300-Year-Old Painting Stolen by US Soldier During WWII Returned to German Museum 

This photo shows the 18th century painting titled "Landscape of Italian Character" by Vienna-born artist Johann Franz Nepomuk Lauterer, Thursday, Oct. 19, 2023 in Chicago. (AP)
This photo shows the 18th century painting titled "Landscape of Italian Character" by Vienna-born artist Johann Franz Nepomuk Lauterer, Thursday, Oct. 19, 2023 in Chicago. (AP)
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300-Year-Old Painting Stolen by US Soldier During WWII Returned to German Museum 

This photo shows the 18th century painting titled "Landscape of Italian Character" by Vienna-born artist Johann Franz Nepomuk Lauterer, Thursday, Oct. 19, 2023 in Chicago. (AP)
This photo shows the 18th century painting titled "Landscape of Italian Character" by Vienna-born artist Johann Franz Nepomuk Lauterer, Thursday, Oct. 19, 2023 in Chicago. (AP)

After a stopover in the US that lasted the better part of a century, a baroque landscape painting that went missing during World War II was returned to Germany on Thursday.

The FBI handed over the artwork by 18th century Austrian artist Johann Franz Nepomuk Lauterer to a German museum representative in a brief ceremony at the German Consulate in Chicago, where the pastoral piece showing an Italian countryside was on display.

Art Recovery International, a company focused on locating and recovering stolen and looted art, tracked down the elusive painting after a person in Chicago reached out last year claiming to possess a “stolen or looted painting” that their uncle brought back to the US after serving in World War II.

The painting has been missing since 1945 and was first reported stolen from the Bavarian State Painting Collections in Munich, Germany. It was added to the database of the German Lost Art Foundation in 2012, according to a statement from the art recovery company.

“The crux of our work at Art Recovery International is the research and restitution of artworks looted by Nazis and discovered in public or private collections. On occasion, we come across cases, such as this, where allied soldiers may have taken objects home as souvenirs or as trophies of wars," said Christopher Marinello, founder of Art Recovery International.

"Being on the winning side doesn’t make it right,” he added.

The identity of the Chicago resident who had the painting was not shared. The person initially asked Marinello to be paid for the artwork.

“I explained our policy of not paying for stolen artwork and that the request was inappropriate,” Marinello said.

“We also know that someone tried to sell the painting in the Chicago art market in 2011 and disappeared when the museum put forth their claim.”

But with the help of the FBI Art Crime Team, attorneys, and the museum, Marinello negotiated an unconditional surrender of the artwork.

The painting, titled “Landscape of Italian Character,” will now reunite with its counterpart, which shares similar motifs and imagery, according to the museum.

The two paintings together form a panoramic scene featuring shepherds and travelers with their goats, cows, donkeys and sheep at a ford in a river.

The pair will soon be displayed together for the first time since World War II at the Alte Pinakothek in Munich, according to Bernd Ebert, the museum's chief curator of Dutch and German baroque paintings.

Retrieving a long-lost painting “is actually a very rare moment for us,” Ebert said. “It’s exciting.”

The Vienna-born artist, Lauterer, lived from 1700 to 1733.

When war broke out in 1939, many Bavarian museum collections were evacuated to safe locations in the region, but the Lauterer painting has been missing since the beginning of the war, suggesting the possibility that it had been looted, according to the museum.

The Bavarian State Painting Collections first started searching for the painting between 1965 and 1973, but no clues about its location emerged until decades later.

Ebert, who flew from Munich to Chicago to retrieve the painting, will carefully bubble-wrap the centuries-old landscape to take it back home, where it will be touched up and restored after an eventful several decades.

Luckily, Ebert said, it should fit in his suitcase.



‘Amazing’ Figurines Find in Egyptian Tomb Solves Mystery

This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)
This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)
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‘Amazing’ Figurines Find in Egyptian Tomb Solves Mystery

This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)
This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)

A treasure trove of 225 funerary figurines have been discovered inside a tomb in the ancient Egyptian capital of Tanis in the Nile Delta, a rare find that has also solved a long-running mystery.

"Finding figurines in place inside a royal tomb has not happened in the Tanis necropolis since 1946," French Egyptologist Frederic Payraudeau told reporters in Paris on Friday.

Such a find has also never happened before further south in Egypt's Valley of the Kings near modern Luxor -- apart from the tomb of the famous boy king Tutankhamun in 1922 -- because most such sites have been looted throughout history, he added.

