عربي English Türkçe اردو فارسى
Logo
Latest News
Culture

Saudi Geological Parks Nearing UNESCO Recognition

A Glimpse of Saudi Arabia’s geological heritage (Asharq Al-Awsat)
A Glimpse of Saudi Arabia’s geological heritage (Asharq Al-Awsat)
TT
TT

Saudi Geological Parks Nearing UNESCO Recognition

A Glimpse of Saudi Arabia’s geological heritage (Asharq Al-Awsat)
A Glimpse of Saudi Arabia’s geological heritage (Asharq Al-Awsat)

The National Center for Vegetation Cover Development and Combating Desertification in Saudi Arabia is working to establish and enhance several sites with unique geological and cultural significance.

The goal is to have more than ten of these sites recognized as UNESCO Global Geoparks, joining a list of 213 sites worldwide.

The Center informed Asharq Al-Awsat that registering these sites with UNESCO brings many advantages.

The primary benefit is international recognition, which attracts global attention to the geological and cultural importance of these sites. This increased visibility draws tourists, especially those interested in geological tourism, and boosts scientific and educational activities.

The sites provide an excellent environment for teaching Earth’s history and encouraging scientific studies.

Moreover, the Center noted that this recognition promotes the region’s cultural heritage.

The combination of geological and cultural features offers visitors unique experiences, showcasing how humans adapted to natural changes.

It also supports environmental protection and sustainable development by raising awareness and encouraging local communities and authorities to preserve these areas.

A delegation from UNESCO’s Global Geoparks Committee has recently inspected the Geological Park in Northern Riyadh, 120 kilometers from the capital, and the Salma Geological Park in Hail, northern Saudi Arabia.

The assessment tour is set to continue with visits to eight more parks before final approval under UNESCO's Global Geoparks Program.

Saudi Arabia’s Geological Riches

According to geological experts, geological parks represent unique areas that delve into the depths of ancient history, revealing numerous events and stories linked to geographical and historical realities, past, present, and future.

These unique geological formations, with their diverse landmarks and structures shaped over millions of years, explore the connections between geology, local communities, culture, and the natural world of all living organisms that have thrived and vanished on this defined geographical patch.

Saudi Arabia boasts what can be described as “multi-faceted geological museums,” uncovering most geological eras that have left their marks on planet Earth, with a heritage dating back around 550 million years.

This includes formations in the Makkah region, where geologists suggest successive volcanic eruptions shaped its volcanic belt in a straight line, and in AlUla province, adorned over millions of years by weathering agents revealing intricate details.

Also noteworthy are other formations in the Riyadh and Tabuk regions.

Most Viewed

 
 
Culture

Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
TT
TT

Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”