Heritage Commission Unveils Secrets of Stone Rectangles in Hail

Heritage Commission Unveils Secrets of Stone Rectangles in Hail
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Heritage Commission Unveils Secrets of Stone Rectangles in Hail

Heritage Commission Unveils Secrets of Stone Rectangles in Hail

The Heritage Commission has revealed the results of a recent scientific study published in the journal The Holocene, as part of the Green Arabia Project, which focuses on studying the history of human expansion and migration in the Arabian Peninsula during prehistoric times, SPA reported.
The study relies on precise spatial analysis, based on archaeological surveys and excavations conducted in 2021 at the study sites to uncover the reasons that led Neolithic inhabitants in northwestern Arabia to choose the locations of the stone mustatils (which means rectangles in Arabic) in the Hail Region for settlement.
The Heritage Commission conducted the study in cooperation with several local and international institutions, including the Max Planck Institute for the Science of Human History in Germany, the University of Tübingen in Germany, the University of Cologne in Germany, King's College London, King Abdullah University of Science and Technology, King Saud University, Griffith University in Australia, the University of Queensland in Australia, the Smithsonian Institution in the US, and the University of Malta.
The stone rectangles are massive archaeological structures dating back to between 5400 and 4200 BC. They are located at the periphery of the Nafud Desert, atop hilltops at elevations ranging from 880 to 950 meters, which offer wide views of the surrounding landscapes, indicating that the selection of these sites was not random.
The proximity to water sources and raw materials further emphasizes the deliberate choice of these locations.
The study reveals the existence of significant scattered clusters of these stone rectangles, suggesting specific patterns of movement, and migration of the peoples of that era.
It also indicates that the size and distribution of these rectangles suggest that they were used for various purposes, including religious rituals, social practices, and as markers of territorial ownership.
Experimental studies showed that constructing these stone rectangles was not overly difficult. A small group of people could build a rectangle 177 meters long in a few weeks. Larger rectangles may have taken months to construct, but the process was faster when community members worked together. The rectangles give an inkling into the organizational skills and cooperation prevalent in those societies.
According to the commission, the findings provide a new context for understanding the stone rectangles. Applying this type of spatial analysis could lead to the documentation of other types of stone structures, which would contribute to a deeper understanding of the organization and establishment of Neolithic communities in northwestern Saudi Arabia, it said.



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.