2 Falcons Fetch Record Price at International Falcon Breeders Auction in Saudi Arabia

The highly anticipated International Falcon Breeders Auction 2024 kicked off on Friday at the Saudi Falcons Club headquarters in Malham, north of Riyadh. (SPA)
The highly anticipated International Falcon Breeders Auction 2024 kicked off on Friday at the Saudi Falcons Club headquarters in Malham, north of Riyadh. (SPA)
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2 Falcons Fetch Record Price at International Falcon Breeders Auction in Saudi Arabia

The highly anticipated International Falcon Breeders Auction 2024 kicked off on Friday at the Saudi Falcons Club headquarters in Malham, north of Riyadh. (SPA)
The highly anticipated International Falcon Breeders Auction 2024 kicked off on Friday at the Saudi Falcons Club headquarters in Malham, north of Riyadh. (SPA)

The highly anticipated International Falcon Breeders Auction 2024 kicked off on Friday at the Saudi Falcons Club headquarters in Malham, north of Riyadh. The event, which runs until August 24, features leading production farms from 16 countries.

On the opening night, a large crowd of falcon enthusiasts gathered to witness the auction of two exceptional falcons.

A Falco cherrug, known locally as a Hur, from the Polish Fire Falcons Farm, commanded a bid of SAR65,000, followed by another falcon from the same farm that sold for SAR105,000, bringing the total for the evening to SAR170,000.

This global platform offers a unique opportunity for falconers, producers, and enthusiasts to acquire elite falcons from around the world. The auction is being broadcast live on television and social media platforms.

The event aligns with the Saudi Falcons Club's vision to lead in falconry development, innovation, breeding, and care. It also contributes to the cultural and economic landscape while raising awareness about environmental conservation.



A Novel Makes a Star Out of a Very Young Writer

The book spent 29 weeks on the German best-seller list. Photo: The New York Times
The book spent 29 weeks on the German best-seller list. Photo: The New York Times
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A Novel Makes a Star Out of a Very Young Writer

The book spent 29 weeks on the German best-seller list. Photo: The New York Times
The book spent 29 weeks on the German best-seller list. Photo: The New York Times

By Thomas Rogers

The 22-year-old Swiss writer Nelio Biedermann has strange memories of visiting his family’s old properties when he was a child. Although he grew up middle-class in Zurich, his father was the descendant of an aristocratic family in Hungary that had, at one point, sold jewelry to royalty, but whose holdings were later seized by the communist regime.

“We would always travel to the castles that used to belong to us,” Biedermann recalled in a recent interview, describing them as “fairy-tale-like.” One property had been turned into a psychiatric institution whose walls were decorated with pictures of his ancestors. “The people there knew who we were,” he said. “I couldn’t identity with that.”

The experience helped inspire Biedermann to begin writing “Lázár,” his novel about an aristocratic family, when he was still a teenager. Published in Germany in September, the book earned a slew of rave reviews (“epic, tragic and traumatic, stormy, wistful and very romantic,” wrote a critic for Süddeutsche Zeitung, one of the country’s biggest daily newspapers).

It spent 29 weeks on the German best-seller list, turning its (shockingly) young author into a literary star overnight and drawing comparisons to “Buddenbrooks,” Thomas Mann’s 1901 family epic. Summit Books is publishing it in English on Tuesday.

Since the fall, the German news media has seemed obsessed with the question of how a teen could write a sweeping, traditional historical novel. “Most people expect a young person’s first book to be about their own life,” Biedermann said, sipping an herbal tea in a cafe in central Zurich. “But even if you discount my age, people found it interesting that the book is stylistically, linguistically old-fashioned.”

Lanky and soft-spoken, with a thin mustache and the kind of floppy haircut popular among Gen Z Swiss men, he is unswervingly modest in conversation. He said he began writing fiction when he was quarantined during the pandemic and his high school organized a writing competition about “ends of the world.”

The result, a short story about a suicidal youth, won him the top prize and 200 francs, or approximately $250. “It was a lot of money,” he said, adding that it led him to consider more ambitious fiction-writing projects.

Like “Buddenbrooks,” his novel follows multiple generations of a single family, the titular von Lázárs, who navigate tumultuous events in Hungary between 1900 and 1956. It begins on a rural estate, with the birth of Lajos, a boy with “translucent” skin, to a baron named Sándor and his wife, Mária. Their lives, along with those of Lajos’ children, Pista and Eva, are ultimately upended by the two world wars, the dissolution of Austria-Hungary and communist repression.

