From Orange Peels to Bottle Caps: Thousands of Artists Create Their Own ‘Girl with a Pearl Earring’

Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
TT

From Orange Peels to Bottle Caps: Thousands of Artists Create Their Own ‘Girl with a Pearl Earring’

Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)

After sending its most famous work to be featured in Amsterdam’s blockbuster 2023 exhibition of nearly every work by Johannes Vermeer, the Mauritshuis museum found itself with a blank space where the iconic “Girl with a Pearl Earring” had been displayed.

The Hague-based institution turned to more than 2,700 artists, from Texas to Ukraine, from age 7 to 70, who created their own interpretations of the 17th-century masterpiece.

A selection of 60 works using materials ranging from orange peels to bottle caps to sweatshirts were exhibited in the museum while the painting was on loan 40 miles (64 kilometers) to the north.

“The submissions continue to come, it will never end with her,” Martine Gosselink, director of the Mauritshuis museum, told The Associated Press, pointing to the ongoing popularity of works featuring the mystery girl.

A 2020 investigation into the painting using a battery of modern imaging techniques uncovered details about Vermeer's methods and the makeup of his pigments, but not the young woman’s identity.

“I bring together the original The Girl with a Pearl and the face of a Wayang puppet,” artist Rob de Heer told the AP, standing in front of a screen in the museum’s foyer where all of the winning submissions are displayed.

De Heer, who primarily works with mixed media, wanted to take an image from the Golden Age history of the Netherlands and combine it with one evoking its colonial legacy. Wayang puppets are a traditional form of theater in parts of Indonesia, which was ruled by the Netherlands until 1949.

His surrealist work is followed in the rolling display by a piece featuring the original girl’s face superimposed on an antique tea tin.

Other submissions include works by South Korean artist Nanan Kang, who used an ear of corn for the face; Georgian artist Nino Kavazauri, who reimagined a modern girl waiting at a bus stop with a cup of coffee; and Simon Chong, a Welsh animator, who works on the popular television series “Bob’s Burgers” and created a girl in the show’s cartoon style.

The winners were displayed in a replica frame in the exact spot where “Girl with a Pearl Earring” usually hangs, between two portraits by Dutch Baroque painter Gerard ter Borch.

The popularity of the first competition prompted a second round and those submissions are now on display at the Fabrique des Lumières in Amsterdam. The museum continues to feature submitted works of art on its Instagram page.

Gosselink, who has been the museum’s director since 2020, said the breadth and depth of the works made it difficult to select who would be featured in the exhibition.

“I would dare to say that some of the ones we selected are new pieces of art, and they would be served very well in a new surrounding, like a museum," Gosselink said.



Iran Says US, Israeli Strikes Damage 120 Museums, Historic Buildings

 First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
TT

Iran Says US, Israeli Strikes Damage 120 Museums, Historic Buildings

 First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)

US and Israeli strikes on Iran have damaged at least 120 culturally or historically significant sites across the country since the start of the war, the head of Tehran city council's heritage committee said.

"At least 120 museums, historical buildings and cultural sites across various provinces were directly targeted and sustained serious structural damage," said Ahmad Alavi.

He was quoted by state TV as naming UNESCO-listed Golestan Palace -- sometimes likened to Versailles -- as well as Tehran's Marble Palace, Teymourtash house and Saadabad Palace.

One of the capital's most visited sites, the Saadabad Palace complex includes an extensive park and museums dedicated to Iranian history.

In addition to the cultural institutions, it also houses the residences of the Iranian president and governor of Tehran province, with judicial and Revolutionary Guards facilities located nearby.

The United States and Israel launched their campaign against Iran on February 28, killing its supreme leader and setting off a war that has since embroiled practically all of the Middle East.

Iran, whose history spans several millennia, possesses significant cultural heritage that has largely been spared from mass tourism.

