Archaeological Discovery: Innovative Tomb Patterns Found in Saudi Arabia

Ancient tombs dating back 4,500 years discovered in the northwestern part of the Arabian Peninsula. (SPA)
Ancient tombs dating back 4,500 years discovered in the northwestern part of the Arabian Peninsula. (SPA)
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Archaeological Discovery: Innovative Tomb Patterns Found in Saudi Arabia

Ancient tombs dating back 4,500 years discovered in the northwestern part of the Arabian Peninsula. (SPA)
Ancient tombs dating back 4,500 years discovered in the northwestern part of the Arabian Peninsula. (SPA)

Saudi Arabia is actively exploring its rich archaeological heritage, uncovering treasures that are prompting a reevaluation of the region’s history.

These efforts highlight the Arabian Peninsula’s significant role in human civilization, with many artifacts preserved underground or on rock formations.

Archaeological tombs discovered across Saudi Arabia provide a valuable opportunity to reshape the historical narrative of the Arabian Peninsula’s civilization.

Field research and ongoing exploration enrich these discoveries, led by Saudi researchers Dr. Eid Al-Yahya and archaeologist Dr. Qusai Al-Turki.

Their recent focus includes the “Al-Ajalah” (Wheel) tombs in various regions between Makkah and Madinah, and a unique musical instrument tomb found in Turbah city, near Makkah.

Exploring burial sites in Saudi Arabia is challenging and time-consuming due to the large number of tombs, their varied designs, purposes, and remote locations.

Al-Yahya and Al-Turki aim to uncover these tombs’ intriguing patterns, which often reflect themes of life, the heavens, and the afterlife, showcasing Saudi Arabia’s significant historical role in early civilization.

The researchers have named “Wheel” tombs as such due to their circular design resembling a wheel or a “Star Tomb,” resembling a four-pointed star.

This comparison stems from its pictorial symbolism in early cuneiform and its association with the concept of “star” or “planet.”

Al-Yahya, an anthropologist specializing in Arabian Peninsula civilization, conducted field surveys across thousands of tombs in Saudi Arabia.

This helped him and Al-Turki in identifying hundreds of thousands of such tombs, including the prevalent Wheel tomb pattern found in areas like Al-Mahd and Al-Baqum, and in regions between Makkah and Madinah.

The Wheel is described as a circular structure with pillars, featuring a burial chamber in one of its four sections. Originally intended for four individuals, only one person was buried there, visible as a dark spot in the northeast corner of the wheel, as seen in aerial photographs.

Al-Turki, known for his research on ancient civilizations between Iraq and the Arabian Gulf, noted similarities between Saudi Arabia’s Wheel tombs and tombs dating back to around 4,000 years ago in Mesopotamian writings.

This suggests that these tombs, shaped like wheels or stars surrounded by circles, were originally built in the Arabian Peninsula.

They symbolized connections to the universe, stars, and planets like Mercury, Mars, and Saturn.

Researchers believe that when migrants from the Arabian Peninsula settled in Mesopotamia, they brought this tomb design with them, integrating it into their cultural inventions, including writing.

In another find, coincidence led amateur Saad Al-Subai to discover a unique pattern of ancient tombs in the Bani Hilal area of southwest Saudi Arabia.

This discovery revealed a distinctive style found specifically in Turbah city, resembling a musical instrument with a tall column and a lower oval ring adorned with 17 triangular stone structures resembling strings.

The oval ring measures 50 meters north-south and 40 meters east-west, with a tail length of about 100 meters, width of 2 meters, and height up to 1.50 meters.

These triangular tombs start with an elevated base and slope towards the head, located at the center of the oval ring, marking the primary burial site for the most important individual.

Discoveries like these are reshaping our understanding of Saudi Arabia’s history and civilization.

Al-Yahya and Al-Turki continue their efforts to study and highlight the rich heritage of Saudi Arabia, emphasizing its historical significance as one of humanity’s earliest inhabited regions.



Diriyah Art Futures Launches Emerging New Media Artists Program

Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art. SPA
Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art. SPA
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Diriyah Art Futures Launches Emerging New Media Artists Program

Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art. SPA
Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art. SPA

Diriyah Art Futures (DAF), a pioneering new media arts center in Saudi Arabia, has announced the 12 successful applicants to its inaugural Emerging New Media Artists Program, which is launching later this year.
The program includes a diverse array of promising talents representing a broad range of creative practices and backgrounds, with strong representation from Saudi Arabia and the wider Middle East and North Africa (MENA) region.
Running for one year, the fully funded program offers access to cutting-edge professional equipment and facilities, a production budget, learning experiences with international guest specialists in new media art, and personal mentorships from prominent international digital artists.

The inaugural group of emerging new media artists includes:
- Salma Aly (Egypt), specializing in interactive art.
- Samia Dzaïr (Algeria-France), a two-dimensional (2D) and stop-motion animator.
- Aya Abu Ghazaleh (Jordan), a visual artist and art therapist.
- Dhia Dhibi (Tunisia), a multidisciplinary artist, curator and researcher.
- Khaled Makshoush (Saudi Arabia), who specializes in pixel art.
- William Brooks (Wales), an artist exploring sound art through physical objects.
- Haonan He (China), who merges cartography, instrument making, and digital tech.
- Turki Al-Qahtani (Saudi Arabia), a media artist and filmmaker reflecting Arab motifs.
- Youssef El Idrissi (Morocco), a multidisciplinary artist, cultural engineer, and researcher.
- Kyle Donald Marais (South Africa), an extended-reality (XR) developer and creative technologist.
- Mohamed Al Mubarak (Bahrain), a documentary filmmaker and video artist.
- Almuqawil Meshal (Saudi Arabia), an independent artist and curator.

Designed in collaboration with Le Fresnoy-Studio National des Arts Contemporains in France, the program is part of a wider partnership between the Saudi Ministry of Culture and Diriyah Company to facilitate creativity across art, technology, and academia.

Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art and empower the next generation of creative pioneers.

DAF aims to pioneer new horizons for creative practice in diverse fields where art intersects with science and technology. It was established through an initiative by the Ministry of Culture, standing as the first center dedicated to new media and digital arts in the MENA region.

The center also serves as a space for creators from around the world to collaborate, think, and innovate, focusing on research, documentation, and the production of new inspiring works.

Additionally, DAF provides artists and researchers with an opportunity to participate in its scheduled activities, including public events and educational programs, while also offering them residency programs.

The center seeks to contribute to enriching the Saudi artistic scene and enhancing the Kingdom’s position as a global destination for new media and digital arts. It highlights the talents of active artists in the region, allowing them to leave their impactful mark on art, science, and technology.