300-Year-Old Painting Stolen by US Soldier During WWII Returned to German Museum 

This photo shows the 18th century painting titled "Landscape of Italian Character" by Vienna-born artist Johann Franz Nepomuk Lauterer, Thursday, Oct. 19, 2023 in Chicago. (AP)
This photo shows the 18th century painting titled "Landscape of Italian Character" by Vienna-born artist Johann Franz Nepomuk Lauterer, Thursday, Oct. 19, 2023 in Chicago. (AP)
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300-Year-Old Painting Stolen by US Soldier During WWII Returned to German Museum 

This photo shows the 18th century painting titled "Landscape of Italian Character" by Vienna-born artist Johann Franz Nepomuk Lauterer, Thursday, Oct. 19, 2023 in Chicago. (AP)
This photo shows the 18th century painting titled "Landscape of Italian Character" by Vienna-born artist Johann Franz Nepomuk Lauterer, Thursday, Oct. 19, 2023 in Chicago. (AP)

After a stopover in the US that lasted the better part of a century, a baroque landscape painting that went missing during World War II was returned to Germany on Thursday.

The FBI handed over the artwork by 18th century Austrian artist Johann Franz Nepomuk Lauterer to a German museum representative in a brief ceremony at the German Consulate in Chicago, where the pastoral piece showing an Italian countryside was on display.

Art Recovery International, a company focused on locating and recovering stolen and looted art, tracked down the elusive painting after a person in Chicago reached out last year claiming to possess a “stolen or looted painting” that their uncle brought back to the US after serving in World War II.

The painting has been missing since 1945 and was first reported stolen from the Bavarian State Painting Collections in Munich, Germany. It was added to the database of the German Lost Art Foundation in 2012, according to a statement from the art recovery company.

“The crux of our work at Art Recovery International is the research and restitution of artworks looted by Nazis and discovered in public or private collections. On occasion, we come across cases, such as this, where allied soldiers may have taken objects home as souvenirs or as trophies of wars," said Christopher Marinello, founder of Art Recovery International.

"Being on the winning side doesn’t make it right,” he added.

The identity of the Chicago resident who had the painting was not shared. The person initially asked Marinello to be paid for the artwork.

“I explained our policy of not paying for stolen artwork and that the request was inappropriate,” Marinello said.

“We also know that someone tried to sell the painting in the Chicago art market in 2011 and disappeared when the museum put forth their claim.”

But with the help of the FBI Art Crime Team, attorneys, and the museum, Marinello negotiated an unconditional surrender of the artwork.

The painting, titled “Landscape of Italian Character,” will now reunite with its counterpart, which shares similar motifs and imagery, according to the museum.

The two paintings together form a panoramic scene featuring shepherds and travelers with their goats, cows, donkeys and sheep at a ford in a river.

The pair will soon be displayed together for the first time since World War II at the Alte Pinakothek in Munich, according to Bernd Ebert, the museum's chief curator of Dutch and German baroque paintings.

Retrieving a long-lost painting “is actually a very rare moment for us,” Ebert said. “It’s exciting.”

The Vienna-born artist, Lauterer, lived from 1700 to 1733.

When war broke out in 1939, many Bavarian museum collections were evacuated to safe locations in the region, but the Lauterer painting has been missing since the beginning of the war, suggesting the possibility that it had been looted, according to the museum.

The Bavarian State Painting Collections first started searching for the painting between 1965 and 1973, but no clues about its location emerged until decades later.

Ebert, who flew from Munich to Chicago to retrieve the painting, will carefully bubble-wrap the centuries-old landscape to take it back home, where it will be touched up and restored after an eventful several decades.

Luckily, Ebert said, it should fit in his suitcase.



Benin Leans into Painful Past to Attract Tourists

 A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
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Benin Leans into Painful Past to Attract Tourists

 A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)

Tourists crowded beneath the Door of No Return, an arch built by the beach at Ouidah in southern Benin in memory of those crammed onto slave ships bound for the New World.

Benin, which holds a presidential election on Sunday, has in recent years leaned into its painful past to encourage tourism.

Once a key departure point in the transatlantic slave trade, the coastal town of Ouidah lies at the heart of the push to reclaim the country's history, culture and heritage.

Standing nearly 17 meters (56 feet) tall on the seafront, the Door of No Return has been fully restored, now a must-see landmark for visitors.

Its ochre-and-gold facade is carved with figures of chained slaves, frozen mid-stride towards the ocean.

Nearby, a life-size replica of L'Aurore -- one of the last three-masted ships to leave Ouidah for Cuba around 1860 -- is set to open soon as an immersive museum of the slave trade.

"It reminds us of where we come from. It's important to develop tourism around our history because it's very rich, little known, and we want to showcase it," said Arsene Ahounou, an engineer from the commercial capital Cotonou visiting for the day.

"For us natives, understanding our history matters," he added.

Pausing for selfies with friends visiting from Nigeria, Onyinye Anumba said that seeing the site with her own eyes was "awesome".

