Spain Abolishes National Bullfighting Award in Cultural Shift

Spanish bullfighter Juan Ortega fights the 528kg bull 'Vivaracho' bull during a bullfight in the Plaza Monumental of Aguascalientes, in Aguascalientes, Mexico, 28 April 2024.  EPA/Tadeo Alcina
Spanish bullfighter Juan Ortega fights the 528kg bull 'Vivaracho' bull during a bullfight in the Plaza Monumental of Aguascalientes, in Aguascalientes, Mexico, 28 April 2024. EPA/Tadeo Alcina
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Spain Abolishes National Bullfighting Award in Cultural Shift

Spanish bullfighter Juan Ortega fights the 528kg bull 'Vivaracho' bull during a bullfight in the Plaza Monumental of Aguascalientes, in Aguascalientes, Mexico, 28 April 2024.  EPA/Tadeo Alcina
Spanish bullfighter Juan Ortega fights the 528kg bull 'Vivaracho' bull during a bullfight in the Plaza Monumental of Aguascalientes, in Aguascalientes, Mexico, 28 April 2024. EPA/Tadeo Alcina

Spain scrapped an annual bullfighting award on Friday, prompting a rebuke from conservatives over a backlash against a centuries-old tradition they see as an art form but which has run into growing concern for animal welfare.
Spanish-style bullfighting, in which the animal usually ends up killed by a sword thrust by a matador in shining garb, is for supporters a cultural tradition to be preserved, while critics call it a cruel ritual with no place in modern society, Reuters reported.
The Culture Ministry said it based its decision to abolish the award on the "new social and cultural reality in Spain" where worries about animal welfare have risen while attendance at most bullrings has declined.
"I think that's the feeling of a majority of Spaniards who can understand less and less why animal torture is practiced in our country..., and much less why that torture gets awarded with public money," Culture Minister Ernest Urtasun said on X.
The national award came in the form of a 30,000-euro ($32,217) government check and has been bestowed on famous bullfighters such as Julian Lopez, known as "El Juli", or cultural associations related to the bullfighting tradition.
It has recently become a defining issue in Spain's culture wars, pitting left-wing parties such as Sumar, to which Urtasun belongs, against right-wing conservatives who support the tradition.
Borja Semper, spokesperson for the opposition conservative People's Party, told reporters the government move showed that it "does not believe in cultural diversity or liberty", and that his party would reinstate the award whenever it regained power.
The PP leader of the Aragon region, Jorge Azcon, said it would introduce another award. "Tradition should be something that unites us rather than divides," he said.
Opposition to bullfighting has also grown in Latin America, where the tradition was exported in the 16th century, and in southern France, where it spread in the 19th century.
In Spain, the average bullfighting aficionado has gotten older and the number of bullfighting festivals dropped by a third between 2010 and 2023.



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."