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US Returns to Iran Latest Batch of Ancient Clay Tablets

Achaemenid-era clay tablets returned from the United States and on display at Iran's National Museum in Tehran on October 2, 2019 - AFP
Achaemenid-era clay tablets returned from the United States and on display at Iran's National Museum in Tehran on October 2, 2019 - AFP
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US Returns to Iran Latest Batch of Ancient Clay Tablets

Achaemenid-era clay tablets returned from the United States and on display at Iran's National Museum in Tehran on October 2, 2019 - AFP
Achaemenid-era clay tablets returned from the United States and on display at Iran's National Museum in Tehran on October 2, 2019 - AFP

The United States has returned to Iran more than 1,000 clay tablets dating from the Achaemenid-era, official media said, reporting the sixth such handover of its kind.

Iran's official IRNA news agency said Thursday evening that the tablets, 1,100 in all, were returned with President Masoud Pezeshkian who had attended the United Nations General Assembly in New York.

Found at the ruins of Persepolis, the capital of the Persian Achaemenid Empire which ruled from the 6th to 4th centuries BC in southern Iran, the repatriated tablets reflect how the ancient society was organised and its economy managed.

According to AFP, the tablets constitute records of "the rituals and the way of life of our ancestors", said Ali Darabi, vice-minister of cultural heritage, cited by IRNA.

The tablets were returned to Iran by the University of Chicago's Institute for the Study of Ancient Cultures, West Asia & North Africa, formerly known as the Oriental Institute.

A large portion of the tablets were returned in three batches between 1948 and 2004 before the rest were blocked by legal action until 2018.

More than 3,500 tablets were repatriated in September, 2023.

"The American side undertook to return the rest," Darabi said, cited by Iran's ISNA news agency.

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‘Anything Goes’: Yoshitomo Nara on His Creative Process as London Exhibition Opens

Japanese artist Yoshitomo Nara speaks during an interview at the largest European retrospective of his work at the Hayward Gallery in London, Britain, June 9, 2025. (Reuters)
Japanese artist Yoshitomo Nara speaks during an interview at the largest European retrospective of his work at the Hayward Gallery in London, Britain, June 9, 2025. (Reuters)
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‘Anything Goes’: Yoshitomo Nara on His Creative Process as London Exhibition Opens

Japanese artist Yoshitomo Nara speaks during an interview at the largest European retrospective of his work at the Hayward Gallery in London, Britain, June 9, 2025. (Reuters)
Japanese artist Yoshitomo Nara speaks during an interview at the largest European retrospective of his work at the Hayward Gallery in London, Britain, June 9, 2025. (Reuters)

Artworks by Yoshitomo Nara go on display in London this week in what organizers say is the largest European retrospective of the Japanese artist.

The show, running at the Hayward Gallery by the River Thames, features more than 150 works - drawings, paintings, sculptures, ceramics and installations - nodding to the longtime influences of Nara's works including music, nature, the importance of home and the peace movement.

"This is about 40 years' worth of my work," Nara told Reuters at a press preview on Monday.

"When I look at my work, I don't think what I'm trying to say has actually changed in that time. Whatever period I look at reflects a part of myself, which is why this exhibition is not done chronologically."

Nara, 65, is best known for his portraits of child-like characters with big gazing eyes.

"I think all the pictures I've created are like my reflections," he said when asked about them.

On display are plenty of those kinds of paintings and drawings as well as sculptures.

"Anything goes," says Nara, who was born in Aomori Prefecture in northern Japan and lived in Germany early in his career before moving back home, said of his creative process.

"I don't think about what I'm doing, but when I've done something good, I can feel the reason behind it almost like a kind of hindsight."

The show is an expanded version of a touring exhibition previously put on at the Guggenheim in Bilbao and Museum Frieder Burda in Baden-Baden.

"What’s quite interesting, I think, for audiences in London and in Europe overall (is)... we don't actually get to see Nara’s work in person that often," exhibition curator Yung Ma said.

"We’ve all seen his paintings and drawings on our devices...but I think all these kind of images, they don't do the works justice. So it's actually quite important to come and see because you can actually then understand (that)... he’s a really good painter...but you can actually really see the texture of the works and the colors and the layering of the paint."

The exhibition runs from June 10 to August 31.