 

Swiss writer Nelio Biedermann. Photo: The New York Times

The book’s historical scope and occasionally mystical tone — Lajos’ translucent skin aside, the family’s estate is located next to a seemingly magical forest that swallows up family members and seems to conjure ghosts — have led readers to compare it not only to Mann and Joseph Roth’s “Radetzky March” but Gabriel García Márquez’s “One Hundred Years of Solitude.”

The elements of magical realism allowed Biedermann more freedom to fictionalize true events. “My first attempts were too close to the reality,” he said. “I felt guilty, because I was asking myself if I’m even allowed to change the family history,” he added, explaining that the mystical tone gave him the necessary distance to “write what I wanted.”

Tom Tykwer, the director of “Run Lola Run” and co-creator of the television series “Babylon Berlin,” plans to adapt the book into a movie. In a statement announcing the adaptation, he described it as a “book that drives us through the tides of life — and love — and makes us happy in a disturbingly intense way.”

In an interview, Adam Soboczynski, the literature editor at the German newspaper Die Zeit, said that the hype around the book had emerged partly because of the contrast between Biedermann’s age and the novel’s “great breadth and historical perspective.”

He argued that family novels like “Lázár” are especially popular in Germany “precisely because so many families here have, for many reasons, been shattered or incriminated by the war.” The book, he pointed out, partly deals with two periods that remain especially central to German identity: Nazism and Stalinism.

The tumultuous, early 20th-century setting, he said, might also have appealed to a German readership eager to find some parallels to the current era of European instability. “Though it also might have appealed to readers who want to escape from our weird times into an earlier age,” he said. “These two things are not necessarily contradictory.”

The New York Times


French Lawmakers to Debate Bill to Return Colonial-era Art

FILE PHOTO: French President Emmanuel Macron at the Elysee Palace in Paris, France, April 8, 2026. REUTERS/Tom Nicholson/Pool/File Photo
FILE PHOTO: French President Emmanuel Macron at the Elysee Palace in Paris, France, April 8, 2026. REUTERS/Tom Nicholson/Pool/File Photo
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French Lawmakers to Debate Bill to Return Colonial-era Art

FILE PHOTO: French President Emmanuel Macron at the Elysee Palace in Paris, France, April 8, 2026. REUTERS/Tom Nicholson/Pool/File Photo
FILE PHOTO: French President Emmanuel Macron at the Elysee Palace in Paris, France, April 8, 2026. REUTERS/Tom Nicholson/Pool/File Photo

France's lawmakers will on Monday debate a bill to simplify the return of artworks looted during the colonial era to their countries of origin.

France still has in its possession tens of thousands of artworks and other prized artefacts that it looted from its colonial empire.

The draft legislation to return them was unanimously approved by the upper house in January, and now needs to be backed by the lower house National Assembly before it can become law.

President Emmanuel Macron has made it a political promise to return the cultural items, and has gone further than his predecessors in admitting past French abuses in Africa.

Speaking on a visit to the Burkina Faso capital Ouagadougou shortly after taking office in 2017, Macron vowed that France would never again interfere in its former colonies and promised to facilitate the return of African cultural heritage within five years.

Designed to streamline the process, the bill under consideration specifically targets property acquired between 1815 and 1972.

Former colonial powers in Europe have slowly been moving to send back some artworks obtained during their imperial conquests -- but France is hindered by its current legislation, which requires every item in the national collection to be voted on individually.

France has been flooded with restitution demands, including from Algeria, Mali and Benin, AFP reported.

In 2025, France's parliament approved the return to Ivory Coast of a "talking drum" that colonial troops took from the Ebrie tribe in 1916. It returned home in March.

The bill has faced political wrangling in France, with the hard-left France Unbowed party (LFI) arguing that its scope should be extended.

The far-right National Rally party, on the other hand, wants to limit the restitution of colonial-era art only to states which have "cordial" relations with France.

A series of coups in west Africa have brought several military juntas hostile to Paris into power in former French colonies in west Africa in recent years.

In 2023, France adopted two so-called framework laws to return objects in two categories: one for goods looted from Jewish families during World War II, and another for the repatriation of human remains from public collections.


