Emiratis Battle to Preserve Dying Art of Embroidery

An Emirati woman weaves thread in the Al Talli method, a traditional local weaving technique, during an annual heritage festival in Al-Ain on November 10, 2023. (AFP)
An Emirati woman weaves thread in the Al Talli method, a traditional local weaving technique, during an annual heritage festival in Al-Ain on November 10, 2023. (AFP)
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Emiratis Battle to Preserve Dying Art of Embroidery

An Emirati woman weaves thread in the Al Talli method, a traditional local weaving technique, during an annual heritage festival in Al-Ain on November 10, 2023. (AFP)
An Emirati woman weaves thread in the Al Talli method, a traditional local weaving technique, during an annual heritage festival in Al-Ain on November 10, 2023. (AFP)

Far from Dubai's glitzy towers, Mariam al-Kalbani's henna-dyed fingers weave brightly colored threads in a skill she hopes young Emirati women watching her can preserve for the future.

The art of hand-weaving braided shiny ribbons to adorn traditional clothing and bags is called Al Talli, and is on UNESCO's Intangible Cultural Heritage of Humanity list.

But with the relentless pace of change in the United Arab Emirates, its days may be numbered.

"It's a craft of our ancestors and our people," Kalbani told AFP in Al Ain, the UAE's fourth largest city, which sits between mountains and the desert.

"If we do not take initiative and introduce it to them, it will disappear."

The 70-year-old craftswoman, wearing a traditional black abaya robe and golden face covering, has been training students and apprentices in the art for 15 years.

"The goal is to revive the heritage for the next generation," she said.

She emphasized that mastering Al Talli doesn't happen "in a couple of hours -- it could take a year or two, especially if training is done just once a week".

Kalbani has been weaving Al Talli since she was a teenager.

The simplest Al Talli designs are made from six threads -- although they can number up to 50 -- and mastering the process of combining them with beads, ornaments and precious metals such as gold can take a long time.

'Rare and special'

Accounting student Reem al-Ketbi watched Kalbani intently as she worked on a round cushion called a Mousadah, weaving a silver thread back and forth during a recent handicrafts festival.

"Every time I see Al Talli, I remember the Emirati identity -- it's something rare and special," said the 23-year-old, who began learning the craft last year while also pursuing her studies.

No precise information on Al Talli's origins exists.

But Mohamed Hassan Abdel Hafez, a cultural heritage expert at the Sharjah Institute for Heritage, said it has been passed down through multiple generations, "at least from grandparents to grandchildren", in line with UNESCO's listing requirements.

"In the field of intangible cultural heritage, it is very difficult to determine the exact date or when it historically began," he said.

However, the UAE authorities are working to preserve traditions that date from before the development of the oil industry in the country.

Kalbani laments that her own daughters did not take up the craft, but smiled as her three-year-old granddaughter beside her asked questions about the braids and threads.

Al Talli was not the only tradition being highlighted at the Crafts and Traditional Industries Festival.

At the main square in Al Ain, American Katie Gaimer watched men performing the traditional Ayalah dance, wielding bamboo sticks or unloaded rifles to the rhythm of folk songs.

The 35-year-old teacher said she and her friends had just enjoyed an Al Talli workshop, where they had a free lesson on how to make bracelets.

"It kind of felt like we were making friendship bracelets... it was fun and it was nice to learn from somebody teaching it in a traditional way," she said.

'Worth preserving'

Elsewhere, women produced various items including Sadu fabric, which is used for tents, carpets and camel saddles, and is also listed by UNESCO.

Aisha al-Dhaheri, who works to promote traditional crafts at the Department of Culture and Tourism in Abu Dhabi, said authorities hope to support Al Talli by licensing certified experts to expand production and teaching.

"It's considered at risk of disappearance, so we tried to expedite preservation efforts by organizing training courses," she said.

Accounting student Ketbi believes that young women these days "are not very interested" in learning craft techniques from long ago.

But she still considers preserving them worthwhile "out of love for the country".

At one shop in the festival area, octogenarian Kulthum al-Mansouri sold bags, incense burners, bracelets, necklaces, medals and key chains -- all adorned with Al Talli which she herself braided under the eyes of passers-by.

She said she felt saddened that young women seem less interested in Al Talli than ever, distracted as they were "by screens and phones".

But she still hoped the skill could be passed on because her generation cannot maintain it forever.

"For how long do we have left to live?" she said.



Benin Leans into Painful Past to Attract Tourists

 A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
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Benin Leans into Painful Past to Attract Tourists

 A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)

Tourists crowded beneath the Door of No Return, an arch built by the beach at Ouidah in southern Benin in memory of those crammed onto slave ships bound for the New World.

Benin, which holds a presidential election on Sunday, has in recent years leaned into its painful past to encourage tourism.

Once a key departure point in the transatlantic slave trade, the coastal town of Ouidah lies at the heart of the push to reclaim the country's history, culture and heritage.

Standing nearly 17 meters (56 feet) tall on the seafront, the Door of No Return has been fully restored, now a must-see landmark for visitors.

Its ochre-and-gold facade is carved with figures of chained slaves, frozen mid-stride towards the ocean.

Nearby, a life-size replica of L'Aurore -- one of the last three-masted ships to leave Ouidah for Cuba around 1860 -- is set to open soon as an immersive museum of the slave trade.