Payraudeau, who leads the French Tanis excavation mission, said the remarkable discovery was made on the morning of October 9.

The team had already excavated the other three corners of a narrow tomb occupied by an imposing, unnamed sarcophagus.

"When we saw three or four figurines together, we knew right away it was going to be amazing," Payraudeau said.

"I ran out to tell my colleagues and the officials. After that it was a real struggle. It was the day before the weekend -- normally, we stop at 2 pm. We thought: 'This is not possible.'"

The team then set up lights to work through the night.

It took 10 days to carefully extract all of the 225 small green figurines.

They were "carefully arranged in a star shape around the sides of a trapezoidal pit and in horizontal rows at the bottom," Payraudeau said.

The funerary figurines, which are known as ushabti, were intended as servants to accompany the dead into the afterlife.

More than half the figurines are women, which is "quite exceptional", Payraudeau said.

Located in the Nile Delta, Tanis was founded around 1050 BC as the capital of the Egyptian kingdom during the 21st dynasty.

At the time, the Valley of the Kings -- which had been looted during the reign of pharaohs including Ramses -- was abandoned and the royal necropolis was moved to Tanis, Payraudeau said.

- One mystery leads to another -

The royal symbol on the newly discovered figurines also solves a long-standing mystery by identifying who was buried in the sarcophagus.

It was Pharaoh Shoshenq III, who reigned from 830 to 791 BC.

This was "astonishing" because the walls of a different tomb at the site -- and the largest sarcophagus there -- bear his name, Payraudeau said.

"Why isn't he buried in this tomb?" the expert asked.

"Obviously, for a pharaoh, building a tomb is a gamble because you can never be sure your successor will bury you there," he said.

"Clearly, we have new proof that these gambles are not always successful," Payraudeau said with a smile.

Shoshenq III's four-decade reign was turbulent, marred by a "very bloody civil war between upper and lower Egypt, with several pharaohs fighting for power," he said.

So it is possible that the royal succession did not go as planned and the pharaoh was not buried in his chosen tomb.

Another possibility is that his remains were moved later due to looting.

But it is "difficult to imagine that a 3.5 by 1.5-meter granite sarcophagus could have been reinstalled in such a small place," Payraudeau said.

After the figurines are studied, they will be displayed in an Egyptian museum, Payraudeau said.


Literature, Publishing and Translation Commission Launches Riyadh Int’l Philosophy Conference

The three-day event is organized by the Literature, Publishing and Translation Commission. SPA
The three-day event is organized by the Literature, Publishing and Translation Commission. SPA
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Literature, Publishing and Translation Commission Launches Riyadh Int’l Philosophy Conference

The three-day event is organized by the Literature, Publishing and Translation Commission. SPA
The three-day event is organized by the Literature, Publishing and Translation Commission. SPA

The fifth edition of the Riyadh International Philosophy Conference 2025 launched on Thursday at King Fahd National Library.

The three-day event is organized by the Literature, Publishing and Translation Commission under the theme “Philosophy Between East and West: Concepts, Origins, and Mutual Influences.”

This year’s conference continues the intellectual path it began five years ago, maintaining its role as a global platform that brings together thinkers, scholars, and experts from various countries and affirms the Kingdom’s position as an international center for knowledge production and cross-cultural dialogue.

The conference opened with remarks by CEO of the Literature, Publishing and Translation Commission Dr. Abdullatif Alwasel, who welcomed the guests and said the fifth edition builds on a project launched five years ago and has grown into a firmly established initiative that strengthens the presence of philosophy, enriches cultural dialogue, and reinforces the Kingdom’s standing as a global platform for knowledge and thought.

The conference features sixty speakers, including philosophers, thinkers, and researchers from different countries and philosophical traditions, giving the program intellectual diversity that strengthens its role as an international platform for dialogue and the exchange of expertise.

More than forty panel discussions will cover the foundations of Eastern and Western philosophy, modes of reasoning, and pathways of mutual influence between intellectual traditions. The sessions will also address contemporary issues related to human meaning, cultural shifts, and the role of philosophy in interpreting modern realities, offering varied perspectives and expanded approaches that deepen philosophical discussions.

The conference is expected to welcome around 7,000 visitors, reflecting the growing interest in philosophy and the humanities within the Kingdom.


