India’s Architecture Fans Guard Mumbai’s Art Deco Past

In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)
In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)
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India’s Architecture Fans Guard Mumbai’s Art Deco Past

In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)
In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)

A towering cinema with a roofline like an ocean liner stands out in India's financial capital Mumbai, part of a remarkable Art Deco architectural heritage that campaigners say needs protection.

A short walk away is a state-run insurance office with giant Egyptian-style carvings, and a palm-lined seafront promenade with pastel-colored apartments with porthole windows, curved balconies and exotic motifs.

Architecture aficionados may go crazy over Miami's South Beach, but the coastal Indian megacity is home to what experts believe is one of the world's largest collections of Art Deco buildings.

Decades of neglect, however, have led to buildings being demolished or compromised through slapdash modern renovation.

Lovers of the dramatic architecture fear that will only increase as Mumbai undergoes a rapid $30 billion infrastructure makeover including major road, rail and bridge projects.

A sweep of some Art Deco buildings -- including offices, colleges and residential complexes -- was listed on UNESCO's World Heritage list in 2018, alongside the city's Victorian Gothic architecture for its "unique style" described as "Indo-Deco".

Today, the city's breakneck pace of development has left a small but dedicated group of building owners, architects and heritage lovers trying to conserve the city's Art Deco character.

The job requires "constant vigilance", said Nayana Kathpalia, who lives in an Art Deco building that was recently restored -- but crucially in a manner that maintained its original character.

- 'Modern, open, friendly' -

Many apartment building owners are eager to cash in and redevelop their old dwellings, making them part of a cookie-cutter modern skyline.

"If too many buildings get done in a totally different style, the World Heritage Site committee will say 'what the hell is happening?'," Kathpalia said.

"We are very, very clear that we have to protect that."

Losing it could strip the city of its history and character, campaigners say.

Art Deco took the West by storm after emerging as a new wave of design in France before the First World War.

Architects used geometric patterns and streamlined structures to evoke the popular technologies of the time, including airplanes and ocean liners.

As a style, Art Deco can appear as an odd hodgepodge, borrowing everything from ancient Mayan to Japanese culture.

But the first generation of homegrown Indian architects who visited Europe in the 1920s and 1930s were inspired.

After returning home, they started designing Art Deco style buildings for rich Indian business families that had profited off the economic boom in the port city, said Atul Kumar, founder of a non-profit that seeks to conserve the heritage.

Art Deco "enabled a certain cosmopolitanism" and contributed to making Mumbai a "modern, open, friendly" city, Kumar added.

- 'Bombay style' -

While Kumar's Art Deco Mumbai organization has spent years painstakingly documenting buildings, it has also more recently started offering "repair and restoration" help.

"We go out, pro bono, and reach out to people," he said, having supported the sensitive restoration of around nine buildings, including a couple in the core World Heritage area.

However, there are challenges, including stringent rent control laws which impose financial constraints on landlords.

Kumar also admits that residents in newer and northern parts of the city have less of a "desire" to conserve their buildings in their original Art Deco style.

A large part of this is due to a lack of awareness.

Many of the city's inhabitants walk past the vivid tropical imagery, elongated turrets and jazzy typography without giving them a second glance.

Pranati Mehta, a 46-year-old school teacher, says most Indians only look at "temples as architecture", as they "feel that is special".

Some Mumbai residents don't realize they "live amongst art", she said.

But Mehta, who was on a weekend walking tour to learn more about the architectural style, quickly adds that Art Deco isn't foreign to Indian sensibilities.

"We recognize it as a Bombay style," she said. "We think Art Deco is also an Indian brand".



Saudi Heritage Commission Unveils Evidence of Human Activity Dating Back 125,000 Years at Mundafan Palaeolake

Saudi Heritage Commission Unveils Evidence of Human Activity Dating Back 125,000 Years at Mundafan Palaeolake
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Saudi Heritage Commission Unveils Evidence of Human Activity Dating Back 125,000 Years at Mundafan Palaeolake

Saudi Heritage Commission Unveils Evidence of Human Activity Dating Back 125,000 Years at Mundafan Palaeolake

Saudi Arabia’s Heritage Commission has unveiled the findings of an archaeological and environmental study conducted at the Uruq Al-Julaybah site, located along the shores of the ancient Mundafan Palaeolake in the Empty Quarter of Najran Region, reported the Saudi Press Agency on Friday.

