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Cultural, Intellectual Destinations Inspire Riyadh International Book Fair Visitors

The Sultanate of Oman is the guest of honor during this edition of the Riyadh International Book Fair. (Saleh al-Ghannam)
The Sultanate of Oman is the guest of honor during this edition of the Riyadh International Book Fair. (Saleh al-Ghannam)
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Cultural, Intellectual Destinations Inspire Riyadh International Book Fair Visitors

The Sultanate of Oman is the guest of honor during this edition of the Riyadh International Book Fair. (Saleh al-Ghannam)
The Sultanate of Oman is the guest of honor during this edition of the Riyadh International Book Fair. (Saleh al-Ghannam)

The new edition of the Riyadh International Book Fair (RIBF) is offering its audience millions of books and new titles from the Arabic library, and also offering a wide space for intellectual and cultural dialogues that revive the evenings of the Saudi capital with publishers, intellects, and content creators from all over the world.

The corridors of the fair were crowded thanks to its new location at the King Saud University, and its organization over an area of 50,000 sqm. People have been touring seamlessly to visit the pavilions of over 1,800 publishers partaking from 32 countries and displaying millions of titles. The setup also features halls for the training workshops and platforms for the discussion evenings, which look into various topics on the intellectual movement and the Arabic creativity.

The Oman pavilion... history and art

RIBF is hosting a folkloric Omani group that performs popular arts reflecting the diversity and richness of the country. The Sultanate of Oman is the guest of honor of this year’s edition of the fair. Its pavilion displays diverse aspects of thought, culture, literature, art, and heritage, and hosts seminars, poetry evenings and art shows in which partakes an elite of Omani novelists and intellects.

Mhanna al-Qamshoui from the Omani Ministry of Culture, Sports, and Youth, said the visitors flocked to the Sultanate’s pavilion right after the opening, looking to explore the rare Omani manuscripts, the art exhibition, musical shows, and VR presentation on the Sultanate, as well as a Majlis serving Omani goods and popular sweets.

Qamshoui added that the pavilion exhibits a collection of rare manuscripts that reflect the Omani cultural history and its role in the Arab world, the connections among Arab countries and people throughout history, and their civilizational role in advancing humanity and serving various scientific and cultural purposes.

Visitors of the Omani pavilion have been given the opportunity to enjoy a collection of rare manuscripts including the oldest ever, which was written in 1137. The pavilion is decorated with a mural inspired by the Jabreen Castle built by Bil'arab bin Sultan bin Saif Al Yarubi in 1670.

Outdoor area... coffee and books

In the outdoor area, visitors can take a break in the coffee shops and partake in the intellectual discussions before resuming their tours.

The area also hosts theater shows and Saudi and Omani performances that entertain the visitors with cultural ambiances that highlight the historic connection between humans and books, and the significance of literatures for Arabs, as well as honoring the symbols of culture, thought, and poetry in the region.

Qamshoui announced that the Omani Orchestra will attend the RIBF in the few coming days to share its musical creativity with the Saudi audience, and expand the Omani experience in the heart of Saudi Arabia.

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Culture

Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”