New Exhibition in Saudi Arabia's AlUla Highlights Ancient City of Dadan

The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)
The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)
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New Exhibition in Saudi Arabia's AlUla Highlights Ancient City of Dadan

The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)
The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)

Saudi Arabia’s AlUla is preparing to open new chapters in the history of the ancient city of Dadan, the former capital of the Kingdoms of Dadan and Lihyan, through a new permanent exhibition titled “Illuminating Discoveries – Uncovering the Layers of Dadan’s History”, reported the Saudi Press Agency on Wednesday.

The exhibition offers an in-depth experience of the city’s archaeological heritage and its flourishing civilization across centuries. It guides visitors through the features of the past and demonstrates the importance of this historical site on regional and global heritage maps.

The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. It highlights the historical role of Dadan as a political and commercial center on the Incense Road during the first millennium BCE and earlier.

The exhibition introduces a significant new chapter in the study of the Arabian Peninsula’s ancient history. It features more than one hundred artifacts carefully uncovered by international teams working at the Dadan site in AlUla and at the nearby mountain sanctuary of Umm Daraj over the past five years. These findings reveal the scale of ancient trade routes and confirm that AlUla once stood at the heart of a connected and sophisticated network.

Among the objects on display are small figurines linked to the Greek world, a bone hairpin from the Roman or Byzantine era, and rock inscriptions written in an ancient South Arabian script.

Dadan belongs to a line of advanced civilizations whose roots reach deep into the ancient world. Farming in the city is believed to date back to around the third millennium BCE, and archaeologists have found evidence of handcrafts from the second millennium BCE, long before the rise of the Roman Empire.

Material remains show that craftsmanship formed a central part of daily life and reflect the skill and ingenuity of the population. New discoveries include examples of complex metalwork and early evidence of textile production using weaving and spinning techniques. These traditional crafts, once essential to life in the city, are being revived today under the Royal Commission for AlUla’s cultural regeneration programs.

The exhibition also includes rare artifacts never before shown to the public. The material is organized into five main sections: Crafts and Daily Life in Ancient Dadan; Exchange and Trade; Ancient Beliefs and Rituals; Scripts in Stone; and Umm Daraj.

Among the findings is a copper-alloy spearhead dating to between 400 and 50 BCE. Field surveys along Dadan’s cliffs uncovered hundreds of inscriptions and striking rock art, including a battle scene showing four mounted warriors carrying long spears. Rock art in the nearby desert valley of Wadi Al-Naam depicts a rider using a spear to hunt an ostrich.

Another notable object is a terracotta head found in an urban neighborhood of Dadan and dating to the late fourth to first century BCE. Imported from the ancient Greek world, it is believed to have belonged to a Tanagra figurine, a type of small, finely crafted statue produced in central Greece and traded widely across the Mediterranean and as far as Babylon. The head reflects how Mediterranean artistic styles entered the region and circulated across northwest Arabia during the Lihyanite period.

Archaeologists also uncovered a striking statue from an ancient shrine at the foot of Dadan’s cliffs, dating to between 400 and 50 BCE, with one of its eye inlays still preserved. The statue reflects the high craftsmanship of symbolic objects produced during the Lihyanite period. Another figurine, marked by long hair and a belted garment, was found at the same site, with only one arm surviving. Its eyes were once inlaid with bone.

A unique part of the collection is a fragment of carved sandstone dating to the first millennium BCE. It preserves part of an inscription in the ancient South Arabian Minaic script. The relief carving likely came from a temple or public building. The preserved symbols probably refer to Wadd, the chief deity worshipped by the Minaean community at Dadan. Merchants from the Kingdom of Ma‘in established a trading presence in Dadan and left inscriptions documenting their cultural practices.

This inscription has a connection to the nearby “open-air library” at Jabal Ikmah. Inscribed on UNESCO’s Memory of the World Register, Jabal Ikmah contains nearly three hundred inscriptions, most dating to the Dadanite and Lihyanite periods.

The exhibition was organized through cooperation between the Royal Commission for AlUla, the French National Center for Scientific Research, and the French Agency for AlUla Development, which have jointly led recent Saudi-French archaeological missions in Dadan.

The launch of the 2025-2026 archaeological season in AlUla marks one of the region’s broadest heritage research efforts to date. More than one hundred archaeologists and specialists from leading Saudi and international institutions are participating across six major projects, ranging from new excavations at Hegra and Dadan to large-scale inscription surveys and environmental studies.

This program is the most ambitious undertaken in AlUla and contributes to advancing knowledge, developing national expertise, and strengthening the Kingdom’s position as a leader in cultural heritage research.