Trinidad and Tobago Reckons with Colonialism in a Debate on Statues, Signs and Monuments of Its Past 

A vandalized statue of Christopher Columbus towers over Columbus Square in Port of Spain, Trinidad and Tobago, Wednesday, Aug. 28, 2024. Officials in the Caribbean island nation are reviewing on whether to remove statues, signs and monuments that reference European colonization. (AP)
A vandalized statue of Christopher Columbus towers over Columbus Square in Port of Spain, Trinidad and Tobago, Wednesday, Aug. 28, 2024. Officials in the Caribbean island nation are reviewing on whether to remove statues, signs and monuments that reference European colonization. (AP)
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Trinidad and Tobago Reckons with Colonialism in a Debate on Statues, Signs and Monuments of Its Past 

A vandalized statue of Christopher Columbus towers over Columbus Square in Port of Spain, Trinidad and Tobago, Wednesday, Aug. 28, 2024. Officials in the Caribbean island nation are reviewing on whether to remove statues, signs and monuments that reference European colonization. (AP)
A vandalized statue of Christopher Columbus towers over Columbus Square in Port of Spain, Trinidad and Tobago, Wednesday, Aug. 28, 2024. Officials in the Caribbean island nation are reviewing on whether to remove statues, signs and monuments that reference European colonization. (AP)

In a small auditorium in the seaside capital of Trinidad and Tobago, Christopher Columbus and other colonial-era figures came under scrutiny late Wednesday in a lengthy debate punctuated by snickers, applause and outbursts.

The government had asked residents of the diverse, twin-island nation in the eastern Caribbean if they supported the removal of statues, signs and monuments with colonial ties and how those spaces should be used instead. One by one, people of African, European and Indigenous descent stepped up to the microphone and responded.

Some suggested a prominent Columbus statue be placed in a museum. Others requested it be destroyed and that people be allowed to stomp on the dusty remains. One man encouraged officials to round up statues of colonial figures and create a “square of the infamous.”

The majority of the more than two dozen people who spoke, and dozens of others commenting online, supported removal of colonial-era symbols and names.

“It’s an issue about how after 62 years of independence ... we continue to live in a space that reflects the ideals and the vision and the views of those who were our colonial masters,” said Zakiya Uzoma-Wadada, executive chair of the islands’ Emancipation Support Committee.

Trinidad and Tobago is the latest nation to embrace a global movement that began in recent years to abolish colonial-era symbols as it reckons with its past and questions if and how it should memorialize it as demands for slavery reparations grow across the Caribbean.

The public hearing was held just a week after the government announced it would redraw the nation’s coat of arms to remove Christopher Columbus’ three famous ships — the Pinta, the Niña and the Santa María – and replace it with the steelpan, a popular percussion instrument that originated in the Caribbean nation.

Others pushed for further changes on Wednesday night.

“What the hell is the queen still doing on top of the coat of arms? Please let us put her to rest,” said Eric Lewis, who identifies as a member of the First Peoples, also known as Amerindians.

Trinidad and Tobago was first colonized by the Spanish, who ruled it for nearly 300 years before ceding it to the British, who governed it for more than 160 years until the islands’ independence in 1962. The colonial imprint remains throughout streets and plazas, with a statue of Christopher Columbus dominating a square of the same name in the capital of Port of Spain.

The islands’ National Trust calls it “one of the greatest embellishments of our town,” but many differ.

“It’s disrespectful to those who were the victims of him. The people suffered tremendously,” said Shania James as she called for the statue to be placed in a museum. “His atrocities should not be forgotten.”

But a handful of people dismissed concerns about how their ancestors were treated, including tour guide Teresa Hope, who is Black.

“They survived, and I survived, and we will keep on moving,” she said, adding that if the actions of historical figures were scrutinized, “everything would get knocked down.”

Rubadiri Victor, president of the Artists’ Coalition, said his country should instead erect statues and monuments to honor some of the more than 200 Trinbagonians who represent the best of the islands.

“We are stumbling and tripping over heroes,” he said. “To have produced so much genius, and that lineage is nowhere present in the landscape.”

Among the suggestions of people to honor was Nobel Prize-winning author V.S. Naipaul; Cyril Lionel Robert James, a historian and journalist; and Kwame Ture, who helped spearhead the Black Power movement in the US Others suggested that prominent Amerindians and more local women be honored, including Patricia Bishop, an educator and musician and Beryl McBurnie, a teacher credited with promoting and saving Caribbean dance.

The debate was scheduled to continue soon in the sister island of Tobago, with the government having received nearly 200 submissions overall so far on what it should do.



Archaeologists Forced by Middle East War to Cut Short Iraq Digs

An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
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Archaeologists Forced by Middle East War to Cut Short Iraq Digs

An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)

Iraq is home to ruins from some of the world's earliest civilizations, but teams led by international archaeologists have been forced by drone and rocket attacks in the Middle East war to cut short their expeditions.

Archaeologists told AFP that some of the projects interrupted by the war had been planned for years, but their teams have had to evacuate ancient sites since the United States and Israel attacked Iraq's neighbor, Iran.

Like other countries around the region, Iraq has become engulfed in the war, bringing to an abrupt end a period of nascent stability.

Iraq's precious archaeological sites, some dating back thousands of years, had for years faced threats ranging from climate change to successive conflicts.

Under normal circumstances, around 60 international teams would have been working on digs, a government official told AFP, but "all of these missions have left Iraq".

- 'Like a musician' -

Adelheid Otto of Germany's Ludwig-Maximilians-University started a long-planned dig at ancient Shuruppak, modern-day Tell Fara, on February 28.

That same day, Israel and the US launched strikes against Iran, sparking a war that has dragged Iraqi armed groups into the fray -- and cutting short Otto's work.