Carried out in collaboration with Australia's Griffith University, King Abdullah University of Science and Technology (KAUST), and several national and international research institutions, the study revealed evidence of human activity dating back 125,000 years during a humid period in the Arabian Peninsula, evidenced by stone tools as well as animal and plant remains along the ancient shoreline.

Published in Science journal, the study indicates that Mundafan Palaeolake spanned approximately 340 square kilometers and reached a maximum depth of about 29 meters. Sedimentary and geomorphological data, alongside aquatic organism remains, point to a relatively stable freshwater body surrounded by open grasslands and vegetation that sustained diverse human and animal populations.

Across more than 130 locations at the site, researchers documented over 500 vertebrate and invertebrate fossils, including hippopotamuses, extinct long-horned buffalo, camels, Arabian oryx, gazelles, ostriches, mollusks, and freshwater crustaceans (ostracods), reflecting the rich ecological diversity of Mundafan Palaeolake during the humid periods of the Pleistocene epoch.

Researchers recovered 5,511 stone artifacts, each exceeding two centimeters in size, from the primary study area, more than 98% of which were crafted from flint. Analyses confirmed the use of the Levallois technique, an advanced core-preparation method characteristic of Middle Paleolithic toolmaking used to control the shape and size of resulting flakes and points, demonstrating that these implements were both manufactured and utilized on-site.

Despite surface erosion over time, the spatial distribution of the stone tools alongside fossil deposits and preserved organic remains indicates repeated, cumulative human habitation over an extended period. Microscopic, chemical, and use-wear analyses identified preserved organic residues, including plant fibers, wood, resins, fats, and collagen, as well as traces of palm and woody plant processing, pointing to diverse daily activities around the palaeolake.

Several stone points displayed impact fractures and traces of hafting onto handles. Chemical testing also detected plant-derived compounds associated with Acokanthera schimperi, a species traditionally used in hunting, suggesting the possible use of composite hunting technologies, though researchers noted that current evidence is insufficient to determine exact preparation methods, concentrations, or efficacy.

Director General of the Antiquities Sector at the Heritage Commission Dr. Ajab Alotaibi noted that fieldwork continued throughout the 2023 season under the commission's mandate to oversee and fund archaeological surveys and excavations. He underscored the commission's commitment to fostering multidisciplinary research partnerships bringing together Griffith University, KAUST, King Saud University, and specialized international centers.

Dr. Abdullah Alsharekh of the Department of Archaeology at King Saud University's College of Tourism and Archaeology affirmed that the shores of Mundafan Palaeolake provided an ideal habitat roughly 125,000 years ago, where the convergence of fresh water, wildlife, flora, and raw materials supported stone-tool production, hunting-gear preparation, resource processing, and fiber working.

Professor Michael Petraglia of Griffith University stated that the discovery significantly advances understanding of early human settlement across the Arabian Peninsula, highlighting the role of sites like Uruq Al-Julaybah in documenting human habitation during past humid phases.

Dr. Frans van Buchem of KAUST noted that collaboration across diverse scientific disciplines yielded a comprehensive portrait of ancient human behavior and prehistoric environments.

The research forms part of the Heritage Commission's broader efforts to leverage advanced scientific methodologies and global partnerships to illuminate the history of human settlement and environmental transformation in the Kingdom.


King Salman Global Academy for Arabic Language, ALECSO Launch Unified Arabic Terminology Dictionary Platform

The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA
The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA
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King Salman Global Academy for Arabic Language, ALECSO Launch Unified Arabic Terminology Dictionary Platform

The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA
The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA

The King Salman Global Academy for Arabic Language (KSGAAL), in partnership with the Arab League Educational, Cultural and Scientific Organization (ALECSO), launched the Unified Arabic Terminology Dictionary platform during the 28th regular session of the ALECSO General Conference, held in Muscat, Oman.

