British Museum Names Nicholas Cullinan Its New Director as It Tries to Get over a Rocky Patch

Visitors walk outside the British Museum in Bloomsbury, London, Friday, June 26, 2015. (AP)
Visitors walk outside the British Museum in Bloomsbury, London, Friday, June 26, 2015. (AP)
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British Museum Names Nicholas Cullinan Its New Director as It Tries to Get over a Rocky Patch

Visitors walk outside the British Museum in Bloomsbury, London, Friday, June 26, 2015. (AP)
Visitors walk outside the British Museum in Bloomsbury, London, Friday, June 26, 2015. (AP)

The British Museum on Thursday appointed National Portrait Gallery chief Nicholas Cullinan as its new director, as the 265-year-old institution grapples with the apparent theft of hundreds of artifacts and growing international scrutiny of its collection.

Previous director Hartwig Fischer resigned in August after the museum disclosed that more than 1,800 items were missing in an apparent case of insider theft. Many of the items had been offered for sale online.

Mark Jones, former head of the Victoria and Albert Museum, has served as interim director since then. Cullinan will replace him in the summer.

Cullinan has been director of the National Portrait Gallery since 2015, overseeing a major refurbishment of the building beside London’s Trafalgar Square. He has previously worked at Tate Modern in London and the Metropolitan Museum of Art in New York.

His appointment was approved by the British Museum’s trustees and Prime Minister Rishi Sunak.

Cullinan said it was an honor to become director of “one of the greatest museums in the world.”

He said he looked forward to leading the institution through “the most significant transformations, both architectural and intellectual, happening in any museum globally, to continue making the British Museum the most engaged and collaborative it can be.”

The museum fired a longstanding curator, Paul Higgs, over the missing items, and is suing him at the High Court. Lawyers for the museum say Higgs “abused his position of trust” to steal ancient gems, gold jewelry and other pieces from storerooms over the course of a decade.

Higgs, who worked in the museum’s Greece and Rome department for more than two decades, denies the allegations and intends to dispute the museum’s legal claim.

Police are also investigating, but no one has been charged.

The 18th-century museum in central London’s Bloomsbury district is one of Britain’s biggest tourist attractions, visited by 6 million people a year. They come to see a collection that ranges from Egyptian mummies and ancient Greek statues to Viking hoards, scrolls bearing 12th-century Chinese poetry and masks created by the Indigenous peoples of Canada.

The museum faces growing pressure over items taken from other countries during the period of the British Empire -– especially the Parthenon Marbles, 2,500-year-old sculptures that were taken from Athens in the early 19th century by British diplomat Lord Elgin.

Greece has campaigned for decades for the marbles to be returned. The British Museum is banned by law from giving the sculptures back to Greece, but its leaders have held talks with Greek officials about a compromise, such as a long-term loan.

Those efforts suffered a setback in November, when a diplomatic spat erupted over the marbles, and Prime Minister Sunak abruptly canceled a planned meeting with his Greek counterpart, Kyriakos Mitsotakis.

British Museum Chairman George Osborne said that with Cullinan’s appointment, the institution was entering “a new chapter in the long story of the British Museum with confidence, and back on the front foot.”



'Riyadh Reads French' Initiative Brings French Culture to Riyadh International Book Fair

The Riyadh International Book Fair 2024 logo
The Riyadh International Book Fair 2024 logo
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'Riyadh Reads French' Initiative Brings French Culture to Riyadh International Book Fair

The Riyadh International Book Fair 2024 logo
The Riyadh International Book Fair 2024 logo

The Riyadh International Book Fair 2024 featured the return of the "Riyadh Reads French" initiative, which was introduced the previous year and gathered numerous French publishers specializing in various fields.

The initiative garnered significant attention and attracted a large number of visitors to the fair.

The French Embassy’s communication officer in Saudi Arabia, Alsaeed Ezz, elaborated that this year's edition aimed to enhance the experience and expand activities, with a particular focus on children. The initiative included over 25,000 books in its pavilions, with 118 French publishing houses participating. Additionally, the Alliance Francaise in Riyadh offered free French language courses to fair visitors, aiming to bring the French language and culture closer to Saudis and all fair attendees.

Ezz highlighted that the Alliance Francaise had dedicated a fully integrated section for children to cater to their needs and knowledge aspirations, with specialized supervisors offering activities such as drawing, reading, and expression to familiarize the younger generation with the French culture.

The initiative also involved Campus France, a national office facilitating registration procedures for studying in French universities and educational institutions. Campus France collaborated with relevant Saudi authorities to introduce available scholarship programs for studying in both English and French, as well as the requirements for obtaining bachelor's and master's degrees and conducting research in various fields.

This year's Riyadh International Book Fair saw a participation from over 2,000 publishing houses and agencies from the Kingdom, the region, and around the world, occupying 800 pavilions representing over 30 countries.