"As an African, I've read many things about this place... so just being here makes me proud about what Africa has," she said.

- 'Demystify Vodun' -

Elsewhere, tourists explored the 13th-century Python Temple to learn about Voodoo culture -- the popular animist religion rooted in Ouidah.

As many posed for photos with snakes draped around their shoulders, guides explained the reptile's spiritual significance in Voodoo (Vodun in the local Fon language) beliefs.

Having worked in Beninese tourism for more than 35 years, Modeste Zinsou, the temple's head guide, said the sector had evolved.

"This isn't mass tourism, it's cultural tourism. The sacred element remains. We're reconstructing our own history, in which we completely demystify Vodun and the cliches around it," he said.

Benin is the birthplace of Voodoo, which now has its own international festival, the Vodun Days.

The three days of dancing, mask parades and traditional ceremonies have become a major tourist attraction.

This year it drew around two million visitors, most of them Beninese.

"The government has worked to encourage domestic tourism, meaning Beninese people going out and reclaiming their identity," added Zinsou.

- 'Our Eiffel Tower' -

To boost tourism, Benin has launched major infrastructure projects, including road and hotel renovations.

A Club Med resort is planned for 2027 and visa procedures have been eased for many nationalities.

"We're not a country with mineral wealth, so we had to identify where our wealth lies," said Alain Godonou, an adviser to the president on heritage and museums.

"History shows that Benin is a land of great cultures and traditions, and a witness to a pivotal moment in human history -- the slave trade," he said.

Godonou hopes tourism will account for 10 to 15 percent of GDP within a decade, up from about six percent today.

Sunday's election in the west African country is to replace the architect of this tourism drive, outgoing president Patrice Talon, who is stepping down after two five-year terms.

The frontrunner to succeed him, Romuald Wadagni, the finance minister from the ruling party, has pledged to carry the projects forward.

Since 2024, Benin has allowed anyone with an African ancestor who was enslaved and shipped to the Americas to acquire Beninese nationality.

"It was important for Benin to do justice to this diaspora by granting the nationality that should have been theirs," Godonou said.

In the heart of Cotonou, the country's largest city, the Amazon Monument is now a major attraction.

The towering 30-meter metal statue depicts a warrior of the Dahomey kingdom, rifle at her side and dagger in hand.

On Easter Monday, a public holiday, crowds of Beninese visitors strolled through the plaza, snapping pictures of the statue.

"It's a source of pride! We don't have the money to go on holiday in France or elsewhere," said vendor Geraldine Sedami Yagbo.

"This statue is our Eiffel Tower."


Hira Cultural District Hosts Symposium on Arabic Language and Identity

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
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Hira Cultural District Hosts Symposium on Arabic Language and Identity

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café, where scholars, writers, and language enthusiasts gathered to discuss the importance of the Arabic language. the Saudi Press Agency reported.

The event highlighted Arabic not only as a means of communication, but as a fundamental pillar of cultural identity and a vital source of knowledge, deeply connected to history, heritage, and intellectual traditions.

Discussions highlighted the necessity of preserving linguistic integrity against contemporary challenges and the responsibility of cultural institutions in promoting standard Arabic.

Participants emphasized that language remains a fundamental element in building national identity and consolidating cultural values.

This symposium is part of a broader series of initiatives by the Hira Cultural District to enrich Makkah’s cultural and intellectual landscape.


Saudi Ministry Launches ‘Cultural Experiences’ Program to Promote Local Arts and Heritage

Riyadh, Saudi Arabia (Reuters)
Riyadh, Saudi Arabia (Reuters)
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Saudi Ministry Launches ‘Cultural Experiences’ Program to Promote Local Arts and Heritage

Riyadh, Saudi Arabia (Reuters)
Riyadh, Saudi Arabia (Reuters)

The Saudi Ministry of Culture unveiled the “Cultural Experiences” program to raise awareness of local culture and arts through interactive public experiences.

The initiative targets all segments of society and offers activities that enable participants to explore Saudi heritage and traditional arts in engaging ways, the Saudi Press Agency said on Thursday.

In its first phase, the program will feature two main trails.

The first, “Cooking Experiences,” will be held in April at the Hotel and Tourism Management Institute (HTMi Saudi Arabia) in Riyadh, Al-Baha, and Jazan.

It showcases Saudi cuisine through hands-on sessions where participants learn to prepare traditional dishes under the guidance of professional chefs.

Participants will explore the stories, ingredients, and cultural significance of these dishes, strengthening their connection to local culinary heritage.

The second trail focuses on handicraft experiences. It highlights traditional crafts through interactive workshops led by skilled artisans.

Participants will learn various handicraft techniques and create artistic pieces, promoting appreciation of crafts, and their role in preserving cultural identity.

The program will be rolled out in multiple phases. Experiences will be announced through the ministry’s official platforms and the hosting platform “Webook,” where participants can view schedules and register.

Registered participants will receive confirmation messages with details of the experience, including location, timing, and attendance requirements.