According to the UN, at least four of the country's 29 UNESCO-listed sites have been damaged in the war: Golestan Palace, Chehel Sotoun Palace in Isfahan, the Masjed-e Jame mosque in the same city, and the prehistoric sites of the Khorramabad Valley.


Saudi Culture Ministry Launches UK-KSA Arabian Peninsula Cultural Research Fellowships

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat
TT

Saudi Culture Ministry Launches UK-KSA Arabian Peninsula Cultural Research Fellowships

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat

The Ministry of Culture has launched the UK-KSA Arabian Peninsula Cultural Research Fellowships in partnership with Effat University and the National Archives of the United Kingdom, to support archival-based research, advance cultural inquiry on the Arabian Peninsula, and strengthen collaboration between researchers and institutions in Saudi Arabia and the United Kingdom.

The program includes a 10-week research residency at the National Archives of the United Kingdom, where participants receive hands-on training in archival methods and gain access to a wide range of archival collections and cultural institutions across the UK. It supports diverse areas of cultural research related to the Arabian Peninsula.

This initiative aligns with the Ministry of Culture’s strategic vision for advancing cultural research, reflecting its commitment to fostering both local and international collaboration and promoting meaningful cultural exchange.

The fellowship is open to researchers and cultural heritage specialists capable of conducting independent research in English, regardless of their professional level.


Culture Ministry Signs Partnership with Guildhall School of Music & Drama for Riyadh University of Arts

Culture Ministry Signs Partnership with Guildhall School of Music & Drama for Riyadh University of Arts
TT

Culture Ministry Signs Partnership with Guildhall School of Music & Drama for Riyadh University of Arts

Culture Ministry Signs Partnership with Guildhall School of Music & Drama for Riyadh University of Arts

The Ministry of Culture signed on Thursday a partnership with Guildhall School of Music & Drama for Riyadh University of Arts (RUA)’s College of Music. The partnership aims to further develop cultural and artistic talent and drive cultural exchange.

Under the terms of the partnership, Guildhall School will work with RUA to co-design undergraduate, postgraduate and research programs spanning music performance, production and education, in addition to training and capability development opportunities for RUA’s faculty body.

The programs will help cultivate and support Saudi talent across a wide range of musical disciplines, as well as provide students with a firm understanding of creative processes, research pathways and professional skills.

Founded in 1880, Guildhall School is a vibrant, international community of musicians, actors and production artists. Ranked as number one in Arts, Drama and Music by the Complete University Guide 2025, and in the top three in the world for Music by the QS World University Rankings 2025, Guildhall delivers world-class professional training in partnership with distinguished artists, companies and ensembles, SPA reported.

The partnership with Guildhall School sits within a series of partnerships for the Riyadh University of Arts and its colleges with leading international institutions to co-design academic programs, collaborate in research, and offer enriching programs in cultural education and development.

In December 2025, RUA announced partnerships between their College of Film and the University of Southern California’s (USC) School of Cinematic Arts (SCA); between SOAS University of London and their College of Heritage and Civilization Studies; AMDA College of the Performing Art and RUA’s College of Theater and Performing Art; and between ESSEC Business School and RUA’s College of Cultural Management. A further agreement was signed with the Royal College of Art (RCA) and RUA’s College of Architecture and Design and College of Visual Arts and Photography in January 2026.

Riyadh University of Arts was established by royal decree and is headquartered in Riyadh. Its Board of Trustees is chaired by Minister of Culture Prince Bader bin Abdullah bin Farhan. The university is dedicated to advancing education in the fields of culture and the arts, serving as a cornerstone for creative learning and cultural innovation. It aims to empower students with the knowledge, skills, and vision needed to shape the future of Saudi Arabia’s creative economy.

The university will launch its programs in phases, gradually expanding to cover a wide range of fields and specialized disciplines. It will offer a comprehensive academic portfolio that supports continuous education across the arts and culture sectors, including short courses, diplomas, bachelor’s degrees, higher diplomas, master’s degrees, and PhDs.