Gaza’s Historic Treasures Saved by ‘Irony of History’ 

A picture taken on January 5, 2024 shows Gaza City's 17th century Qasr al-Basha or the Pasha's Palace, also known as Radwan dynasty castle, which houses a museum and a girls' school, damaged in Israeli bombardment during the ongoing battles between Israel and the Palestinian Hamas movement. (AFP)
A picture taken on January 5, 2024 shows Gaza City's 17th century Qasr al-Basha or the Pasha's Palace, also known as Radwan dynasty castle, which houses a museum and a girls' school, damaged in Israeli bombardment during the ongoing battles between Israel and the Palestinian Hamas movement. (AFP)
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Gaza’s Historic Treasures Saved by ‘Irony of History’ 

A picture taken on January 5, 2024 shows Gaza City's 17th century Qasr al-Basha or the Pasha's Palace, also known as Radwan dynasty castle, which houses a museum and a girls' school, damaged in Israeli bombardment during the ongoing battles between Israel and the Palestinian Hamas movement. (AFP)
A picture taken on January 5, 2024 shows Gaza City's 17th century Qasr al-Basha or the Pasha's Palace, also known as Radwan dynasty castle, which houses a museum and a girls' school, damaged in Israeli bombardment during the ongoing battles between Israel and the Palestinian Hamas movement. (AFP)

Gaza's ancient Greek site of Anthedon has been bombed, its "Napoleon's Palace" destroyed and the only private museum burned down: the war has taken a terrible toll on the rich heritage of the Palestinian territory.

But in a strange twist of fate, some of its greatest historical treasures are safe in a warehouse in Switzerland.

And ironically, it is all thanks to the blockade that made life in the Gaza Strip such a struggle for the past 16 years.

Based on satellite images, the UN cultural organization reckons some 41 historic sites have been damaged since Israel began pounding the besieged territory after the October 7 Hamas attack.

On the ground, Palestinian archaeologist Fadel al-Otol keeps tabs on the destruction in real time.

When he has electricity and internet access, photos pour into a WhatsApp group he set up with 40 or so young peers he mobilized to watch over the territory's vast array of ancient sites and monuments.

As a teenager in the 1990s, Otol was hired by European archaeological missions before going on to study in Switzerland and at the Louvre Museum in Paris.

"All the archaeological remains in the north have been hit," he told AFP by phone from Gaza.

The human toll since the October 7 Hamas attack has been chilling.

A total of 1,170 people were killed in the unprecedented raid on Israel, according to an AFP tally of Israeli official figures.

Almost 34,000 have died in Gaza in unrelenting Israeli retaliation, according to the territory's health ministry.

The damage to Gaza's history has also been immense.

Napoleon's HQ flattened

"Blakhiya (the ancient Greek city of Anthedon) was directly bombed. There's a huge hole", said Otol.

He said part of the site, near a Hamas barracks where "we hadn't started excavating", was hit.

The 13th-century Al-Basha palace in Gaza City's old town "has been completely destroyed. There was bombing and (then) it was bulldozed.

"It held hundreds of ancient objects and magnificent sarcophagi," Otol added as he shared recent photos of the ruins.

Napoleon is said to have based himself in the ochre stone edifice at the disastrous end of his Egyptian campaign in 1799.

The room where the French emperor supposedly slept was full of Byzantine artifacts.

"Our best finds were displayed in the Basha," Jean-Baptiste Humbert of the French Biblical and Archaeological School in Jerusalem (EBAF) told AFP.

But we know little of their fate, he said. "Did someone remove the objects before blowing the building up?"

Nerves were frayed even further when the director of Israeli Antiquities, Eli Escusido, posted a video on Instagram of Israeli soldiers surrounded by vases and ancient pottery in the EBAF warehouse in Gaza City.

Much of what has been unearthed in digs in Gaza was stored either at the Al-Basha museum or the warehouse.

Palestinians quickly accused the army of pillaging. But EBAF archaeologist Rene Elter said he has seen no evidence of "state looting".

"My colleagues were able to return to the site. The soldiers opened boxes. We don't know if they took anything," he told AFP.

However, he added: "Every day when Fadel (al-Otol) calls me, I'm afraid he'll tell me that one of our colleagues has died or that such and such a site has been destroyed".

