Christie’s Launches First International Auction House in Saudi Arabia

A special installation work for the artist Ahmed Mater commissioned by Wadi AlFann in AlUla. (Christie's)
A special installation work for the artist Ahmed Mater commissioned by Wadi AlFann in AlUla. (Christie's)
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Christie’s Launches First International Auction House in Saudi Arabia

A special installation work for the artist Ahmed Mater commissioned by Wadi AlFann in AlUla. (Christie's)
A special installation work for the artist Ahmed Mater commissioned by Wadi AlFann in AlUla. (Christie's)

Christie’s auction house announced the appointment of Nour Kelani as General Manager in Saudi Arabia, tasked with overseeing services for local clients. This follows Christie’s acquisition of a business license to operate in the Kingdom, making it the first international auction house in the country.

Dr. Ridha Moumni, Chairman of Christie’s for the Middle East and Africa, explained that the primary motivation behind opening their first office in Saudi Arabia stems from the notable growth in arts, culture, and economies in the region in recent years. He noted that Saudi Arabia has emerged as a key player in this growth, “and in light of these unique developments, we decided to establish an office here.”

Speaking on the local art scene, Moumni said: “The artistic and creative landscape in Saudi Arabia has always been strong, as evidenced by the production of exceptional works that reflect the country’s local traditions and its social and cultural issues, which have earned a prominent place on the international stage of modern and contemporary art.”

“Furthermore, Saudi Arabia is witnessing a new contemporary art renaissance, led by Saudi artists who draw from the nation’s rich heritage and benefit from the support of various artistic initiatives, institutions, and networks,” he added.

Moumni also pointed out that this move follows the success of the exhibition featuring works by Saudi artist Dr. Ahmed Mater, recently hosted by Christie’s in London, as well as their active participation in the Diriyah Contemporary Art Biennale this year. He added: “We have been preparing for this step for some time.”

Asked whether Christie’s upcoming exhibitions will be limited to Riyadh, he responded: “Our General Manager for Christie’s in the Kingdom will operate from our office in Riyadh, which will serve as a base for us to serve our clients in Saudi Arabia. Our representatives will travel across the country, and we will announce our plans for events and exhibitions at the appropriate time.”

He continued: “We will maintain our efforts to raise awareness on Arab art through our international platforms and our 46 offices worldwide. This global presence allows us to further promote artistic talent from the region. We are constantly evaluating our initiatives and planning future exhibitions to highlight the diverse and dynamic voices in the art community, and we look forward to our plans for 2025 in Riyadh and London.”



Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
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Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)

In his seaside workshop on the Greek island of Lesbos, Nikos Kouvdis uses ancient techniques to create pottery pieces that have recently been honored with inclusion in UNESCO's National Inventory of Intangible Cultural Heritage.

Kouvdis, 70, and his family have kept an old technique alive near the once humming pottery hub of Mandamados, just as the slow and careful methods of the past have been largely eclipsed by factory machines.

Their pottery is among the last in the Mediterranean to be produced from clay in local soil, using a traditional kiln with olive pits as fuel, with the pieces painted with natural lime.

"It's an honor for me," Kouvdis said with regard to the UNESCO recognition of his work.

He said a mechanized press can work at 10 times the speed of an individual potter. "There’s no continuity. There’s no space for (our) method to continue."

Still, he continues to produce individual pots on an outcrop of land overlooking the Aegean Sea.

"Above all, it’s a passion - trying to create something that fulfils you," he said.