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Danish Butter King’s Coin Collection for Sale 100 Years After His Death 

Helle Horsnes, senior researcher at the National Museum of Denmark, looks at seven rare coins that the museum bought earlier this year from the collection of butter magnate Lars Emil Bruun, in Copenhagen, Denmark, September 11, 2024. (Reuters)
Helle Horsnes, senior researcher at the National Museum of Denmark, looks at seven rare coins that the museum bought earlier this year from the collection of butter magnate Lars Emil Bruun, in Copenhagen, Denmark, September 11, 2024. (Reuters)
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Danish Butter King’s Coin Collection for Sale 100 Years After His Death 

Helle Horsnes, senior researcher at the National Museum of Denmark, looks at seven rare coins that the museum bought earlier this year from the collection of butter magnate Lars Emil Bruun, in Copenhagen, Denmark, September 11, 2024. (Reuters)
Helle Horsnes, senior researcher at the National Museum of Denmark, looks at seven rare coins that the museum bought earlier this year from the collection of butter magnate Lars Emil Bruun, in Copenhagen, Denmark, September 11, 2024. (Reuters)

The 20,000-piece coin collection of Danish butter magnate Lars Emil Bruun, worth an estimated $74 million, is set to go under the hammer on Saturday in Copenhagen, a century after his passing.

The collection, kept by Bruun's relatives in line with his will, includes rare coins and medals from Denmark, Norway, Sweden and England dating back to the Viking age. It is expected to attract bids from some of the world's wealthiest people.

Bruun, born into poverty in 1852, amassed a fortune through his butter export business. He developed a passion for coin collecting in his childhood, resulting in what is expected to be the most valuable non-US coin collection ever sold.

"The collection is unique in many ways, partly because it's so valuable, but also because it's been kept safe as a sleeping beauty for 100 years without nobody having access to the coins," said Michael Fornitz, a professional numismatic appointed by auction house Stack's Bowers to oversee the sale.

After World War One, Bruun, fearing another war or bombing of Copenhagen, decided his historic collection should be kept in reserve for the Royal Coin and Medal Collection in Copenhagen for a century.

The auction will commence on Saturday with the sale of the first 286 coins, starting with a coin minted in 1496 for Denmark's King Hans. The coin has an estimated price of up to 600,000 euros ($663,900).

"It has probably been struck for King Hans' personal use when he traveled through Europe and he needed to show that Denmark was not just an insignificant province in the North of Europe but actually a power to be reckoned with," said Fornitz, holding the coin in his hand.

The collection has been showcased to potential buyers in Hong Kong, Europe, and the United States. According to Brian Kendrella, Stack's Bowers president, the coins are expected to sell for amounts ranging from less than $100 to more than $1 million each.

"Buyers might be some of the wealthiest people who are making Forbes lists and things like that. But there's also regular people that have deep interest in history and interest in coin collecting," he said.

Proceeds from the auctions, expected to continue for several years, will go to Bruun's direct relatives, as stipulated in his will. A representative for his relatives did not reply to a request for comment.

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Culture

Red Sea Museum Hosts Contemporary Art Exhibition to Showcase Marine Biodiversity

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
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Red Sea Museum Hosts Contemporary Art Exhibition to Showcase Marine Biodiversity

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA

The Red Sea Museum in Historic Jeddah is hosting a contemporary artistic exhibition that explores the Red Sea’s marine richness by connecting its geological origins, dating back to the Eocene epoch, with natural history and artistic expression.

Through a series of sculptures and installations, the exhibition showcases the region's vast biodiversity, from microorganisms to large mammals, SPA reported.

The works emphasize the Red Sea’s resilient coral reefs, thriving in warm, high-salinity waters, while delivering powerful environmental messages on the urgency of reef protection and ecological sustainability.

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures.

These pieces complement the museum’s permanent collection of over 1,000 artifacts, reinforcing the Kingdom’s commitment to preserving its cultural and environmental heritage through modern, immersive displays.

Culture

Saudi Pavilion Highlights Cultural Exchange at Sarajevo Book Fair

The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
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Saudi Pavilion Highlights Cultural Exchange at Sarajevo Book Fair

The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
The fair is held under the theme "Book Path" and features 200 exhibitors. SPA

The Ministry of Islamic Affairs, Dawah and Guidance, represented by the King Fahd Cultural Center in Bosnia and Herzegovina, is participating in Saudi Arabia’s pavilion at the 37th Sarajevo International Book Fair held from April 22 to 27 at the Skenderija Center.