Archaeology is a highly political issue in Israel and the Palestinian territories, with discoveries often used to justify the claims of the two warring peoples.

While Israel has an army of archaeologists who have unearthed an impressive number of ancient treasures, Gaza remains relatively untouched by the trowel despite a rich past stretching back thousands of years.

Ancient crossroads

The only sheltered natural harbor between the Sinai and Lebanon, Gaza has been for centuries a crossroads of civilizations.

A pivot point between Africa and Asia and a hub of the incense trade, it was coveted by the Egyptians, Persians, Greeks, Romans and Ottomans.

A key figure in excavating this glorious past over the last few decades has been Jawdat Khoudary, a Gazan construction magnate and collector.

Gaza, with its "seafront real estate", had a property boom in the 1990s after the Oslo peace accords and the creation of the Palestinian Authority.

When building workers dug up the soil, they came across lots and lots of ancient objects. Khoudary amassed a treasure trove of artifacts that he opened up to foreign archaeologists.

Marc-Andre Haldimann, then curator of MAH, Geneva's art and history museum, couldn't believe his eyes when he was invited to have a look around the garden of Khoudary's mansion in 2004.

"We found ourselves in front of 4,000 objects, including an avenue of Byzantine columns," he told AFP.

Quickly an idea took shape to organize a major exhibition to highlight Gaza's past at the MAH, and then to build a museum in the territory itself so that the Palestinians could take ownership of their own heritage.

At the end of 2006, around 260 objects from the Khoudary collection left Gaza for Geneva, with some later going on to be part of another hit show at the Institut du Monde Arabe (IMA) in Paris.

But geopolitics changed along the way. In June 2007, Hamas drove the Palestinian Authority from Gaza. And Israel imposed its blockade.

As a result, the Gazan artifacts could no longer return home and remained stuck in Geneva, while the archaeological museum project fizzled out.

But Khoudary did not give up hope. He built a museum-hotel called Al-Mathaf, museum in Arabic, on the Mediterranean coast north of Gaza City.

But then came the Israeli ground offensive after the Hamas attack on October 7, which began in Gaza's north.

'Anything but a black hole'

"Al-Mathaf remained under Israeli control for months," Khoudary, who fled Gaza for Egypt, told AFP. "As soon as they left, I asked some people to go there to see what state the place was in. I was shocked. Several items were missing and the hall had been set on fire.

His mansion was also destroyed during fierce fighting in the Sheikh Radwan neighborhood of Gaza City.

"The Israelis flattened the garden with bulldozers... I don't know whether objects were buried (by the bulldozers) or whether the marble columns were broken or looted. I can't find words," he added.

The Israeli military did not comment on specific sites. But it accused Hamas of systematically using civilian structures like cultural heritage sites, government buildings, schools, shelters and hospitals for military purposes.

"Israel maintains its commitments to international law, including by affording the necessary special protections," the army added in a statement.

While part of Khoudary's collection has been lost, the treasures held in Switzerland remain intact, saved by the blockade and the red tape that delayed their return.

"There were 106 crates ready to go" for years, said Beatrice Blandin, the MAH museum's current curator.

Safely far from the war raging in Gaza, "the objects are in good condition", she added. "We restored some of the bronze pieces that were slightly corroded and repacked everything.

"We just had to be sure that the convoy would not be blocked," she told AFP. "We were waiting for that green light."

But with any return impossible for the moment, Blandin said "discussions are under way" for a new Gaza exhibition in Switzerland.

Khoudary is excited by the idea.

"The most important collection of objects on the history of Gaza is in Geneva. If there is a new show, it will allow the whole world to learn about our history," he told AFP from Cairo.

"It's an irony of history," said Haldimann, who is trying to get his friend Fadel al-Otol safely out of Gaza.

"A new Gaza exhibition would show once again that Gaza... is anything but a black hole."



Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
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Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP

Kosovo's oldest cinema has been dark and silent for years as the famous theater slowly disintegrates under a leaky roof.

Signs warn passers-by in the historic city of Prizren that parts of the Lumbardhi's crumbling facade could fall while it waits for its long-promised refurbishment.

"The city deserves to have the cinema renovated and preserved. Only junkies gathering there benefit from it now," nextdoor neighbor butcher Arsim Futko, 62, told AFP.

