Jewels Stolen in Germany’s Green Vault Heist Back on Display

The jewelry piece "Aigrette for the hair in the shape of a sun" by August Gotthelf Globig (C) shows a missing piece during the presentation of recovered jewels from a burglary at the Historic Green Vault (Gruenes Gewoelbe) in Dresden, Germany, 13 August 2024. (EPA)
The jewelry piece "Aigrette for the hair in the shape of a sun" by August Gotthelf Globig (C) shows a missing piece during the presentation of recovered jewels from a burglary at the Historic Green Vault (Gruenes Gewoelbe) in Dresden, Germany, 13 August 2024. (EPA)
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Jewels Stolen in Germany’s Green Vault Heist Back on Display

The jewelry piece "Aigrette for the hair in the shape of a sun" by August Gotthelf Globig (C) shows a missing piece during the presentation of recovered jewels from a burglary at the Historic Green Vault (Gruenes Gewoelbe) in Dresden, Germany, 13 August 2024. (EPA)
The jewelry piece "Aigrette for the hair in the shape of a sun" by August Gotthelf Globig (C) shows a missing piece during the presentation of recovered jewels from a burglary at the Historic Green Vault (Gruenes Gewoelbe) in Dresden, Germany, 13 August 2024. (EPA)

Nearly five years after millions of euros' worth of jewellery was stolen in a museum heist in eastern Germany, visitors can once again admire nearly all of the precious pieces in person.

In November 2019, thieves stole pieces that contained more than 4,300 diamonds with an estimated value of over 113 million euros ($124 million), from the Gruenes Gewoelbe (Green Vault) museum in Dresden, in the eastern German state of Saxony.

Police have said most of the jewels stolen from the museum, which houses one of Europe's greatest art collections, have been recovered. Pieces still missing include an epaulette on which a precious stone known as the Dresden White Diamond was mounted.

Starting this week, the jewellery pieces will be back on display in their original spots - albeit in the same condition in which they were recovered in December 2022 as they are part of ongoing legal proceedings and still considered court property.

"There are certain things that perhaps absolute experts can see; we with the naked eye can actually barely see the damage," said Marion Ackermann, Dresden State Museums director general.

"And this damage is mainly due to the fact that they were either broken out during the crime ... or improperly stored by the perpetrators after the crime," Ackermann added.

Five men, all members of the same family, were sentenced to several years behind bars in May 2023 for their involvement.

The heist was a bitter lesson about security at the museum, which before had been considered one of the safest buildings in Europe, said Saxony premier Michael Kretschmer.

"We were shocked that it was actually possible, but we have drawn the necessary conclusions," he said on Tuesday.

The stolen Dresden collection was assembled in the 18th century by Augustus the Strong, Elector of Saxony and later King of Poland, who commissioned ever more brilliant jewellery as part of his rivalry with France's King Louis XIV.

The treasures survived Allied bombing raids in World War Two, only to be carted off as war booty by the Soviet Union.

They were returned to Dresden, the historic capital of the state of Saxony, in 1958.



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.