Sydney to Review Plaques on Colonial Statues 

Officials will look at a prominent statue of former New South Wales governor Lachlan Macquarie. (AFP)
Officials will look at a prominent statue of former New South Wales governor Lachlan Macquarie. (AFP)
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Sydney to Review Plaques on Colonial Statues 

Officials will look at a prominent statue of former New South Wales governor Lachlan Macquarie. (AFP)
Officials will look at a prominent statue of former New South Wales governor Lachlan Macquarie. (AFP)

Australia's oldest city, Sydney, is reviewing statues of its colonial figureheads after an Indigenous leader raised concerns about "offensive" plaques ignoring historical atrocities.

As part of the review, officials will look at a prominent statue of former New South Wales governor Lachlan Macquarie, who is described as a "perfect gentleman" -- despite once authorizing troops to shoot hostile "natives" and hang them in trees.

City councilor Yvonne Weldon has been pushing for the measure after a national referendum overwhelmingly rejected a proposal to recognize Indigenous Australians in the constitution.

Weldon, the first Aboriginal Australian to sit on Sydney's city council, said many of the plaques "feature inaccurate, misleading and offensive accounts of the feats of those commemorated".

The review will not look at replacing the statues, only whether their plaques should be amended to reflect modern understandings of Australia's complicated colonial history.

Inscriptions attached to bronze monuments of historical figures such as Queen Victoria and explorer Captain James Cook will also be considered.

Towering over Hyde Park in the center of the city, Cook's statue declares that he "discovered" Australia in 1770 -- a deeply upsetting claim for Indigenous Australians whose ancestors have lived on the continent for about 60,000 years.

Scottish-born Macquarie was a leading figure in the establishment of modern Sydney, revered by some for his many achievements -- but reviled by others for his treatment of Indigenous peoples.

Statues of colonial figures are frequently targeted by vandals and have in recent years been the subject of an almost constant running controversy in Australia.

Former conservative prime minister Malcolm Turnbull in 2017 dismissed calls to change colonial-era monuments, saying it was a "Stalinist" exercise in rewriting history.



Diriyah Art Futures Launches Emerging New Media Artists Program

Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art. SPA
Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art. SPA
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Diriyah Art Futures Launches Emerging New Media Artists Program

Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art. SPA
Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art. SPA

Diriyah Art Futures (DAF), a pioneering new media arts center in Saudi Arabia, has announced the 12 successful applicants to its inaugural Emerging New Media Artists Program, which is launching later this year.
The program includes a diverse array of promising talents representing a broad range of creative practices and backgrounds, with strong representation from Saudi Arabia and the wider Middle East and North Africa (MENA) region.
Running for one year, the fully funded program offers access to cutting-edge professional equipment and facilities, a production budget, learning experiences with international guest specialists in new media art, and personal mentorships from prominent international digital artists.

The inaugural group of emerging new media artists includes:
- Salma Aly (Egypt), specializing in interactive art.
- Samia Dzaïr (Algeria-France), a two-dimensional (2D) and stop-motion animator.
- Aya Abu Ghazaleh (Jordan), a visual artist and art therapist.
- Dhia Dhibi (Tunisia), a multidisciplinary artist, curator and researcher.
- Khaled Makshoush (Saudi Arabia), who specializes in pixel art.
- William Brooks (Wales), an artist exploring sound art through physical objects.
- Haonan He (China), who merges cartography, instrument making, and digital tech.
- Turki Al-Qahtani (Saudi Arabia), a media artist and filmmaker reflecting Arab motifs.
- Youssef El Idrissi (Morocco), a multidisciplinary artist, cultural engineer, and researcher.
- Kyle Donald Marais (South Africa), an extended-reality (XR) developer and creative technologist.
- Mohamed Al Mubarak (Bahrain), a documentary filmmaker and video artist.
- Almuqawil Meshal (Saudi Arabia), an independent artist and curator.

Designed in collaboration with Le Fresnoy-Studio National des Arts Contemporains in France, the program is part of a wider partnership between the Saudi Ministry of Culture and Diriyah Company to facilitate creativity across art, technology, and academia.

Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art and empower the next generation of creative pioneers.

DAF aims to pioneer new horizons for creative practice in diverse fields where art intersects with science and technology. It was established through an initiative by the Ministry of Culture, standing as the first center dedicated to new media and digital arts in the MENA region.

The center also serves as a space for creators from around the world to collaborate, think, and innovate, focusing on research, documentation, and the production of new inspiring works.

Additionally, DAF provides artists and researchers with an opportunity to participate in its scheduled activities, including public events and educational programs, while also offering them residency programs.

The center seeks to contribute to enriching the Saudi artistic scene and enhancing the Kingdom’s position as a global destination for new media and digital arts. It highlights the talents of active artists in the region, allowing them to leave their impactful mark on art, science, and technology.