visit," he said.

Some pieces of work come from the original version of the palace and its gardens under its great builder Louis XIV, who decided to expand his father’s hunting lodge.

It's "a history made by not just one monarch, it’s also an enormous team of artists — and the greatest artists. A good thing about absolute monarchy is to be able to gather all the best people at the same place," Salomé stressed.

Today the Palace contains 2,300 rooms spread over 63,154 square meters (679,784 square feet).

The gallery of history also provides an occasion to discover anecdotes about the Palace’s life — like some panels of the "Chinese chamber" of Queen Marie Leszczynska, Louis XV's wife, that she in part painted herself.

In the last rooms, visitors can see the famous desk where the 1919 Treaty of Versailles was signed that formally ended World War I, as well as photos and video archives of heads of states and royalties honored at the Palace during the 20th century.

"The idea is also to show that there is a gradual transformation of the Chateau de Versailles, which has always remained alive through the centuries, from its creation to the present day," Salomé said.



Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”