For seven years, it waited for a European Union-funded revamp, only for the money to be suddenly withdrawn with little explanation.

Now it awaits similar repairs promised by the national government that has since been paralyzed by inconclusive elections in February.

And it is anyone's guess whether the new government that will come out of Sunday's snap election will keep the promise.

'Collateral damage'

Cinema director Ares Shporta said the cinema has become "collateral damage" in a broader geopolitical game after the EU hit his country with sanctions in 2023.

The delayed repairs "affected our morale, it affected our lives, it affected the trust of the community in us," Shporta said.

Brussels slapped Kosovo with sanctions over heightened tensions between the government and the ethnic Serb minority that live in parts of the country as Pristina pushed to exert more control over areas still tightly linked to Belgrade.

Cultural institutions have been among the hardest-hit sectors, as international funding dried up and local decisions were stalled by the parliamentary crisis.

According to an analysis by the Kosovo think tank, the GAP Institute for Advanced Studies, sanctions have resulted in around 613 million euros ($719 million) being suspended or paused, with the cultural sector taking a hit of 15-million-euro hit.

'Ground zero'

With political stalemate threatening to drag on into another year, there are warnings that further funding from abroad could also be in jeopardy.

Since February's election when outgoing premier Albin Kurti topped the polls but failed to win a majority, his caretaker government has been deadlocked with opposition lawmakers.

Months of delays, spent mostly without a parliament, meant little legislative work could be done.

Ahead of the snap election on Sunday, the government said that more than 200 million euros ($235 million) will be lost forever due to a failure to ratify international agreements.

Once the top beneficiary of the EU Growth Plan in the Balkans, Europe's youngest country now trails most of its neighburs, the NGO Group for Legal and Political Studies' executive director Njomza Arifi told AFP.

"While some of the countries in the region have already received the second tranches, Kosovo still remains at ground zero."

Although there have been some enthusiastic signs of easing a half of EU sanctions by January, Kurti's continued push against Serbian institutions and influence in the country's north continues to draw criticism from both Washington and Brussels.

'On the edge'

Across the river from the Lumbardhi, the funding cuts have also been felt at Dokufest, a documentary and short film festival that draws people to the region.

"The festival has had to make staff cuts. Unfortunately, there is a risk of further cuts if things don't change," Dokufest artistic director Veton Nurkollari said.

"Fortunately, we don't depend on just one source because we could end up in a situation where, when the tap is turned off, everything is turned off."

He said that many in the cultural sector were desperate for the upcoming government to get the sanctions lifted by ratification of the agreements that would allow EU funds to flow again.

"Kosovo is the only one left on the edge and without these funds."


Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa
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Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

The Saudi Ministry of Culture concluded the project to survey, document, and archive intangible cultural heritage in Al-Ahsa Governorate by holding a workshop in the governorate, attended by stakeholders and relevant entities, as part of the ministry’s efforts to preserve national cultural heritage and strengthen Saudi cultural identity, reported the Saudi Press Agency on Thursday.

The project included a field survey covering various cities and villages across Al-Ahsa, during which diverse elements of intangible cultural heritage were identified and documented. These included oral traditions, performing arts, skills associated with traditional cultural crafts, social practices, and knowledge related to nature and the local environment.

The work was carried out in cooperation with concerned entities, specialized experts, and local practitioners.

The workshop reviewed the project’s final outcomes and presented reports on documentation and digital archiving activities.

It discussed mechanisms to ensure the sustainability of these efforts and the transmission of this cultural legacy to future generations, contributing to greater community awareness of the value and importance of intangible cultural heritage.


Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA
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Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA

Hail Region pavilion at the Ministry of Interior’s Security Oasis exhibition, part of the 10th King Abdulaziz Camel Festival in Al-Sayahid, features heritage artifacts that reflect the region's renowned hospitality.

The display includes ancient trays and copperware from nearly seventy years ago.

According to SPA, these traditional food preparation and serving vessels have garnered significant interest from visitors. They document daily life in old Hail and its deep-rooted social traditions, particularly in gatherings and special occasions.

The pavilion aims to connect visitors to Hail's history and social legacy, fostering appreciation for national heritage and ensuring cultural preservation for future generations.