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Saudi Arabia, a Hub for Global Sporting Events, Breathtaking Landmarks

As part of Saudi Arabia’s Vision 2030, the Quality of Life Program has contributed to turning the Kingdom into a regional and international attraction with numerous international sporting events, including the 2023 FIFA Club World Cup. (SPA)
As part of Saudi Arabia’s Vision 2030, the Quality of Life Program has contributed to turning the Kingdom into a regional and international attraction with numerous international sporting events, including the 2023 FIFA Club World Cup. (SPA)
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Saudi Arabia, a Hub for Global Sporting Events, Breathtaking Landmarks

As part of Saudi Arabia’s Vision 2030, the Quality of Life Program has contributed to turning the Kingdom into a regional and international attraction with numerous international sporting events, including the 2023 FIFA Club World Cup. (SPA)
As part of Saudi Arabia’s Vision 2030, the Quality of Life Program has contributed to turning the Kingdom into a regional and international attraction with numerous international sporting events, including the 2023 FIFA Club World Cup. (SPA)

As part of Saudi Arabia’s Vision 2030, the Quality of Life Program has contributed to turning the Kingdom into a regional and international attraction with numerous international sporting events, including the 2023 FIFA Club World Cup that the Kingdom will soon host for the first time in Jeddah from December 12 to 22, SPA said on Thursday.
In anticipation of this global landmark tournament, the Saudi Press Agency (SPA) is highlighting several tourist, heritage, and cultural sites that Jeddah proudly embraces. One of these sites is Historic Jeddah (Al Balad), which stands out thanks to the support it has received by the Saudi leadership throughout the Kingdom’s history.
‘Historic Jeddah’
Historic Jeddah has received special attention from Prince Mohammed bin Salman bin Abdulaziz Al Saud, Crown Prince and Prime Minister, who launched the "Revitalize Historic Jeddah" project as part of "Historic Jeddah Development Project.” The revitalization project aims to enhance the living environment in the area, making it a vibrant hub for business and cultural projects and a prime destination for ambitious entrepreneurs.
The project serves as a testament of the leadership's commitment to preserving and rehabilitating historical sites, aligning with the objectives of Vision 2030, while showcasing the Arabian and Islamic heritage of the Kingdom as a pillar of the vision.
Historic Jeddah gains significance as a historical crossroads and a maritime gateway for pilgrims heading towards Makkah and a hub for interaction between civilizations. Al Balad was the second area to be listed by UNESCO as a World Heritage Site following the Hegra (Mada'in Saleh).
‘Breathtaking waterfront’
Additionally, Jeddah, the Bride of the Red Sea, is famous for its waterfront. This vista makes the city a major tourist destination with visitors from all over the country flocking to enjoy its stunning beachscapes, soft sands, and extensive facilities. Jeddah has also become a year-round hotspot for leisure activities, sports, and entertainment. Visitors line up to enjoy the breathtaking view of the sea and the sky's vibrant colors during sunset. Photography enthusiasts do not miss the chance to capture this moment.
Adding to Jeddah’s maritime magic, the Jeddah Yacht Club and Marina was established on the city’s waterfront, becoming the Kingdom's first tourist marina.
‘Jeddah Flagpole’
The Jeddah Flagpole is another example of the beautiful landmarks that the city embraces, carrying the words of monotheism at a height of 172 meters. Green areas of 9,000 square meters surround the flagpole and thirteen lights are there to represent the thirteen provinces of the Kingdom.
‘South Obhur Waterfront’
Jeddah also embraces its newly inaugurated South Obhur Waterfront project, which features swimming beaches covering an area of 5,800 square meters and dry sandy beaches spanning 10,350 square meters. The project also includes pathways and squares with a total area of 42,000 square meters, entertainment spots covering 560 square meters, and green spaces measuring 27,000 square meters.
‘Jeddah Superdome’
Furthermore, the Jeddah Superdome takes the lead as the world's largest column-free dome. Located on the Madinah Road, west of King Abdullah Sports City, the superdome has an indoor area exceeding 34,000 square meters with a height of 46 meters and a diameter of 210 meters, accommodating 5,200 parking spaces.
The construction of the dome aims to allow the area to host various events and conferences in the governorate.

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Culture

Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
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Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)

In a historic building in central Tripoli, Libyans wander past ancient statues and artifacts, rediscovering a heritage that transcends political divides at their national museum which reopened this month after a 2011 uprising.

"I got here barely 15 minutes ago but I already feel like I've been transported somewhere. It's a different world," said architecture student Nirmine Miladi, 22.

In the waterfront building known as the red citadel -- once the seat of power -- visitors journey through a history that includes ancient art, Greek and Roman antiquities and Ottoman-era weapons and jewellery.

Miladi's sister Aya, 26, an interior design student, said she liked the bright new museum's layout, "the careful lighting, the screens and interactive tools" that all help make the museum accessible to all.

Libya plunged into chaos after a NATO-backed uprising toppled and killed longtime leader Moammar al-Gadhafi in 2011, and the country has struggled to regain stability.

Since then, the North African country has been divided, with two rival executives vying for power: a Tripoli-based Government of National Unity and an administration based in Benghazi in the country's east.

Mohamed Fakroun, head of international cooperation at the antiquities department, said the museum went through "a dark period during its 14-year closure".

Fearing looting and vandalism after Gadhafi's overthrow, the antiquities department removed "all the artifacts until the country re-stabilized", said Fakroun, 63, who has worked at the French archaeological mission to Libya for almost four decades.

- 'National symbol' -

Curator Fathiya Abdallah Ahmad is among a handful of people who knew the location of secret, sealed rooms where the museum's treasures were taken into hiding for more than a decade.

She said the antiquities department and staff worked to "preserve a historic and cultural heritage that belongs to all Libyans".

This allowed the works to be safeguarded until the museum could reopen "in a modern format that conforms to international standards", she added.

The bright new facility includes digital projections and interactive screens as well as videos, audio guides and QR codes enabling visitors to delve further.

Fakroun noted the museum has a room dedicated to Roman emperor Septimius Severus, who was born in the ancient city of Leptis Magna -- now a UNESCO World Heritage site east of Tripoli.

Another room is dedicated to stolen items that have since been returned, including from the United States and the United Kingdom, he added.

Interior design student Aya Miladi said many Libyans saw the museum's inauguration as the "return of a national symbol".

It is also "a step towards reconciliation between Libyans and with their often little-known past", after years of war, as well as a sign of stability, she added.

- 'Not without past' -

Teacher Fatima al-Faqi, 48, said there was "a world of difference" between the reopened museum and the dark, dusty facility she visited 30 years ago on a school trip.

This time, she was leading a group of high-school students to help them "discover Libya's history and nourish their sense of patriotism", she said, as pupils goggled at items from Roman statues to stuffed animals in the natural history section.

The Tripoli government has invested more than five million dollars in rehabilitating the museum and its surrounding area, despite the oil-rich country's economic woes including frequent cash and fuel shortages.

Fakroun said the six-year renovations were carried out in cooperation with the French mission and the ALIPH foundation -- the International Alliance for the Protection of Heritage.

The museum seeks to convey a hope-filled message about Libya's identity to its visitors, most of whom "were not born when it was last open before 2011", he added.

Visitor Sarah al-Motamid, 34, said that "many people don't know about our country's ancient history and look at us as if we were worthless".

She said she was visiting with her six-year-old daughter Mariam because she wanted her to "understand that we are not without a past or civilization".

Culture

Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.

Culture

Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.