Lebanon’s Tripoli Begins 2024 Celebrations as Arab Culture Capital

The flags of Arab countries flutter in Tripoli, Lebanon (Asharq Al-Awsat)
The flags of Arab countries flutter in Tripoli, Lebanon (Asharq Al-Awsat)
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Lebanon’s Tripoli Begins 2024 Celebrations as Arab Culture Capital

The flags of Arab countries flutter in Tripoli, Lebanon (Asharq Al-Awsat)
The flags of Arab countries flutter in Tripoli, Lebanon (Asharq Al-Awsat)

Lebanon’s Caretaker Prime Minister Najib Mikati kicked off the “Tripoli the Capital of Arab Culture” celebrations at a formal event held at the Rashid Karami International Fair in Tripoli.

Attendees included Mohamed Ould Amar, Director-General of ALECSO, and Mohammad Wissam Mortada, Minister of Culture.

Ministers, deputies, ambassadors, and other notable figures also were also present at the ceremony.

Mortada told Asharq Al-Awsat that he believes the celebrations to be a once-in-a-lifetime opportunity for Lebanon and Tripoli.

“This is our chance to uncover Tripoli’s treasures in terms of people and landmarks. I’m stunned by the human and natural potential here. You’ll witness what makes Tripoli unique, and we’re doing it all with no funding,” said the minister.

Despite no budget, workers are determined to succeed. Young volunteers are eager to overcome obstacles and make the event a hit. Some see the coming months as Tripoli’s big chance to shine, while others feel funding issues should have delayed the festivities.

“Tripoli has suffered, but now, with activities starting, people will see what they've missed out on for years,” Mortada affirmed.

This year promises a packed schedule of cultural activities, some already underway for months. Organizations are competing to host programs, but the highlight could be cultural weeks organized by several Arab countries.

Qatar, Tunisia, Algeria, Iraq, Palestine, Morocco, Syria, and Oman have confirmed plans.

For Mortada, the aim is for more than just temporary celebrations; he wants to establish Tripoli as a permanent cultural capital of Lebanon.

The minister is not just dreaming; he's building on reality.

Tripoli boasts the Rashid Karami International Fair, a stunning architectural marvel. Spread across 70 hectares, it features unique conference halls, integrated buildings, and an experimental theater.

UNESCO recognizes its significance but also flags maintenance challenges and development threats.

Tripoli’s vibrant markets and river make it a unique destination. Its port is crucial for trade, with an economic zone stretching to Europe.

Mortada believes Tripoli could become Lebanon’s cultural tourism hub, generating revenue for the country.

“Tripoli is ready to play a vital role,” he asserted.



'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
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'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)

The Djidji Ayokwe "talking drum", which was looted by French colonial troops in 1916 and taken to France, arrived back in Ivory Coast Friday, in the latest repatriation of stolen artifacts.

The wooden drum, more than three meters (10 feet) long and weighing 430 kilos (950 pounds), was used by the Ebrie tribe to transmit messages.

It was officially handed over on February 20 after France's parliament approved removing the artifact from the national museum collections to enable its return.

Ivory Coast had asked in late 2018 for the return of the Djidji Ayokwe among 148 works of art taken during the colonial period.

It arrived aboard a specially chartered plane at Ivory Coast's main city Abidjan and remained inside a huge wooden crate stamped "fragile", AFP journalists saw.

"It's an historic day and I feel deep emotion," Culture Minister Francoise Remarck said, welcoming its arrival at the airport, where the Ebrie community also sang and played drums.

"We are living a moment of justice and remembrance," the minister added.

French President Emmanuel Macron promised in 2021 to send the drum and other artifacts back home to the west African country.

It is one of hundreds of objects France is preparing to send back to Africa, with the efforts set to be accelerated by the passing of a new law to authorize mass repatriations.

"We are happy and relieved to know that this sacred piece of our culture is back on its native land," Aboussou Guy Georges Mobio, an Ebrie village chief, told AFP.

The drum will initially be held in a "safe space" to allow it to acclimatize, the culture minister said.

It is due to go on display at the Museum of Civilizations in Abidjan which has been specially renovated.

The "talking drum" was used by the Ebrie community to warn of danger, mobilize for war or call villagers to ceremonies.

It was seized by colonial authorities in 1916 before being shipped to France in 1929 and exhibited in Paris.

Senegal and Benin have also asked for the repatriation of their treasures.

In late 2020, the French parliament adopted a law providing for the permanent return to Benin of 26 artifacts from the royal treasures of Dahomey.

The return of cultural artifacts taken from ex-colonies in Africa and elsewhere has become a sensitive issue, with museums, institutions and collectors in Europe and the United States facing pressure to give them back.


Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
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Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.