Dutch Art Sleuth Recovers Stolen Trove of UNESCO-listed Documents

This handout photograph obtained on July 8, 2025, courtesy of Arthur Brand shows Dutch art detective Arthur Brand posing with stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation Dutch East India Company (VOC), in Amsterdam on June 24, 2025. (Photo by ARTHUR BRAND / AFP)
This handout photograph obtained on July 8, 2025, courtesy of Arthur Brand shows Dutch art detective Arthur Brand posing with stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation Dutch East India Company (VOC), in Amsterdam on June 24, 2025. (Photo by ARTHUR BRAND / AFP)
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Dutch Art Sleuth Recovers Stolen Trove of UNESCO-listed Documents

This handout photograph obtained on July 8, 2025, courtesy of Arthur Brand shows Dutch art detective Arthur Brand posing with stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation Dutch East India Company (VOC), in Amsterdam on June 24, 2025. (Photo by ARTHUR BRAND / AFP)
This handout photograph obtained on July 8, 2025, courtesy of Arthur Brand shows Dutch art detective Arthur Brand posing with stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation Dutch East India Company (VOC), in Amsterdam on June 24, 2025. (Photo by ARTHUR BRAND / AFP)

A Dutch art sleuth has recovered a priceless trove of stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation.

Arthur Brand, nicknamed the "Indiana Jones of the Art World" for his high-profile recovery of stolen masterpieces, said the latest discovery was among his most significant.

"In my career, I have been able to return fantastic stolen art, from Picassos to a Van Gogh... yet this find is one of the highlights of my career," Brand told AFP.

Many of the documents recount the early days of the Dutch East India Company (VOC), whose globetrotting trading and military operations contributed to the Dutch "Golden Age", when the Netherlands was a global superpower.

The 17th century VOC documents contain a "fascinating glimpse into the events of that time in places like Europe, India, Indonesia, South Africa and Latin America," said Brand.

One document from 1602 recounts the first meeting of the VOC, during which its famous logo -- considered the world's first corporate logo -- was designed.

VOC merchants criss-crossed the globe, catapulting the Netherlands to a world trading power but also exploiting and oppressing the colonies it conquered.

The company was also a leading diplomatic power and one document relates a visit in 1700 by top VOC officials to the court of the Mughal emperor in India.

"Since the Netherlands was one of the most powerful players in the world at that time in terms of military, trade, shipping, and colonies, these documents are part of world history," said Brand.

UNESCO agrees, designating the VOC archives as part of its "Memory of the World" documentary heritage collection.

"The VOC archives make up the most complete and extensive source on early modern world history anywhere," says UNESCO on its website.

The trove also featured early ships logs from one of the world's most famous admirals, Michiel de Ruyter, whose exploits are studied in naval academies even today.

De Ruyter gained fame for his daring 1667 raid to attack the English fleet in the River Medway, one of the greatest humiliations in world naval history.

The ship's logs, written in his own hand, relate the admiral's first experience of naval warfare, the 1641 Battle of St Vincent against the Spanish fleet.

No less enthralling is the "who-dunnit" of how Brand came by the documents.

Brand received an email from someone who had stumbled across a box of seemingly ancient manuscripts while clearing out the attic of an incapacitated family member.

This family member occasionally lent money to a friend, who would leave something as collateral -- in this case the box of documents.

"I received some photos and couldn't believe my eyes. This was indeed an extraordinary treasure," Brand told AFP.

Brand investigated with Dutch police and concluded the documents had been stolen in 2015 from the vast National Archives in The Hague.

The main suspect -- an employee at the archives who had indeed left the box as collateral but never picked it up -- has since died.

Brand compared the theft to a daring heist by a curator at the British Museum, who spirited away some 1,800 objects, selling some of them on eBay.

The art detective said he spent many an evening sifting through the documents, transported back in time.

"Wars at sea, negotiations at imperial courts, distant journeys to barely explored regions, and knights," he told AFP.

"I felt like I had stepped into Robert Louis Stevenson's 'Treasure Island."



David Hockney, the British Artist Who Went in Search of Californian Color, Dies at 88

British artist David Hockney poses as he unveils his painting "Bigger Trees Near Water", the largest painting ever shown at the Royal Academy's Summer Exhibition, London, Friday, May 25, 2007. (AP)
British artist David Hockney poses as he unveils his painting "Bigger Trees Near Water", the largest painting ever shown at the Royal Academy's Summer Exhibition, London, Friday, May 25, 2007. (AP)
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David Hockney, the British Artist Who Went in Search of Californian Color, Dies at 88

British artist David Hockney poses as he unveils his painting "Bigger Trees Near Water", the largest painting ever shown at the Royal Academy's Summer Exhibition, London, Friday, May 25, 2007. (AP)
British artist David Hockney poses as he unveils his painting "Bigger Trees Near Water", the largest painting ever shown at the Royal Academy's Summer Exhibition, London, Friday, May 25, 2007. (AP)

As a child growing up in gloomy northern England, David Hockney noticed the sharply ‌defined shadows in the Hollywood films of comedy duo Laurel and Hardy.

"Strong shadows meant a lot of sun," the painter recalled to BBC television in 2009. "So I thought, well, wherever that is, it's always sunny."

Two decades later, Hockney moved to Los Angeles to immerse himself in that dazzling light.

The artist, whose brightly colored renditions of California would go on to make him one of the most celebrated artists of the 20th and 21st centuries, has died, Sky News reported on Friday. He was 88.

No cause of death was given.

'HERE I FELT FREE'

Initially, almost as much as his paintings, Hockney was known for his own image — thick-rimmed spectacles, peroxide hair, shiny gold jacket — which became a symbol of Britain's Swinging Sixties.

