Lisbon Plaques Remember Portugal’s ‘Silenced’ Role in Slavery 

Lisbon mayor, Carlos Moedas attends the unveiling of a statue of Paulino Jose da Conceicao, to celebrate Portugal's African history and the contribution of African descent in Portuguese society in Lisbon, Portugal, January 13, 2024. (Reuters)
Lisbon mayor, Carlos Moedas attends the unveiling of a statue of Paulino Jose da Conceicao, to celebrate Portugal's African history and the contribution of African descent in Portuguese society in Lisbon, Portugal, January 13, 2024. (Reuters)
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Lisbon Plaques Remember Portugal’s ‘Silenced’ Role in Slavery 

Lisbon mayor, Carlos Moedas attends the unveiling of a statue of Paulino Jose da Conceicao, to celebrate Portugal's African history and the contribution of African descent in Portuguese society in Lisbon, Portugal, January 13, 2024. (Reuters)
Lisbon mayor, Carlos Moedas attends the unveiling of a statue of Paulino Jose da Conceicao, to celebrate Portugal's African history and the contribution of African descent in Portuguese society in Lisbon, Portugal, January 13, 2024. (Reuters)

Plaques turning the spotlight on Lisbon's role in slavery and "silenced" African history have been installed in different locations across the city, a long-awaited moment for many given the country's lack of acknowledgement of its colonial past.

From the 15th to the 19th century, more than six million Africans were kidnapped and forcibly transported by Portuguese ships and sold into slavery, primarily to Brazil, but little is taught in schools about it and Portugal's colonial past is often seen as a source of pride.

Twenty plaques were installed at sites of historical significance, including at one of the capital's main squares, Terreiro do Paco, on the riverside where many enslaved Africans disembarked.

"More than erased, history was silenced," Jose Lino Neves, from Batoto Yetu, the association behind the project, said at the initiative's launch event on Saturday.

He argued it was important to recognize the city's links to slavery and how Africans and people of African descent, from doctors to journalists, have contributed to Portuguese society.

Another plaque has also been installed at the Rossio square, where for centuries the Black community gathered for festivities, fairs and performances.

The association has also installed a bust of Pai Paulino, a well-known defender of the rights of Black people.

"African history is much bigger than this negative and sad episode (of slavery)," Neves said, describing the transatlantic slave trade as a "break in Africa's development".

The plaques have been ready since 2020 but the project, backed by the city hall, has been repeatedly delayed for various reasons, from financial constraints to mayoral leadership changes.

Portugal's first memorial to victims of slavery, which will also be funded by the city hall, was approved as part of Lisbon's 2017-2018 budget but construction has been delayed since then.

Neves said it would be important for Portugal to have a museum of African history.

Europe's top human rights group previously said Portugal had to do more to confront its colonial past and role in slavery to help fight racism and discrimination today. Activists have argued that reparations and public policies to fight inequalities caused by Portugal's past were essential.



Al-Ahsa Becomes Deputy Head at UNESCO Creative Cities Network in Crafts, Folk Arts

Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts. SPA
Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts. SPA
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Al-Ahsa Becomes Deputy Head at UNESCO Creative Cities Network in Crafts, Folk Arts

Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts. SPA
Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts. SPA

Represented by Dr. Ibrahim Al-Shabith, Saudi Arabia’s Al-Ahsa won the position of deputy head of the UNESCO Creative Cities Network in crafts and folk arts, a field that currently encompasses 66 cities from around the world.

This feat comes after Al-Ahsa became a member of the network in the creative field, following an initiative by Al-Ahsa Municipality in 2015.

This success is supported by national entities, represented by the municipality; Al-Ahsa Governorate; the Culinary Arts Commission; the Saudi National Commission for Education, Culture and Science; the Heritage Commission; and the Royal Institute for Traditional Arts.

Al-Ahsa stands out for the unique creative assets it possesses and its cultural heritage and deep history in the field of handicrafts and folk arts.

Al-Ahsa has worked on developing the general objectives of integrating and highlighting the connection between education and cultural and creative activities to enhance the sustainability of handicrafts and folk arts.

Over the past years, Al-Ahsa has shared expertise in preserving handicrafts and folk arts with creative cities worldwide through numerous international meetings and conferences in South Korea, Poland, France, the United States, Australia, and Brazil.

Al-Ahsa became the first Gulf city and the third in the Arab world to join the network in the creative field. It has achieved close cooperation in development programs among creative cities, with a focus on sustainable development and heritage preservation.