"We are Near Eastern archaeologists. So that is our work. That is like a musician who can no longer play an instrument," she told AFP.

Her team -- 18 German archaeologists, geologists, geophysical experts and students and seven Iraqi archaeologists -- initially stayed, reasoning travelling the 750 kilometers (460 miles) overland to Türkiye was more dangerous.

"After some days we got kind of used to the rockets and drones above our heads," she said.

But Iraqi officials repeatedly urged them to depart, despite their discovery of ancient cuneiform tablets.

"It is impossible" to leave, she told authorities, insisting on staying extra days. "We have to document it. We have to take photos of everything."

"I told the students you have to work on all the small finds that we have," said Otto, 59, who boasts four decades of experience.

"You never know in any of these countries if you will ever return," she said.

- 'Guarantors' -

Many German institutions had just started relaxing travel restrictions to Iraq after a succession of conflicts, including the 2003 US-led invasion and the extremist ISIS group.

Now, said Otto, archaeologists once again face being shut out.

Iraq's State Board of Antiquities and Heritage head Ali Obeid Shalgham told AFP Iraqi security forces were the sites' "true guarantors", especially as many are in remote rural areas.

He said the country is installing so-called protective "blue shields" -- nicknamed "the Red Cross of heritage" -- at archaeological sites.

The presence of foreign teams is "crucial", said Aqeel al-Mansrawi, an Iraqi landscape archaeologist.

"They work to protect heritage through conservation," he said.

He also emphasized the training Iraqi experts receive from foreigners, vital after years of isolation and war.

"We are always training a lot of Iraqi archaeologists and colleagues," said Otto, of the German institute.

"If it would be cut again, it would be terrible," she said.

Foreign digs must work with Iraqi archaeologists, bringing their international expertise.

Shalgham said the arrangement allows Iraqis "to keep up with global advancements in new technologies and state-of-the-art equipment".

- 'Can't catch a break' -

Chicago University professor Augusta McMahon was in southern Iraq, working at the 6,000-year-old Nippur site, when the war began.

Having worked in the Middle East for almost four decades, this was her third evacuation.

In 2024, she had to leave Iraq, while in 2011, she left Syria.

"We had pressure from a lot of different directions in terms of having to leave," she said, with her eight-person team departing under an Iraqi escort on March 10.

"It is quite frustrating, along with everything else, I feel terribly bad for [my] Iraqi colleagues," she said.

The war has also rippled beyond the immediate: an initiative to finally return the preeminent Rencontre Assyriologique Internationale (RAI) conference to Iraq was cancelled by the University of Baghdad.

The city last attempted to host the event in 1990, according to the university, but it was scrapped with the Gulf War.

"Now 36 years later, they finally pulled themselves together... and it's cancelled again," said McMahon, who was due to be presenting.

"It's like they can't catch a break."


Thieves Steal Paintings by Renoir, Cézanne and Matisse from Italian Private Museum

A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
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Thieves Steal Paintings by Renoir, Cézanne and Matisse from Italian Private Museum

A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)

Thieves made off with three paintings by Renoir, Cézanne and Matisse worth millions of euros (dollars) from a museum near the city of Parma in northern Italy, police said on Monday.

The heist took place on the night of March 22-23, with thieves forcing open the entrance door, The Associated Press quoted police as saying.

The three stolen paintings are “Fish” by Auguste Renoir, “Still Life with Cherries” by Paul Cézanne, and “Odalisque on the Terrace” by Henri Matisse.

The Magnani Rocca Foundation, a private museum, lies in the heart of the countryside 20 kilometers (12 miles) from Parma.

Local media reported that the thieves were able to nab the paintings in less than three minutes and escape across the museum gardens.

Established in 1977, the foundation hosts the collection of the art historian Luigi Magnani and also includes works by Dürer, Rubens, Van Dyck, Goya and Monet.

The museum believes a structured and organized gang was responsible for the theft, which was interrupted by the alarm, local media reported.

The museum didn't post any statement about the theft on its website and wasn't reachable for a comment, as it is closed on Monday.

The crime in Parma comes after a series of high-profile heists at major European museums, including a major incident in October where thieves stole jewels and other items worth 88 million euros ($101 million) from the Louvre in Paris.


Iran Says US, Israeli Strikes Damage 120 Museums, Historic Buildings

 First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
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Iran Says US, Israeli Strikes Damage 120 Museums, Historic Buildings

 First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)

US and Israeli strikes on Iran have damaged at least 120 culturally or historically significant sites across the country since the start of the war, the head of Tehran city council's heritage committee said.

"At least 120 museums, historical buildings and cultural sites across various provinces were directly targeted and sustained serious structural damage," said Ahmad Alavi.

He was quoted by state TV as naming UNESCO-listed Golestan Palace -- sometimes likened to Versailles -- as well as Tehran's Marble Palace, Teymourtash house and Saadabad Palace.

One of the capital's most visited sites, the Saadabad Palace complex includes an extensive park and museums dedicated to Iranian history.

In addition to the cultural institutions, it also houses the residences of the Iranian president and governor of Tehran province, with judicial and Revolutionary Guards facilities located nearby.

The United States and Israel launched their campaign against Iran on February 28, killing its supreme leader and setting off a war that has since embroiled practically all of the Middle East.

Iran, whose history spans several millennia, possesses significant cultural heritage that has largely been spared from mass tourism.

According to the UN, at least four of the country's 29 UNESCO-listed sites have been damaged in the war: Golestan Palace, Chehel Sotoun Palace in Isfahan, the Masjed-e Jame mosque in the same city, and the prehistoric sites of the Khorramabad Valley.