Lebanon’s Tripoli Begins 2024 Celebrations as Arab Culture Capital

The flags of Arab countries flutter in Tripoli, Lebanon (Asharq Al-Awsat)
The flags of Arab countries flutter in Tripoli, Lebanon (Asharq Al-Awsat)
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Lebanon’s Tripoli Begins 2024 Celebrations as Arab Culture Capital

The flags of Arab countries flutter in Tripoli, Lebanon (Asharq Al-Awsat)
The flags of Arab countries flutter in Tripoli, Lebanon (Asharq Al-Awsat)

Lebanon’s Caretaker Prime Minister Najib Mikati kicked off the “Tripoli the Capital of Arab Culture” celebrations at a formal event held at the Rashid Karami International Fair in Tripoli.

Attendees included Mohamed Ould Amar, Director-General of ALECSO, and Mohammad Wissam Mortada, Minister of Culture.

Ministers, deputies, ambassadors, and other notable figures also were also present at the ceremony.

Mortada told Asharq Al-Awsat that he believes the celebrations to be a once-in-a-lifetime opportunity for Lebanon and Tripoli.

“This is our chance to uncover Tripoli’s treasures in terms of people and landmarks. I’m stunned by the human and natural potential here. You’ll witness what makes Tripoli unique, and we’re doing it all with no funding,” said the minister.

Despite no budget, workers are determined to succeed. Young volunteers are eager to overcome obstacles and make the event a hit. Some see the coming months as Tripoli’s big chance to shine, while others feel funding issues should have delayed the festivities.

“Tripoli has suffered, but now, with activities starting, people will see what they've missed out on for years,” Mortada affirmed.

This year promises a packed schedule of cultural activities, some already underway for months. Organizations are competing to host programs, but the highlight could be cultural weeks organized by several Arab countries.

Qatar, Tunisia, Algeria, Iraq, Palestine, Morocco, Syria, and Oman have confirmed plans.

For Mortada, the aim is for more than just temporary celebrations; he wants to establish Tripoli as a permanent cultural capital of Lebanon.

The minister is not just dreaming; he's building on reality.

Tripoli boasts the Rashid Karami International Fair, a stunning architectural marvel. Spread across 70 hectares, it features unique conference halls, integrated buildings, and an experimental theater.

UNESCO recognizes its significance but also flags maintenance challenges and development threats.

Tripoli’s vibrant markets and river make it a unique destination. Its port is crucial for trade, with an economic zone stretching to Europe.

Mortada believes Tripoli could become Lebanon’s cultural tourism hub, generating revenue for the country.

“Tripoli is ready to play a vital role,” he asserted.



Gaza Heritage and Destruction on Display in Paris

This photograph shows antiques on display during the installation of the archaeological heritage exhibition "Treasures saved from Gaza - 5000 years of history" (Tresors sauves de Gaza - 5000 ans d'histoire) at the Institut du Monde Arabe, in Paris, on March 31, 2025. (Photo by JULIEN DE ROSA / AFP)
This photograph shows antiques on display during the installation of the archaeological heritage exhibition "Treasures saved from Gaza - 5000 years of history" (Tresors sauves de Gaza - 5000 ans d'histoire) at the Institut du Monde Arabe, in Paris, on March 31, 2025. (Photo by JULIEN DE ROSA / AFP)
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Gaza Heritage and Destruction on Display in Paris

This photograph shows antiques on display during the installation of the archaeological heritage exhibition "Treasures saved from Gaza - 5000 years of history" (Tresors sauves de Gaza - 5000 ans d'histoire) at the Institut du Monde Arabe, in Paris, on March 31, 2025. (Photo by JULIEN DE ROSA / AFP)
This photograph shows antiques on display during the installation of the archaeological heritage exhibition "Treasures saved from Gaza - 5000 years of history" (Tresors sauves de Gaza - 5000 ans d'histoire) at the Institut du Monde Arabe, in Paris, on March 31, 2025. (Photo by JULIEN DE ROSA / AFP)

A new exhibition opening in Paris on Friday showcases archaeological artifacts from Gaza, once a major commercial crossroads between Asia and Africa, whose heritage has been ravaged by Israel's ongoing onslaught.

Around a hundred artifacts, including a 4,000-year-old bowl, a sixth-century mosaic from a Byzantine church and a Greek-inspired statue of Aphrodite, are on display at the Institut du Monde Arabe.

The rich and mixed collection speaks to Gaza's past as a cultural melting pot, but the show's creators also wanted to highlight the contemporary destruction caused by the war, sparked by Hamas's attack on Israel in October 2023, AFP reported.

"The priority is obviously human lives, not heritage," said Elodie Bouffard, curator of the exhibition, which is titled "Saved Treasures of Gaza: 5,000 Years of History".

"But we also wanted to show that, for millennia, Gaza was the endpoint of caravan routes, a port that minted its own currency, and a city that thrived at the meeting point of water and sand," she told AFP.

One section of the exhibition documents the extent of recent destruction.

Using satellite image, the UN's cultural agency UNESCO has already identified damage to 94 heritage sites in Gaza, including the 13th-century Pasha's Palace.

Bouffard said the damage to the known sites as well as treasures potentially hidden in unexplored Palestinian land "depends on the bomb tonnage and their impact on the surface and underground".

"For now, it´s impossible to assess."

The attacks by Hamas militants on Israel in 2023 left 1,218 dead. In retaliation, Israeli operations have killed more than 50,000 Palestinians and devastated the densely populated territory.

The story behind "Gaza´s Treasures" is inseparable from the ongoing wars in the Middle East.

At the end of 2024, the Institut du Monde Arabe was finalising an exhibition on artifacts from the archaeological site of Byblos in Lebanon, but Israeli bombings on Beirut made the project impossible.

"It came to a sudden halt, but we couldn´t allow ourselves to be discouraged," said Bouffard.

The idea of an exhibition on Gaza´s heritage emerged.

"We had just four and a half months to put it together. That had never been done before," she explained.

Given the impossibility of transporting artifacts out of Gaza, the Institut turned to 529 pieces stored in crates in a specialized Geneva art warehouse since 2006. The works belong to the Palestinian Authority, which administers the West Bank.

The Oslo Accords of 1993, signed by the Palestine Liberation Organization and Israel, helped secure some of Gaza's treasures.

In 1995, Gaza´s Department of Antiquities was established, which oversaw the first archaeological digs in collaboration with the French Biblical and Archaeological School of Jerusalem (EBAF).

Over the years, excavations uncovered the remains of the Monastery of Saint Hilarion, the ancient Greek port of Anthedon, and a Roman necropolis - traces of civilizations spanning from the Bronze Age to Ottoman influences in the late 19th century.

"Between Egypt, Mesopotamian powers, and the Hasmoneans, Gaza has been a constant target of conquest and destruction throughout history," Bouffard noted.

In the 4th century BC, Greek leader Alexander the Great besieged the city for two months, leaving behind massacres and devastation.

Excavations in Gaza came to a standstill when Hamas took power in 2007 and Israel imposed a blockade.

Land pressure and rampant building in one of the world's most densely populated areas has also complicated archaeological work.

And after a year and a half of war, resuming excavations seems like an ever-more distant prospect.

The exhibition runs until November 2, 2025.