A Pond in Warming Mali Is Disappearing, and a UNESCO-Listed Fishing Tradition Is in Danger 

People gather to fish during the Sanké mon collective fishing rite in San, Sego Region on June 6, 2024. (AFP)
People gather to fish during the Sanké mon collective fishing rite in San, Sego Region on June 6, 2024. (AFP)
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A Pond in Warming Mali Is Disappearing, and a UNESCO-Listed Fishing Tradition Is in Danger 

People gather to fish during the Sanké mon collective fishing rite in San, Sego Region on June 6, 2024. (AFP)
People gather to fish during the Sanké mon collective fishing rite in San, Sego Region on June 6, 2024. (AFP)

Thousands of fishermen holding cone-shaped nets stood side by side, cheering and chanting as they waited for the signal. Suddenly, they rushed to a large muddy pond and cast their nets, dropping to their knees in the mud. Soon, one proudly held up a fish the length of his arm.

For several hundred years, people have gathered in the southern Mali town of San for Sanké mon, a collective fishing rite in June that begins with animal sacrifices and offerings to the water spirits of Sanké pond. The rite, with masked dancers and traditional costumes, is on UNESCO’s list of intangible cultural heritage.

The marathon session of collective fishing celebrates the town's founding and marks the beginning of the rainy season. But climate change and heat waves are disturbing the tradition.

Sanké pond is starting to disappear, said a village chief, Mamadou Lamine Traoré.

Heat waves in Mali in recent years have caused the pond to start drying out. Temperatures in the town have reached a record this year at 48.5 degrees Celsius (119 degrees Fahrenheit), Emmanuel Doumbia, a local weather observer, told The Associated Press.

The unprecedented heat wave in Mali this year has also led to a surge in deaths. The heat wave began in March as many in the Muslim-majority country observed the Islamic holy month of Ramadan with dawn-to-dusk fasting.

The Red Cross Red Crescent Climate Center said that insufficient data in Mali makes it impossible to know the number of heat-related deaths, but estimated that the toll this year has likely been in the hundreds, if not thousands.

An analysis published in April by the World Weather Attribution — an international team of scientists looking at how human-induced climate change impacts extreme weather — said the latest heat wave in the Sahel, a region south of the Sahara that suffers from periodic droughts, is more than just a record-breaker.

Climate change has made maximum temperatures in Burkina Faso and Mali hotter by 1.5 degrees Celsius (2.7 degrees Fahrenheit), the researchers said.

Experts have warned of more scorching weather ahead.

At the latest Sanké mon collective fishing rite, men sweated as they stripped skinny chickens bare and cooked them over reeds, and dancers in sporty knee socks or plastic sandals adjusted armbands adorned with cowrie shells. A national flag waved limply on a weathered pole along the trampled shore.

“This tradition was already established before I was born,” said one participant, Amadou Coulibaly, who remains faithful to it despite the growing challenges.

When the rite was added to the UNESCO list in 2009, there were plans to dig deeper into the pond to prevent it from silting up, Traoré said. “But since then, nothing was done and the pond is starting to create problems." It wasn't clear why no action was taken.

The pond's disappearance would threaten not just the centuries-old rite but also the town's economic survival if attention fades, he said.



AlUla Marks World Heritage Day, Showcases Millennia of Human Civilization

AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects - SPA
AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects - SPA
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AlUla Marks World Heritage Day, Showcases Millennia of Human Civilization

AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects - SPA
AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects - SPA

AlUla Governorate is celebrating World Heritage Day, observed annually on April 18, by showcasing a historical legacy spanning thousands of years as a crossroads of ancient civilizations and a living testament to cultural continuity and architectural development, reinforcing its status as a premier global cultural center, SPA reported.

The governorate is home to landmarks of universal value, most notably Hegra, the first Saudi site inscribed on the UNESCO World Heritage List.

Other significant sites include AlUla Old Town, featuring over 900 traditional mud-brick houses that reflect the region's historical social fabric and unique architectural heritage.

AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects.

These efforts ensure the sustainability of its heritage for future generations, aligning with international standards for protecting human history and promoting global cultural awareness.


UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
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UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo

Britain is considering introducing entry fees for tourists visiting some of England's most renowned museums, a proposal that has drawn criticism from restitution groups and countries while disputed artefacts remain on display.

Free admission to Britain's national museums and galleries was introduced in 2001 by former Labour Prime Minister Tony Blair in a bid to make culture more accessible to all.

Last month, the UK government said it would work with the museum sector to explore the potential benefits of charging international visitors at ⁠national museums, including how ⁠this could support the arts sector. It would provide an update of the consultation before the end of the year, it said.

However, the proposal is facing backlash amid growing calls worldwide for artefacts to be sent back to their communities or countries of origin, Reuters reported.

Although some efforts have been made to confront the long-standing issue, artifacts as well as human ⁠remains taken during the colonial era are still held in various museums across Europe. Some long-standing claims for artifacts involving the British Museum include Greece's Parthenon Sculptures, known as Elgin marbles, and Nigeria's Benin Bronzes.

The British Museum has previously said that the strength of its collection lies in enabling millions of visitors to understand the world's cultures and how they are interconnected.

Ghana, which has some of its regalia and other artifacts in British institutions, said charging foreign visitors to view such objects raises issues of "fairness," particularly where restitution discussions remain ongoing, ⁠foreign minister ⁠Samuel Okudzeto Ablakwa told Reuters.

The proposal, if implemented, would be "unethica," said Eric Phillips, vice chair of the Caribbean Community's reparations commission, a bloc of 15 member states including Jamaica and Barbados.

"Why should we have to pay to see our heritage?" Phillips said.

Arley Gill, chairman of Grenada's national reparations committee, said the priority should be to return the artifacts to their "rightful owners."

Open Restitution Africa (ORA) said Africans and others already face barriers to accessing artifacts taken from their countries and held in Western museums, including visa requirements and travel costs.

"Introducing entry fees further compounds these inequalities," ORA said.

Meanwhile, the US-based non-profit Restitution Study Group said a fee exemption for such visitors would be a "meaningful gesture."

The government declined to comment on the criticism.


Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
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Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA

The Royal Commission for Riyadh City, through its “Riyadh Art” program, has unveiled 75 new artworks as part of a growing permanent collection installed across key locations in the capital.

The initiative forms part of broader efforts to expand the presence of public art in urban spaces, with additional installations planned in the coming period.

The program aims to enrich daily life in Riyadh by integrating art into the urban fabric, contributing to a dynamic cultural environment that reflects the capital's regional and international stature.

As one of the world’s largest public art initiatives, the Riyadh Art program now features 75 installations, with plans to expand the collection by adding 115 more works. The current collection includes contributions from 35 Saudi artists and 100 international artists representing 45 countries.

Among the internationally renowned artists featured are Anish Kapoor, Giuseppe Penone, and Jeff Koons, alongside prominent Saudi artists such as Zaman Jassim, Mohammed Alsaleem, and Manal AlDowayan.

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs, enabling residents and visitors to engage with them as part of their everyday environment and reinforcing the role of art in public life.

The collection comprises both commissioned and acquired works. Commissioned pieces are specifically designed to respond to their surroundings, integrating with the urban context and patterns of movement within each location.

Recent commissions were selected through an international competition that attracted 161 artists, with 72 shortlisted participants submitting 70 proposals. These contributions have helped shape a diverse and evolving collection spanning the city’s main axes and public spaces.