Brick by Brick, Morocco Rebuilds 12th-Century Mosque Destroyed by 2023 Earthquake

 A construction worker unveils recovered pieces from the Great Mosque of Tinmel, which dates back to the 12th century and suffered significant damage during a 2023 earthquake, in the Atlas mountain village of Tinmel, outside of Marrakech, Morocco, Thursday, Sept. 5, 2024. (AP)
A construction worker unveils recovered pieces from the Great Mosque of Tinmel, which dates back to the 12th century and suffered significant damage during a 2023 earthquake, in the Atlas mountain village of Tinmel, outside of Marrakech, Morocco, Thursday, Sept. 5, 2024. (AP)
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Brick by Brick, Morocco Rebuilds 12th-Century Mosque Destroyed by 2023 Earthquake

 A construction worker unveils recovered pieces from the Great Mosque of Tinmel, which dates back to the 12th century and suffered significant damage during a 2023 earthquake, in the Atlas mountain village of Tinmel, outside of Marrakech, Morocco, Thursday, Sept. 5, 2024. (AP)
A construction worker unveils recovered pieces from the Great Mosque of Tinmel, which dates back to the 12th century and suffered significant damage during a 2023 earthquake, in the Atlas mountain village of Tinmel, outside of Marrakech, Morocco, Thursday, Sept. 5, 2024. (AP)

The hand-carved domes and brick-laid arches had almost all been put back together when an earthquake shook Morocco so violently that they caved in on themselves and crashed to the earth.

After nearly 900 years, the Great Mosque of Tinmel lay in pieces — its minaret toppled, its prayer hall full of rubble, its outer walls knocked over.

But even in ruins, it remained holy ground for the residents of Tinmel. Villagers carried the sheet-laden bodies of the 15 community members killed in the quake down the hillside and placed them in front of the decimated mosque.

Among the mourners was Mohamed Hartatouch, who helped carry the remains of his son Abdelkrim. A 33-year-old substitute teacher, he died under bricks and collapsed walls while the village waited a day and a half for rescue crews to arrive.

“It looked like a storm. I wasn’t able to feel anything,” the grieving father said, remembering the day after the quake.

One year later, the rubble near Hartatouch’s half-standing home has been swept aside and Tinmel residents are eager to rebuild their homes and the mosque. They say the sacred site is a point of pride and source of income in a region where infrastructure and jobs were lacking long before the earthquake hit.

“It’s our past,” Redwan Aitsalah, a 32-year-old construction worker, said the week before the earthquake’s anniversary as he reconstructed his home overlooking the mosque.

The September 2023 quake left a path of destruction that will take Morocco years to recover from. It killed nearly 3,000 people, knocked down almost 60,000 homes and leveled at least 585 schools. The damage will cost about $12.3 billion to rebuild, according to government estimates.

Stretches of road were left unnavigable, including Tizi N’Test, the steep mountain pass that weaves from Marrakech to Tinmel and some of the hardest-hit villages near the earthquake’s epicenter.

Workers are now sifting through the rubble searching for the mosque's puzzle pieces. They are stacking useable bricks and sorting the fragments of remaining decorative elements arch by arch and dome by dome, preparing to rebuild the mosque using as much of the remains as possible.

Hassan Ait Ali Ouhamous, a religious scholar from the region of Al-Haouz, inspects restoration works at the Great Mosque of Tinmel, which dates back to the 12th century and suffered significant damage during a 2023 earthquake, in the Atlas mountain village of Tinmel, outside of Marrakech, Morocco, Thursday, Sept. 5, 2024. (AP)

Though incomparable to the human loss and suffering, the restoration effort is among Morocco’s priorities as it attempts to rebuild.

The country’s Ministry of Islamic Affairs and Ministry of Culture have recruited Moroccan architects, archaeologists and engineers to oversee the project. To assist, the Italian government has sent Moroccan-born architect Aldo Giorgio Pezzi, who had also consulted on Casablanca’s Hassan II Mosque, one of Africa's largest.

“We will rebuild it based on the evidence and remains that we have so it returns to how it was,” Morocco’s Minister of Islamic Affairs Ahmed Toufiq told The Associated Press.

The Great Mosque was a marvel of North African architecture with lobed arches, hand-carved moldings and the adobe-style bricks made of rammed earth used to construct most the area’s structures.

It was undergoing an 18-month-long restoration project when the quake struck, causing its ornate domes and pillars to cave in. Its clay-colored remnants lay in pieces beneath scaffolding erected by restoration workers from villages throughout the region, five of whom also died.

“The mosque withstood centuries. It’s the will of God,” Nadia El Bourakkadi, the site’s conservationist, told local media. The temblor leveled it months before repairs and renovations were to be completed.

Like in many of the area’s villages, residents of Tinmel today live in plastic tents brought in as temporary shelter post-earthquake. Some are there because it feels safer than their half-ruined homes, others because they have nowhere else to go.

Officials have issued more than 55,000 reconstruction permits for villagers to build new homes, including for most of the homes in Tinmel. The government has distributed financial aid in phases. Most households with destroyed homes have received an initial $2,000 installment of rebuilding aid, but not more.

Despite the extent of their personal losses, Moroccans are also mourning the loss of revered cultural heritage. Centuries-old mosques, shrines, fortresses and lodges are scattered throughout the mountains.

The country sees Tinmel as the cradle of one of its most storied civilizations. The mosque served as a source of inspiration for widely visited sacred sites in Marrakech and Seville. Pilgrims once trekked through the High Atlas to pay their respects and visit. Yet centuries ago, it fell into disrepair as political power shifted to Morocco’s larger cities and coastline.

“It was abandoned by the state, but materials were never taken from it,” said Mouhcine El Idrissi, an archaeologist working with Morocco’s Ministry of Culture. “People here have long respected it as a witness to their glorious and spiritual past.”



Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”