The fair is held under the theme "Book Path" and features 200 exhibitors from Bosnia and Herzegovina and around the world presenting their publications across an exhibition area of more than 10,000 square meters.

The pavilion, inaugurated in the presence of Saudi Ambassador to Bosnia and Herzegovina Anas Al-Wusaidi, showcases the center’s cultural programs, publications, and activities.

It includes a documentary highlighting the Kingdom’s civilizational progress and the achievements of Saudi Vision 2030, as well as films introducing Saudi cities and tourist landmarks.

The pavilion also features educational and training programs, a Saudi culture corner, a workshop on Saudi coffee preparation, an Arabic calligraphy corner, and a children’s area.

The ministry’s participation in the fair reflects Saudi Arabia’s leading role in serving Islam and Muslims inside and outside the Kingdom, its message of moderation and tolerance, and its commitment to strengthening cultural exchange.

Culture

Ithra Showcases Ithra Design Week at Milan Design Week 2026

Ithra Showcases Ithra Design Week at Milan Design Week 2026
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Ithra Showcases Ithra Design Week at Milan Design Week 2026

Ithra Showcases Ithra Design Week at Milan Design Week 2026

The King Abdulaziz Center for World Culture (Ithra), an initiative of Aramco, is participating in Milan Design Week, one of the world’s most prominent annual design events, taking place during April 20-26, 2026. This participation reflects the center’s aspirations to strengthen the role of design within the cultural landscape. As part of its presence, Ithra is presenting key features of Ithra Design Week (IDW)—announced last year as a dedicated platform supporting the design sector and designers, aimed at fostering collaboration, nurturing creativity, and advancing design content from the Arab world on the global stage.

As part of its participation, Ithra is presenting the exhibition “Default is Not Universal” at the Isola Design Festival, within the framework of Milan Design Week 2026. The exhibition represents the first tangible realization of Ithra Design Week as a regional platform for designers, showcasing their creativity and cultural narratives to international audiences while opening channels for global dialogue on the future of design, SPA reported.

Manager of Programs at Ithra Nourh Al-Zamil said: “Ithra’s participation in Milan Design Week; one of the most important global events in the field of design, reflects the Center’s mission to empower creative talent, strengthen cultural exchange, and support the growth of the creative economy at both regional and international levels. It also highlights Ithra Design Week 2026, that announced last year as a platform dedicated to supporting and advancing the future of Arab design.”

Al-Zamil added that Ithra’s international participation in leading design and creativity forums serves as an important platform for attracting designers from across the Middle East. She noted that the “Default is Not Universal” exhibition, presented in collaboration with Isola Design; a partnership spanning four years; aims to empower creativity and connect designers from around the world. She emphasized that the exhibition reflects Ithra’s continued efforts to build a year-round integrated ecosystem enabling designers to collaborate, grow, and thrive.

The “Default is Not Universal” exhibition features works by eight designers from across the Middle East and North Africa (MENA) region and includes seven interactive stations. Through the use of artificial intelligence, the exhibition collects visitor interaction data and transforms it into a dynamic map illustrating how cognitive patterns are shaped by diverse cultural influences. In an innovative step, this data will later be used to commission a designer to produce an entirely new piece reflecting the exhibition’s insights and outcomes.

The exhibition represents a collaborative experience between Ithra and Isola Design and is the outcome of a four-year partnership. Following its debut, the exhibition will be expanded and travel to Saudi Arabia, where it will serve as the anchor international exhibition of the main Ithra Design Week event scheduled to take place later this year.

The exhibition’s seven interactive stations include “The Collective Sofa,” a white seating installation by Studio Oblique (UAE) that transforms through visitor interaction into a shared archive reflecting their contributions; “Moments of Absence,” a sculptural installation featuring miniature ceramic chairs by Fajr Al-Basri (Bahrain) that invites visitors to select and sketch the chair they most identify with; and “Body Blocks,” an interactive game by Davina Atteya (Lebanon) inspired by Mesopotamian figurative forms, enabling users to assemble hybrid characters through modular components.

Additional stations include “Attar Al-Balad,” a sensory installation composed of sculptural blocks formed from traditional Saudi herbs and spices that re-evokes memory through scent; “Reflections,” a collection of mirrors by designers from Egypt, the UAE, and Morocco exploring visitors’ perceptions of color, form, and identity; “Majma,” an interactive musical instrument by digital artist Samit Rohila enabling visitors to collaboratively compose spontaneous collective soundscapes; and finally “Daughters of Berythus,” an installation embedding traces of craft traditions and everyday life that invites visitors to explore material memory through touch.