As an art student in the northern English city of Bradford — where he was born to an accountancy clerk father and a devout Methodist mother — Hockney rebelled against convention.

To continue his studies, in 1959 he moved to London where he had a meteoric rise in the British pop art movement and rubbed shoulders with stars from dancer ‌Rudolf Nureyev to ‌Mick Jagger.

But Hockney yearned for the excitement he saw in the work of American artists. Using money ‌from ⁠the sale of ⁠his art, he visited New York for the first time in 1961 — where he became a friend of Andy Warhol — and moved to California three years later.

"I thought people who produced such work must live in color, so I went in search of it," he is quoted as saying in a biography written by art critic and friend Peter Adam.

"I had spent the first 20 years of my life in the gothic gloom of the North. Here I felt free."

His pictures of swimming pools became icons of a sun-drenched lifestyle that he documented with luminous acrylic paint before dividing his time between Los Angeles, London and Paris in the late 1960s and 1970s.

He remained unpretentious despite his success.

"I am actually still a ⁠student," he told Adam. "I just happen to have quite a lot of credit cards in my pocket."

In ‌1985, when he was invited to the White House to dine with President Ronald Reagan, ‌Prince Charles and Princess Diana, he was held up for half an hour by security officers because he was the only guest to arrive on foot, ‌his biographer wrote.

'YOU DON'T RETIRE DOING THIS'

Hockney's images of love and material wealth led to claims by some art critics that ‌his work was trivial. But he won greater renown than any other British artist of the 20th century.

One of his most famous paintings, "Portrait of an Artist (Pool with Two Figures)" sold for $90.3 million in 2018, the most expensive work by a living artist sold at auction at the time.

As he grew older and his life turned more domestic, dogs replaced men in Hockney's work, at a time when many ‌of his friends were dying of AIDS.

He said he cried for two days when Stanley, one of his beloved dachshunds, died in 2001, having been immortalized in scores of paintings and sketches.

In the late ⁠1990s, Hockney began returning more frequently to ⁠visit his mother in the northern English county of Yorkshire, where he had grown up, and a terminally ill friend encouraged him to paint the local landscapes.

Feeling increasingly lonely, he moved from California to the seaside town of Bridlington on England's North Sea coast. For a decade he painted clumps of bare trees in winter, fields full of ripe crops and tracks stretching towards the gentle rolling hills of the Yorkshire Wolds region.

It was the most productive period of his entire career as he rushed to capture scenes that, he said, changed more dramatically with the seasons than did those of California.

"You don't retire doing this," he told the BBC in his broad Yorkshire accent when asked about his unflagging energy. "You just do it until you fall over."

The former enfant terrible of British art, a cigarette almost always in his hand, never stopped trying new techniques. He used faxes to share his work and then iPads to produce it. His Yorkshire paintings led to a stained-glass window for Westminster Abbey, in central London.

In 2018, Hockney bought a farmhouse in Normandy, in northern France, and turned his eye to the fields and flowers of his garden there. The 90-meter-long "A Year in Normandie" frieze was inspired by the nearly 1,000-year-old Bayeux Tapestry.

Hockney's work ethic — instilled in him from getting up daily at 6 o'clock to work in hospitals for two years, when he refused to do his military service in the army — barely relented in his later years.

"I tend to think that you should work every day," he said. "And I do."


Red Sea Museum Extends 'Sunken Treasures' Exhibition Until August 15

The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks  - SPA
The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks - SPA
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Red Sea Museum Extends 'Sunken Treasures' Exhibition Until August 15

The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks  - SPA
The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks - SPA

The Red Sea Museum is strengthening its cultural and educational offerings by extending its temporary exhibition, “Sunken Treasures: The Maritime Heritage of the Red Sea,” until August 15 at the Bab Al-Bunt building in Historic Jeddah.

The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks from the remnants of maritime journeys into valuable historical archives and, ultimately, thriving natural habitats rich in coral reefs and marine life, SPA reported.

It reintroduces the Red Sea as a vital cultural and civilizational corridor that has long connected the Arabian Peninsula with Asia, Africa, and the Mediterranean, facilitating trade, cultural exchange, and human interaction across centuries.

The “Sunken Treasures” exhibition reflects the Red Sea Museum’s role as a knowledge platform dedicated to promoting public understanding and supporting scientific research in collaboration with the Heritage Commission and the Jeddah Historic District Program.


Saudi Film Commission Adds Kuwaiti Classic ‘Bas Ya Bahar’ to National Film Archive to Boost Cultural Cooperation

The Saudi Film Commission logo
The Saudi Film Commission logo
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Saudi Film Commission Adds Kuwaiti Classic ‘Bas Ya Bahar’ to National Film Archive to Boost Cultural Cooperation

The Saudi Film Commission logo
The Saudi Film Commission logo

The Film Commission of the Saudi Ministry of Culture announced the inclusion of the film "Bas Ya Bahar" (The Cruel Sea), one of the most prominent Gulf cinematic works, in the National Film Archive collection.

This step comes as part of the commission's efforts to preserve cinematic heritage, make these productions accessible to researchers, creators, and future generations, and highlight Arab cinematic works of cultural and historical significance, SPA reported.

Directed by Kuwaiti filmmaker Khalid Al-Siddiq in 1972, "Bas Ya Bahar" is the first full-length Kuwaiti feature film and one of the most important works in the history of Gulf cinema.

The film sheds light on the lives and hardships of pearl divers in their search for pearls before the discovery of oil, portraying the challenges faced by Gulf communities during that era.