Diriyah Contemporary Art Biennale Opens Under Theme ‘After Rain’

The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)
The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)
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Diriyah Contemporary Art Biennale Opens Under Theme ‘After Rain’

The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)
The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)

The Diriyah Biennale Foundation inaugurated on Monday the second edition of Diriyah Contemporary Art Biennale, held under the theme “After Rain”, showcasing the works of Saudi and international artists, SPA said.
Held until May 24 in the JAX district, in Diriyah, the exhibition is curated by Ute Meta Bauer, artistic director of the biennale. Some 100 artists, including 30 from the Gulf countries, exhibit 177 artworks in six indoor and outdoor halls and courtyards spread over 12,900 square meters.

Photo by Alessandro Brasile

 

The works are based on artistic research inspired by the curatorial team trips throughout the Kingdom of Saudi Arabia, which culminated in a creative artistic dialogue between different generations.
This edition of the biennale gathers artists from diverse backgrounds, cultures, and environments who contemplate the relationship between humans and nature, interact with the surrounding nature, and focus their works on primary human needs such as water, food, and medical care.
They also narrate history, in a country undergoing rapid developments and changes, and offer a rich multi-sensory experience.
For the second edition of the biennale, the Diriyah Biennale Foundation supported 47 new artists, including Jumana Emil Abboud, Sara Abdu, Mohammad AlFaraj, Azra Akšamija, Tarek Atoui, Rachaporn Chochoy, Vikram Divesha, Christine Fenzl, Anne Holtrop, Armin Linke and Ahmed Mater in an artistic collaboration, Njokobok, and Camille Zakharia.
Artist Tania Mouraud displays on a roundabout in the JAX district, and Mariah Lookman’s work is displayed in Shamalat Diriyah, the artistic cultural center located on the outskirts of old Diriyah.


Besides the art exhibition, there will also be a series of meetings and dialogues among artists, workshops, 10 film screenings in the Black Box Theater, an area for research-based artworks, and displays of research projects and artistic talks, which began last April, under the title Biennale Meetings Series.
These last activities will continue over the course of a full year, in conjunction with the interactive “Learning Garden” online platform, which continues to showcase the ideas presented at the biennale even after the conclusion of the Diriyah Contemporary Art Biennale.


Diriyah Biennale Foundation CEO Aya Al-Bakree said the second edition of the Diriyah Contemporary Art Biennale “synchronizes with the great renaissance and the civilizational and developmental transformation that the Kingdom is experiencing, especially in the arts sector”.
She said that this edition of the event is a cultural experience that calls for contemplation and reflection, and resonates with visitors of all cultures and ages.
The depth of research conducted by Meta Bauer adds creativity and vitality to the event, Al-Bakree said.



Threatened by Israeli Airstrikes, Lebanon’s Cultural Sites Get Increased Protection from UN

Rubble lies at the site of the historic “Al-Manshiya” building damaged in the aftermath of Israeli strikes, near the Roman ruins of Baalbek, in the eastern city of Baalbek, Lebanon November 7, 2024. (Reuters)
Rubble lies at the site of the historic “Al-Manshiya” building damaged in the aftermath of Israeli strikes, near the Roman ruins of Baalbek, in the eastern city of Baalbek, Lebanon November 7, 2024. (Reuters)
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Threatened by Israeli Airstrikes, Lebanon’s Cultural Sites Get Increased Protection from UN

Rubble lies at the site of the historic “Al-Manshiya” building damaged in the aftermath of Israeli strikes, near the Roman ruins of Baalbek, in the eastern city of Baalbek, Lebanon November 7, 2024. (Reuters)
Rubble lies at the site of the historic “Al-Manshiya” building damaged in the aftermath of Israeli strikes, near the Roman ruins of Baalbek, in the eastern city of Baalbek, Lebanon November 7, 2024. (Reuters)

A specialized United Nations agency granted on Monday provisional enhanced protection to 34 cultural properties in Lebanon, including the World Heritage sites of Baalbek and Tyre, following recent Israeli strikes near them.

“Non-compliance with these clauses would constitute serious violations of the 1954 Hague Convention and would constitute potential grounds for prosecution,” the UN cultural and scientific agency UNESCO said in a statement. The decision also includes financial and technical assistance to safeguard Lebanon’s heritage.

The decision was made during an extraordinary session of the Committee for the Protection of Cultural Property that was held in Paris on Monday, at the request of Lebanese authorities.

This move comes amid mounting threats to Lebanon’s cultural sites. On Nov. 7, an Israeli airstrike destroyed an Ottoman-era building near the UNESCO-listed Roman temples of Baalbek in eastern Lebanon.

UNESCO Director-General Audrey Azoulay said: “UNESCO has a deep and long-standing cooperation with Lebanon. We will spare no effort to provide all the expertise and assistance needed to protect its exceptional heritage.”

In addition to legal protections, UNESCO said it has been implementing measures such as satellite monitoring, risk management training and emergency relocation of movable artifacts.