Sydney to Review Plaques on Colonial Statues 

Officials will look at a prominent statue of former New South Wales governor Lachlan Macquarie. (AFP)
Officials will look at a prominent statue of former New South Wales governor Lachlan Macquarie. (AFP)
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Sydney to Review Plaques on Colonial Statues 

Officials will look at a prominent statue of former New South Wales governor Lachlan Macquarie. (AFP)
Officials will look at a prominent statue of former New South Wales governor Lachlan Macquarie. (AFP)

Australia's oldest city, Sydney, is reviewing statues of its colonial figureheads after an Indigenous leader raised concerns about "offensive" plaques ignoring historical atrocities.

As part of the review, officials will look at a prominent statue of former New South Wales governor Lachlan Macquarie, who is described as a "perfect gentleman" -- despite once authorizing troops to shoot hostile "natives" and hang them in trees.

City councilor Yvonne Weldon has been pushing for the measure after a national referendum overwhelmingly rejected a proposal to recognize Indigenous Australians in the constitution.

Weldon, the first Aboriginal Australian to sit on Sydney's city council, said many of the plaques "feature inaccurate, misleading and offensive accounts of the feats of those commemorated".

The review will not look at replacing the statues, only whether their plaques should be amended to reflect modern understandings of Australia's complicated colonial history.

Inscriptions attached to bronze monuments of historical figures such as Queen Victoria and explorer Captain James Cook will also be considered.

Towering over Hyde Park in the center of the city, Cook's statue declares that he "discovered" Australia in 1770 -- a deeply upsetting claim for Indigenous Australians whose ancestors have lived on the continent for about 60,000 years.

Scottish-born Macquarie was a leading figure in the establishment of modern Sydney, revered by some for his many achievements -- but reviled by others for his treatment of Indigenous peoples.

Statues of colonial figures are frequently targeted by vandals and have in recent years been the subject of an almost constant running controversy in Australia.

Former conservative prime minister Malcolm Turnbull in 2017 dismissed calls to change colonial-era monuments, saying it was a "Stalinist" exercise in rewriting history.



Saudi Museums Commission Showcases Chinese Contemporary Art for 1st Time in Saudi Arabia

The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
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Saudi Museums Commission Showcases Chinese Contemporary Art for 1st Time in Saudi Arabia

The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA

The Museums Commission inaugurated on Thursday the exhibition "The Writings of Today Are a Promise for Tomorrow" at the Saudi Arabia Museum of Contemporary Art at Jax, introducing contemporary artists of Chinese origin to Saudi Arabia for the first time.
Bringing together over 30 artists of different generations and cultural backgrounds, the exhibition showcases a collection of over 50 art pieces, offering diverse and nuanced perspectives on the profound transformation of our contemporary society.
The exhibition draws fascinating parallels between Arab and Chinese traditions by exploring two central elements they have in common: calligraphy and the garden. The exhibition highlights the profound significance of calligraphy as a cultural and societal practice in both Arabic and Chinese cultures, in which the written word and script are revered not only as a form of communication but also as a spiritual endeavor.
The balance between discipline and naturalness, a requirement for masterful calligraphy, links the field of writing with the domain of the garden. By definition, the garden is nature in an arranged order, and it is considered in both cultures a representation of creation, designed for the appreciation of beauty and spirituality, and for contemplation and conviviality.
"The Writings of Today Are a Promise for Tomorrow" exhibition also reflects an aspiration towards future possibilities and ongoing dialogue, addressing the concepts of energy flow and synergy. Writing here is understood in a larger sense as the trace of a meaningful act of participation and communication.
The exhibition is designed as a stroll through a series of thematic stages, exploring the interplay between presence and absence, action and contemplation, memory and imagination
Visitors will have the opportunity to explore pieces from two notable Paris-based collections of contemporary Chinese art, the Donnersberg Collection and the dslcollection, as well as direct contributions from artists and site-specific works produced in Saudi Arabia for the exhibition. They will also see the works of a French-Algerian artist Adel Abdessemed and Taiwanese artist Michael Lin, showing for the first time in Saudi Arabia.
The exhibition showcases how the art of today continues to evolve, reflecting and reshaping the flow of cultural energy, connecting past and future, and embodying the promise of tomorrow.
The exhibition will run until January 18, 2025.