Archeologists Find Musket Balls Fired during 1 of the First Battles in US Revolutionary War

Five Revolutionary War musket balls, which are believed to be fired at the British by colonial militia men, are displayed at Minute Man National Historical Park, Monday, July 15, 2024, in Concord, Mass. (AP)
Five Revolutionary War musket balls, which are believed to be fired at the British by colonial militia men, are displayed at Minute Man National Historical Park, Monday, July 15, 2024, in Concord, Mass. (AP)
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Archeologists Find Musket Balls Fired during 1 of the First Battles in US Revolutionary War

Five Revolutionary War musket balls, which are believed to be fired at the British by colonial militia men, are displayed at Minute Man National Historical Park, Monday, July 15, 2024, in Concord, Mass. (AP)
Five Revolutionary War musket balls, which are believed to be fired at the British by colonial militia men, are displayed at Minute Man National Historical Park, Monday, July 15, 2024, in Concord, Mass. (AP)

Nearly 250 years ago, hundreds of militiamen lined a hillside in Massachusetts and started firing a barrage of musket balls toward retreating British troops, marking the first major battle in the Revolutionary War.

The latest evidence of that firefight is five musket balls dug up last year near the North Bridge site in the Minute Man National Historical Park in Concord. Early analysis of the balls — gray with sizes ranging from a pea to a marble — indicates colonial militia members fired them at British forces on April 19, 1775.

“As soon as they pulled one of them out of the ground, there was kind of a ‘look what I have,’” said Minute Man park ranger and historic weapons specialist Jarrad Fuoss, who was there the day the musket balls were discovered.

“And of course, everybody goes flocking to them like, ‘Oh, my gosh.’ We’re looking at them, and then the excitement continued to grow because it wasn’t just one,” he continued. “And the fact that we found five of them, which is incredible all these years later.”

Musket balls were previously found in the historic park of about a thousand acres outside Boston, which marks a series of opening battles of the American Revolution. About a decade ago, about 30 musket balls were found at the site known as Parker's Revenge, where the Lexington militia company led by Capt. John Parker ambushed British troops. In the early 19th century, Henry David Thoreau was walking in the area and found a few musket balls from what is believed to be the North Bridge fight.

The latest discoveries are the most ever found from that fight when militia leaders ordered their men to fire on government troops. The event led to the conflict escalating and was later dubbed the “shot heard round the world” by Ralph Waldo Emerson in his 1837 “Concord Hymn.”

About 800 British soldiers had started the day marching from Boston to Concord to destroy military supplies they believed that colony rebels had gathered. It ended with an eight-hour battle that stretched to the Charlestown neighborhood of Boston — covering 16 miles (26 kilometers) and leaving 273 British troops and 96 militiamen dead and wounded.

It prompted the militia to create an 11-month siege of Boston, leading to the Battle of Bunker Hill in June 1775, one of the bloodiest battles of the American Revolution.

“This is where everything kind of changes in an instant because that moment is treason. There is no turning back,” Fuoss said. “To be able to pull that out of the ground and know that we’re the first ones to touch that since somebody else was ramming it down the muzzle of their gun 250 years ago is one of those things that sends shivers all over your body.”

Joel Bohy, who was also on the dig site and is researching bullet strikes and bullet-struck objects from that day for a book, said the discovery helps “validate the historical record, as well as the types of arms that the provincial minute and militia companies carried that day.”

“Based upon the caliber of the balls and studying them, the general location, as well as the context of the site, it made the hair stand up on the back of my neck,” Bohy said, adding that he had “been fascinated with April 19 and the material culture since I was a 7-year-old — 51 years ago. So for me, it was a great day.”

The war continued for seven years after those first shots were fired, even past the July 4, 1776, adoption of the Declaration of Independence.

Nikki Walsh, the museum curator at the park, also said there was plenty to learn from the lead-cast musket balls that ranged in size from .40-caliber to .70-caliber. Given their various sizes, Walsh said, archeologists concluded they were from the militia. Those men brought their own weapons and ammunition to the fight, with some being imported, and others captured or purchased by the town or province from British or Dutch merchants, according to the National Park Service. On the other hand, the British had standardized all their ammunition.

And the fact that the musket balls were intact indicates fighters likely missed their mark.

“Since that lead is so malleable, you can see marks on them that indicate whether they’ve been fired, whether they were unfired and dropped,” she said. “If they had been fired and hit something, they would have likely smushed like a pancake.”

The musket balls have attracted intense interest from history buffs and tourists, with about 800 journeying to the park's visitor center over the weekend to get a first glimpse. The interest has also prompted the National Park Service to keep the exact location of the find under wraps, hoping to dissuade treasure hunters with metal detectors from showing up in search of more artifacts.

They are willing to disclose the general area of the find, a field just over a wooden bridge of the Concord River and just beyond two monuments — a 25-foot stone obelisk marking the 50th anniversary of the North Bridge fight and the Minute Man statue built to commemorate its 100th anniversary. Nearby, a smaller marker with British flags indicates where the first two British soldiers died in that battle.

