Beijing's Imperial Palace Bustles With Throngs of Visitors in Qing Dynasty Costumes

Chinese girls dressed in Qing dynasty attire take pictures outside the Drum Tower at Gulou East Street in Beijing, China, Tuesday, July 16, 2024. (AP Photo/ Vincent Thian)
Chinese girls dressed in Qing dynasty attire take pictures outside the Drum Tower at Gulou East Street in Beijing, China, Tuesday, July 16, 2024. (AP Photo/ Vincent Thian)
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Beijing's Imperial Palace Bustles With Throngs of Visitors in Qing Dynasty Costumes

Chinese girls dressed in Qing dynasty attire take pictures outside the Drum Tower at Gulou East Street in Beijing, China, Tuesday, July 16, 2024. (AP Photo/ Vincent Thian)
Chinese girls dressed in Qing dynasty attire take pictures outside the Drum Tower at Gulou East Street in Beijing, China, Tuesday, July 16, 2024. (AP Photo/ Vincent Thian)

In Beijing’s Forbidden City, once the sprawling palace to China’s Ming and Qing emperors and their legions of guards and servants, steady streams of visitors wearing historical costumes pose for portraits, in a fashion of centuries gone by.
It’s a phenomenon seen around heritage sites across China, inspired by comic book conventions and the Japanese passion for cosplay, but with additional nationalistic and cultural dimensions, The Associated Press said.
Though the historical veracity of the frocks and cloaks may not be guaranteed, they draw their inspiration from Chinese painting, theater and art, especially that of the Qing, China’s last dynasty that was known for its relative prosperity and cultural advances through trade in silk and porcelain.
During this time, China expanded its empire and its art and paintings flourished, as did clothing and textiles. Men and women wore full length elaborately embroidered silk robes and women wore hairpieces encrusted with flowers, pearls and gemstones.
The Qing fell in 1911 and following decades of warfare, power was seized by the Communist Party, which sought to grind out all vestiges of China’s imperial past.
With the abandonment in recent years of hard-core Maoism and rising prosperity, it is now common to see whole families decked out in Qing Dynasty garb, some of which is homemade, others rented from vendors at photo shoots who will also provide help with hairstyles and makeup.
Popular historical TV dramas and the rise of social media have fed the craze, and while they don’t involve battle reenactments like those popular in the US and Europe, they reflect a growing respect for China’s history in the centuries before the communist takeover. Some participants base their looks on characters from novels, plays and poems going back centuries.
Throngs of people gather along the walls and a scenic moat surrounding the former palace — now a museum that is resplendent in weeping willows and turning colors during the late summer and early fall. Both professional and amateur photographers shop their samples to families and couples. Others in imperial dress take turns with their phone cameras. A group of students from the elite Tsinghua University celebrated their end of semester with a costume photo.
Despite the sweltering Beijing summer heat, families, friends and couples pose with a smile, sweat dripping down foreheads. It’s a serious affair, necessitating the right pose, the perfect prop and the ideal camera angle. And when everything is in place, they slip back in time — feeling like royalty and fulfilling a fantasy — however briefly with others like them living otherwise ordinary lives.



Saudi Arabia's 'Art of the Kingdom' Exhibition Opens at Paço Imperial in Rio de Janeiro

The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)
The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)
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Saudi Arabia's 'Art of the Kingdom' Exhibition Opens at Paço Imperial in Rio de Janeiro

The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)
The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)

The first traveling group exhibition of Saudi contemporary art was inaugurated at the historic Paço Imperial in Rio de Janeiro, Brazil on Sunday.

Titled “Art of the Kingdom”, this landmark exhibition introduces the public to the works of leading contemporary artists from Saudi Arabia, fostering a deeper global understanding of the Kingdom’s evolving art landscape.

Debuting in Brazil, the exhibition will move on a global tour starting with 2025, reaching the National Museum of China in Beijing.

Titled “Poetic Illuminations”, the inaugural edition of this exhibition in Brazil is curated by Diana Wechsler and features 17 Saudi artists from different generations and of various artistic styles, showcasing a diverse collection of artworks ranging from paintings to installations and video works.

The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. Woven artistically, it offers audiences in Brazil and beyond the unique opportunity to engage with Saudi Arabia’s cultural narratives and art practices.

“Art has the power to unite people and cultures, and Art of the Kingdom exemplifies this mission,” said Mona Khazindar, advisor at Saudi Arabia’s Ministry of Culture.

“This exhibition not only stands as a testament to the incredible talent of Saudi contemporary artists, it also creates a platform for Saudi artists to share their stories and perspectives with the world. By launching Art of the Kingdom in Rio de Janeiro, we aim to foster cross-cultural dialogue and understanding through art, while celebrating and nurturing Saudi artists’ creativity and empowering local talents to engage with the world,” she added.

On the concept of the exhibition, Wechsler said: “Is it possible to approach a culture through contemporary art? How do the visual arts contribute to reconfiguring the narratives we construct about society, memory, the past, and the present? These two questions are the starting point of the exhibition.”

“Through a curated selection of artists and works, the exhibition seeks to explore these themes, guided by the idea that the essence of art, in conceptual terms, is poetic illumination — its ability to symbolically shed light on the world we inhabit, revealing not only elements of our past but also our dreams, longings, and fantasies,” she emphasized.

Two main themes emerge from the exhibition’s repertoire. One is the desert as a definition of space, infinity, and life; the other is the singularity of cultural tradition, and the evolution of a unique visual culture, shaped by diverse pasts and presents.

The stunning setting of Paço Imperial, a cultural landmark in Rio de Janeiro, adds to the beauty and significance of this exhibition, as it creates an artistic conversation between the historical setup and the contemporary works on display.

As the Kingdom proceeds on an unprecedented journey of cultural transformation, the “Art of the Kingdom” exhibition offers a unique opportunity to explore the ways in which Saudi contemporary art contributes to shaping new cultural narratives.