The session saw the adoption of resolutions concerning two projects submitted by Saudi Arabia and implemented by the academy in cooperation with ALECSO and in coordination with the Saudi National Commission for Education, Culture and Science.

The launch coincides with Saudi Arabia’s presidency of the ALECSO Executive Council and comes within the framework of a memorandum of understanding (MoU) signed to strengthen joint Arab action and develop linguistic, knowledge-based, and digital resources, according to SPA.

The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures, which has made it difficult to search their contents collectively or link them to digital applications. To address this, data from these dictionaries has been restructured in accordance with international standards, enabling instant searches across all their contents through a single interface. Application programming interfaces (APIs) have also been developed to connect the unified dictionary with external systems.

The conference also adopted the “Language Policy System in Arab Countries” project, which is intended to serve as an Arab reference supporting research, planning, and linguistic policymaking. The project includes data, studies, and reports documenting the state of linguistic policies in Arab countries and analyzing their impact.

The ALECSO General Conference commended Saudi Arabia’s efforts to serve the Arabic language and strengthen its regional and international presence. It also praised KSGAAL’s contributions to developing linguistic policies, indicators, and standards; building databases, corpora, dictionaries, and Arabic language processing tools; and harnessing scientific and technological capabilities to support joint projects.

The conference also commended Saudi Arabia, represented by KSGAAL, for implementing the two projects and supporting joint Arab efforts in the field of Arabic language. It called on linguistic, scientific, and academic institutions in Arab countries to benefit from the projects’ outcomes, contribute to enriching their content, update their data, and strengthen cooperation with the academy in related fields.

The launch of the platform and the adoption of the two project decisions mark a continuation of KSGAAL’s efforts to build strategic partnerships, develop digital language solutions, and strengthen integration among institutions concerned with the Arabic language. These efforts reinforce Saudi Arabia’s contribution to supporting joint Arab initiatives and providing scientific and knowledge-based references that serve the Arabic language and keep pace with its development.


India to Build Mega-Museum with World’s ‘Largest Display Area’

 Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
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India to Build Mega-Museum with World’s ‘Largest Display Area’

 Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)

India's cabinet approved on Wednesday a mega-museum showcasing the country's history and civilization, which the government said will cost around $340 million and have the largest display area in the world.

First announced in 2023, the project received approval as Prime Minister Narendra Modi's Hindu nationalist government renewed its emphasis on the country's pre-colonial cultural identity.

The museum's name, Yuge Yugeen Bharat, translates roughly as "India through the ages" and invokes the country's ancient Sanskrit name, Bharat.

It will occupy former civil service offices in New Delhi, known as North and South Blocks, which were designed by British architects Edwin Lutyens and Herbert Baker in the 1920s.

In a statement, the cabinet said the museum will be "spread over a proposed built-up area of approximately 178,509 square meters".

"Benchmarked against major international museums, Yuge Yugeen Bharat Museum is going to be the museum (with) the largest display area in the world," it added.

India's cabinet said the Yuge Yugeen Bharat is "envisaged as a landmark civilizational museum showcasing the continuity, diversity and richness of Bharat's (India's) civilizational heritage".

The first gallery is expected to open to the public by the end of 2027, with project completion scheduled for financial year 2030-31.

Modi came to national power in May 2014, and has since taken multiple steps to glorify the country's heritage and culture.

His government built the world's tallest statue, a 182-meter (597-foot) monument to Vallabhbhai Patel, for his role in bringing princely states into India.

Modi also backed the revamp of New Delhi's historic administrative district in his second term and moved lawmakers to a new parliament building in 2023.

"The Museum is envisaged as a national public cultural institution... it will provide opportunities for learning, research, cultural engagement and appreciation of India's civilizational heritage," the government statement said on Wednesday.

Around 1.8 million objects have been identified from national and state museums, archaeological collections and private holdings for potential display.

The museum is designed to accommodate up to 10 million visitors a year.