Among those recently checking out the site was Jennifer Ayvaz, who came to the park with her husband, Tim, and their two children after her father heard about the discovery of the musket balls. As they passed Walsh, she offered to show the family the musket balls. Opening a tiny box, the family snapped photos and moved closer for a better look at the balls lined up in a row.

“It's incredible,” said Jennifer Ayvaz, who came from Castle Rock, Colorado, adding that her father would love to see the musket balls. “I wish he could be here with us. It's very neat. He is a huge history buff, and he is kind of living vicariously through us.”



As Gaza War Rages, Palestinian Culture Stifled in Israel

A woman holds a key symbolizing the homes left by Palestinians in 1948, during a rally along the border east of Khan Yunis in the southern Gaza Strip on May 1, 2023 marking the 75th anniversary of the Nakba. (AFP)
A woman holds a key symbolizing the homes left by Palestinians in 1948, during a rally along the border east of Khan Yunis in the southern Gaza Strip on May 1, 2023 marking the 75th anniversary of the Nakba. (AFP)
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As Gaza War Rages, Palestinian Culture Stifled in Israel

A woman holds a key symbolizing the homes left by Palestinians in 1948, during a rally along the border east of Khan Yunis in the southern Gaza Strip on May 1, 2023 marking the 75th anniversary of the Nakba. (AFP)
A woman holds a key symbolizing the homes left by Palestinians in 1948, during a rally along the border east of Khan Yunis in the southern Gaza Strip on May 1, 2023 marking the 75th anniversary of the Nakba. (AFP)

Comedian Ayman Nahas said he has kept a "low profile" since October 7, fearing reprisals as an Arab artist in Israel while the country wages war in the Gaza Strip.

He is one of many Arab artists in Israel or annexed east Jerusalem who describe facing increasing hostility and harassment, and fearing looming funding cuts or arrests.

"You never know where your place is and that is not the right atmosphere to perform," said Nahas, who is also the artistic director at the Arabic-language Sard theater in Haifa, in Israel's north.

His theater depends on government subsidies "like 99 percent of cultural spaces" in Israel, he said, AFP reported.

But he fears the money could be cut, as happened in 2015 to Al-Midan, another theater in the mixed Arab-Jewish city of Haifa, after it put on a play inspired by the story of a prisoner jailed by Israel over an attack on troops.

One 25-year-old performer, who asked to use the pseudonym Elias to avoid a backlash, said he has put acting aside and became a swimming pool attendant because he was fed up with only getting stereotyped roles.

Other Arab actors say that since the war, they can no longer find work in Israel.

Elias has finally found a role in Berlin.

"I have had to go into exile to practice my art," he told AFP in a Tel Aviv cafe.

"I don't wear my 'Free Palestine' bracelet anymore and I take care about what I put on social media. I have friends who have been visited by the police."

Non-profit group Mossawa has documented an increase in human rights violations against Israel's Arab minority since October, including arrests, discrimination at work and harassment at schools, as well as curbs on the right to protest.

Singer Dalal Abu Amneh, who is also a neuroscientist, was detained for 48 hours for a social media post after Hamas's October 7 attack that said "the only victor is God".

Abu Amneh later said she had been harassed in her Jewish-majority hometown of Afula in northern Israel. Her lawyer said she had received hundreds of "death threats".

About 20 percent of Israel's 9.5 million inhabitants are Arab, and many of them identify as Palestinian.

They say they are frequently the targets of discrimination by the Jewish majority, and those complaints have grown through more than nine months of war between Israel and Palestinian militants in Gaza.

Huda Imam, who promotes Palestinian cultural sites in Jerusalem, said that "a cultural silence has taken hold since October 7".

"There has been a shock, an inability to produce out of fear and respect" for the war's victims, she added.

"There was a Palestinian cultural life before the war, especially in east Jerusalem," Imam said, referring to the sector Israel captured in 1967 and later annexed in a move never recognised by most of the international community.

"Now people don't go out."

And it is primarily exiles "who give a voice to Palestine", said Imam, highlighting the rapper Saint Levant who played at the Coachella music festival in the United States in April, and the European-based singer and flute player Nai Barghouti.

Palestinians still express themselves through their "living heritage, like drinking coffee or dancing dabkeh," a traditional dance, said artist Hani Amra.

Some artists wondered about the relevance of their work now.

"You turn on the television and you see the war live. The reality is more powerful than any artistic work," Amer Khalil, the director of east Jerusalem's Al-Hakawati, also known as the Palestinian National Theater.

The theater, founded in 1984, "has been closed more than 200 times in 40 years" and is again in the crosshairs of Israeli authorities, said Khalil.

"Running a theatre is always difficult, but after October 7 things became even more complicated," he said, adding that Al-Hakawati was preparing a play about that day.

"It is a game, like censorship, it comes and goes."