Greece's Ancient Sites Get Climate-change Checkup

Rockslides are a concern at the ancient theatre of Delphi. Angelos Tzortzinis / AFP/File
Rockslides are a concern at the ancient theatre of Delphi. Angelos Tzortzinis / AFP/File
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Greece's Ancient Sites Get Climate-change Checkup

Rockslides are a concern at the ancient theatre of Delphi. Angelos Tzortzinis / AFP/File
Rockslides are a concern at the ancient theatre of Delphi. Angelos Tzortzinis / AFP/File

Worsening wildfires, soaring heatwaves and rising water levels have prompted Greek officials to take a closer look at protecting priceless archaeological sites that draw hundreds of thousands of visitors each year.

The monuments, scattered across the country, earn Greece millions of dollars in tourism revenue, said AFP.

But many of the sites are in rural areas and officials believe better planning is needed in case large crowds of tourists need to be evacuated in an emergency.

After a three-year study by some of the country's leading scientific institutions, the Greek culture ministry has earmarked 19 monuments that most urgently need protection against natural threats, with several more to be bolstered by 2030.

The ministry says it is the first time a nationwide evaluation of this scope has been attempted.

The sites under scrutiny include Olympia, habitually threatened by forest fires, the ancient theatre of Delphi, where rockslides are a concern, and the sanctuary of Dion which is prone to flooding.

Olympia Mayor Aristides Panagiotopoulos told AFP that protecting the birthplace of the Olympics, which houses the ancient stadium, a sprawling sanctuary and two museums, requires "constant vigilance".

"Our concern remains acute, as the area of Ancient Olympia is extensive, with a large expanse of greenery and dense, often unregulated, spontaneous vegetation," Panagiotopoulos said in an email.

"Despite the significant interventions that have been carried out, it is clear that they are not sufficient on their own to cover all needs."

In 2007, wildfires in Olympia decimated the natural environment around the archaeological site and left over 40 dead in the broader region of Elis.

Panagiotis Lattas, the head forester for the region of Elis, told AFP that more recently, major fires have broken out in the area in 2021, 2022 and 2024.

Lattas noted that significant rainfall this year generated additional vegetation that must be cleared in both urban and agricultural areas before wildfire season.

"This year, after a very large amount of rainfall-about 40 percent above the annual average-and with the hot and dry conditions expected during the dry season, vegetation will be particularly abundant," he said.

- Long-term plan -

Greece has already reduced visiting hours at its most popular archaeological site, the Acropolis in Athens, to shield visitors from heatwaves during the warmest hours of the day.

But the increasing frequency of extreme events calls for something more extensive.

From 2022 to 2025, scientists at the National University of Athens and the National Research Foundation examined past and present climate and geological conditions at the 19 sites, looking at prior damage to help determine future vulnerability to extreme events.

Exposure to fire, floods, heatwaves and rising sea levels were studied by a team of climatologists, geologists, engineers, conservators, architects and building material experts.

In addition to Olympia, Delphi and Dion, they scrutinized Brauron near Athens, Philippi in the north, Mycenae, Messene, Mystras and the temple of Apollo Epicurius in the Peloponnese, Minoan palaces including Knossos in Crete, the ancient city of Rhodes, and Delos and the Heraion in Samos, which face coastal erosion.

The National Observatory of Athens and the capital's Demokritos research center also contributed research on weather, wildfires and building resilience to the project, which was budgeted at over 20 million euros ($23 million) in EU and national funding.

The plan is to cover a network of 40 sites by 2030, Culture Minister Lina Mendoni told a conference in Athens last month.

- 'Exposed' landscape -

"Our homeland has a uniquely high density and wide geographical distribution of outdoor monuments, inextricably tied to the landscape, which are exposed to fluctuations in temperature, increased humidity, heavy rainfall, and wind," Mendoni told the conference.

"Climate change does not necessarily create entirely new risks from scratch. It usually intensifies existing ones, increasing the frequency and severity of such phenomena."

According to the culture ministry, new fire sensors at 21 sites are to be delivered this year, and fire protection plans drawn up for over 60 archaeological sites, the ministry said.

According to official statistics, Ancient Olympia in 2024 drew over 300,000 visitors. Knossos had over a million, and Delphi over 290,000.

The mayor of Delphi, Panagiotis Tagalis, told AFP that rockfalls on the Amfissa-Livadeia road in November 2024 caused "serious problems for access to the archaeological site and museum of Delphi, as well as for the residents, employees, businesses, and visitors of the wider area".

The culture ministry installed wire mesh to the side of cliffs overlooking the archaeological site, and the municipality said it had cleared a nearby rural road as a backup emergency route for small vehicles.

"Twenty years ago it was absolutely forbidden to create firebreaks...in protected areas," Mendoni said.

"Fortunately, the mentality has changed."