‘Al-Mansur’ Bust Divides Iraq

A crane lifts the bust of Abu Jafar Al-Mansur from the site of an explosion that targeted it in 2005 (AFP)
A crane lifts the bust of Abu Jafar Al-Mansur from the site of an explosion that targeted it in 2005 (AFP)
TT

‘Al-Mansur’ Bust Divides Iraq

A crane lifts the bust of Abu Jafar Al-Mansur from the site of an explosion that targeted it in 2005 (AFP)
A crane lifts the bust of Abu Jafar Al-Mansur from the site of an explosion that targeted it in 2005 (AFP)

Iraq is debating whether to remove a statue of the Abbasid Caliph Abu Jafar Al-Mansur in central Baghdad. Some argue it’s a cherished symbol, while others say it’s divisive between Shiite and Sunni communities.

Calls to remove the statue coincide with Shiite attempts to make “Eid al-Ghadir” a national holiday, opposed by Sunni parties.

The proposal caused a rift in parliament, with Shiite and Sunni deputies disagreeing on its inclusion without consultation.

The statue of Abu Jafar Al-Mansur was unveiled in Baghdad’s Al-Karkh district in 1977. Created by Iraqi artist Khalid Al-Rahal, it has become a subject of debate over whether it should stay or go.

Calls for its removal have surfaced before, but protection measures were taken, and the voices demanding its removal faded.

However, in 2005, the statue was bombed, attributed to “unknown militants.” It was moved for safety and returned in 2008 during improved security.

Recently, analysts close to the “Coordination Framework” coalition claim the statue angers many Iraqis and argue for its removal.

Public rejection of the proposal has been strong on social media. Iraqi police have deployed around the monument, as seen in widely shared images.

Yet, social media has also seen a resurgence of sectarian tensions, highlighting divisions among Iraq’s communities.

Government representatives have firmly opposed any disrespect towards the statue, emphasizing its importance in Baghdad’s cultural heritage.

“The statue must remain in its place without any form of disrespect or infringement,” Fadel Al-Badrani of the Ministry of Culture told Asharq Al-Awsat.

Al-Badrani highlighted the statue’s significance, noting its role as a symbol cherished by Iraqis and admirers of Baghdad’s history and heritage.

Critics have labeled calls for its removal as “sectarian talk,” reflecting a lack of seriousness in Iraq’s political landscape.



India’s Architecture Fans Guard Mumbai’s Art Deco Past

In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)
In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)
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India’s Architecture Fans Guard Mumbai’s Art Deco Past

In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)
In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)

A towering cinema with a roofline like an ocean liner stands out in India's financial capital Mumbai, part of a remarkable Art Deco architectural heritage that campaigners say needs protection.

A short walk away is a state-run insurance office with giant Egyptian-style carvings, and a palm-lined seafront promenade with pastel-colored apartments with porthole windows, curved balconies and exotic motifs.

Architecture aficionados may go crazy over Miami's South Beach, but the coastal Indian megacity is home to what experts believe is one of the world's largest collections of Art Deco buildings.

Decades of neglect, however, have led to buildings being demolished or compromised through slapdash modern renovation.

Lovers of the dramatic architecture fear that will only increase as Mumbai undergoes a rapid $30 billion infrastructure makeover including major road, rail and bridge projects.

A sweep of some Art Deco buildings -- including offices, colleges and residential complexes -- was listed on UNESCO's World Heritage list in 2018, alongside the city's Victorian Gothic architecture for its "unique style" described as "Indo-Deco".

Today, the city's breakneck pace of development has left a small but dedicated group of building owners, architects and heritage lovers trying to conserve the city's Art Deco character.

The job requires "constant vigilance", said Nayana Kathpalia, who lives in an Art Deco building that was recently restored -- but crucially in a manner that maintained its original character.

- 'Modern, open, friendly' -

Many apartment building owners are eager to cash in and redevelop their old dwellings, making them part of a cookie-cutter modern skyline.

"If too many buildings get done in a totally different style, the World Heritage Site committee will say 'what the hell is happening?'," Kathpalia said.

"We are very, very clear that we have to protect that."

Losing it could strip the city of its history and character, campaigners say.

Art Deco took the West by storm after emerging as a new wave of design in France before the First World War.

Architects used geometric patterns and streamlined structures to evoke the popular technologies of the time, including airplanes and ocean liners.

As a style, Art Deco can appear as an odd hodgepodge, borrowing everything from ancient Mayan to Japanese culture.

But the first generation of homegrown Indian architects who visited Europe in the 1920s and 1930s were inspired.

After returning home, they started designing Art Deco style buildings for rich Indian business families that had profited off the economic boom in the port city, said Atul Kumar, founder of a non-profit that seeks to conserve the heritage.

Art Deco "enabled a certain cosmopolitanism" and contributed to making Mumbai a "modern, open, friendly" city, Kumar added.

- 'Bombay style' -

While Kumar's Art Deco Mumbai organization has spent years painstakingly documenting buildings, it has also more recently started offering "repair and restoration" help.

"We go out, pro bono, and reach out to people," he said, having supported the sensitive restoration of around nine buildings, including a couple in the core World Heritage area.

However, there are challenges, including stringent rent control laws which impose financial constraints on landlords.

Kumar also admits that residents in newer and northern parts of the city have less of a "desire" to conserve their buildings in their original Art Deco style.

A large part of this is due to a lack of awareness.

Many of the city's inhabitants walk past the vivid tropical imagery, elongated turrets and jazzy typography without giving them a second glance.

Pranati Mehta, a 46-year-old school teacher, says most Indians only look at "temples as architecture", as they "feel that is special".

Some Mumbai residents don't realize they "live amongst art", she said.

But Mehta, who was on a weekend walking tour to learn more about the architectural style, quickly adds that Art Deco isn't foreign to Indian sensibilities.

"We recognize it as a Bombay style," she said. "We think Art Deco is also an Indian brand".