"It reminds us of where we come from. It's important to develop tourism around our history because it's very rich, little known, and we want to showcase it," said Arsene Ahounou, an engineer from the commercial capital Cotonou visiting for the day.

"For us natives, understanding our history matters," he added.

Pausing for selfies with friends visiting from Nigeria, Onyinye Anumba said that seeing the site with her own eyes was "awesome".

"As an African, I've read many things about this place... so just being here makes me proud about what Africa has," she said.

- 'Demystify Vodun' -

Elsewhere, tourists explored the 13th-century Python Temple to learn about Voodoo culture -- the popular animist religion rooted in Ouidah.

As many posed for photos with snakes draped around their shoulders, guides explained the reptile's spiritual significance in Voodoo (Vodun in the local Fon language) beliefs.

Having worked in Beninese tourism for more than 35 years, Modeste Zinsou, the temple's head guide, said the sector had evolved.

"This isn't mass tourism, it's cultural tourism. The sacred element remains. We're reconstructing our own history, in which we completely demystify Vodun and the cliches around it," he said.

Benin is the birthplace of Voodoo, which now has its own international festival, the Vodun Days.

The three days of dancing, mask parades and traditional ceremonies have become a major tourist attraction.

This year it drew around two million visitors, most of them Beninese.

"The government has worked to encourage domestic tourism, meaning Beninese people going out and reclaiming their identity," added Zinsou.

- 'Our Eiffel Tower' -

To boost tourism, Benin has launched major infrastructure projects, including road and hotel renovations.

A Club Med resort is planned for 2027 and visa procedures have been eased for many nationalities.

"We're not a country with mineral wealth, so we had to identify where our wealth lies," said Alain Godonou, an adviser to the president on heritage and museums.

"History shows that Benin is a land of great cultures and traditions, and a witness to a pivotal moment in human history -- the slave trade," he said.

Godonou hopes tourism will account for 10 to 15 percent of GDP within a decade, up from about six percent today.

Sunday's election in the west African country is to replace the architect of this tourism drive, outgoing president Patrice Talon, who is stepping down after two five-year terms.

The frontrunner to succeed him, Romuald Wadagni, the finance minister from the ruling party, has pledged to carry the projects forward.

Since 2024, Benin has allowed anyone with an African ancestor who was enslaved and shipped to the Americas to acquire Beninese nationality.

"It was important for Benin to do justice to this diaspora by granting the nationality that should have been theirs," Godonou said.

In the heart of Cotonou, the country's largest city, the Amazon Monument is now a major attraction.

The towering 30-meter metal statue depicts a warrior of the Dahomey kingdom, rifle at her side and dagger in hand.

On Easter Monday, a public holiday, crowds of Beninese visitors strolled through the plaza, snapping pictures of the statue.

"It's a source of pride! We don't have the money to go on holiday in France or elsewhere," said vendor Geraldine Sedami Yagbo.

"This statue is our Eiffel Tower."


Hira Cultural District Hosts Symposium on Arabic Language and Identity

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
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Hira Cultural District Hosts Symposium on Arabic Language and Identity

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café, where scholars, writers, and language enthusiasts gathered to discuss the importance of the Arabic language. the Saudi Press Agency reported.

The event highlighted Arabic not only as a means of communication, but as a fundamental pillar of cultural identity and a vital source of knowledge, deeply connected to history, heritage, and intellectual traditions.

Discussions highlighted the necessity of preserving linguistic integrity against contemporary challenges and the responsibility of cultural institutions in promoting standard Arabic.

Participants emphasized that language remains a fundamental element in building national identity and consolidating cultural values.

This symposium is part of a broader series of initiatives by the Hira Cultural District to enrich Makkah’s cultural and intellectual landscape.


Saudi Ministry Launches ‘Cultural Experiences’ Program to Promote Local Arts and Heritage

Riyadh, Saudi Arabia (Reuters)
Riyadh, Saudi Arabia (Reuters)
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Saudi Ministry Launches ‘Cultural Experiences’ Program to Promote Local Arts and Heritage

Riyadh, Saudi Arabia (Reuters)
Riyadh, Saudi Arabia (Reuters)

The Saudi Ministry of Culture unveiled the “Cultural Experiences” program to raise awareness of local culture and arts through interactive public experiences.

The initiative targets all segments of society and offers activities that enable participants to explore Saudi heritage and traditional arts in engaging ways, the Saudi Press Agency said on Thursday.

In its first phase, the program will feature two main trails.

The first, “Cooking Experiences,” will be held in April at the Hotel and Tourism Management Institute (HTMi Saudi Arabia) in Riyadh, Al-Baha, and Jazan.

It showcases Saudi cuisine through hands-on sessions where participants learn to prepare traditional dishes under the guidance of professional chefs.

Participants will explore the stories, ingredients, and cultural significance of these dishes, strengthening their connection to local culinary heritage.

The second trail focuses on handicraft experiences. It highlights traditional crafts through interactive workshops led by skilled artisans.

Participants will learn various handicraft techniques and create artistic pieces, promoting appreciation of crafts, and their role in preserving cultural identity.

The program will be rolled out in multiple phases. Experiences will be announced through the ministry’s official platforms and the hosting platform “Webook,” where participants can view schedules and register.

Registered participants will receive confirmation messages with details of the experience, including location, timing, and attendance requirements.