Model Makers in Madagascar Are Bringing History’s Long-Lost Ships Back to Life

 Visitors attend an exhibition of model ships made by the Madagascar company Le Village and on display at the Homo Faber 2024 show in Venice, Italy, Friday, Sept. 13, 2024.(AP)
Visitors attend an exhibition of model ships made by the Madagascar company Le Village and on display at the Homo Faber 2024 show in Venice, Italy, Friday, Sept. 13, 2024.(AP)
TT

Model Makers in Madagascar Are Bringing History’s Long-Lost Ships Back to Life

 Visitors attend an exhibition of model ships made by the Madagascar company Le Village and on display at the Homo Faber 2024 show in Venice, Italy, Friday, Sept. 13, 2024.(AP)
Visitors attend an exhibition of model ships made by the Madagascar company Le Village and on display at the Homo Faber 2024 show in Venice, Italy, Friday, Sept. 13, 2024.(AP)

A French trading ship that sank in the 17th century with treasure onboard is being brought back to life in a workshop in Madagascar with every stroke of Rafah Ralahy's small wood sander.

Ralahy, eyes sparkling behind his glasses, has learned in 30 years as a craftsman at the Le Village model ship making company that recreating history in miniature form can't be rushed. It'll take time to get the shape of the hull just right on this model, to get it just as it was on the 1,000-ton original.

The ship in question was called the Soleil d’Orient — the Eastern Sun — and it was one of the best in the French East India company. It sank in 1681 while carrying ambassadors and treasure sent by the King of Siam (now Thailand) to King Louis XIV of France. Anyone wanting an exact wooden replica from Le Village, albeit a few feet long, can get it for just over $2,500. That excludes the shipping costs.

“My job is to be as faithful as possible to the plan,” said 50-year-old Ralahy, referring to copies of the ships’ original building plans that Le Village acquires from maritime museums or other sources. “At each stage we check so that the model we create is identical to the ship designed centuries ago.”

Le Village has been making models of history's most famous vessels since 1993 and sending them to collectors across the world, some of them eminent. Prince Albert of Monaco has several models displayed in his palace, said Le Village co-owner Grégory Postel. The Spanish royal family also own Le Village creations. Pope Francis was gifted a model by Madagascar President Andry Rajoelina.

Those royal customers are looking for a model ship “that resembles what their ancestors knew,” said Postel, championing the company's attention to historic detail. Some of the high-end models sell for a princely sum of $10,000. Collectors with as much passion but less means can find something for around $150.

Le Village has dozens of ships available for order, from celebrated to infamous to ill-fated. Some recently were shown at an exhibition in Venice, Italy, including one of the company’s showpieces, the British ship HMS Bounty that is renowned for a mutiny by its disgruntled crew. A model of perhaps the most famous ship ever, the Titanic, is of course available.

Le Village's staff of more than two dozen model makers work in nine dusty workshops on the outskirts of the Madagascar capital of Antananarivo. Like Ralahy, many of them have been here for more than 20 years, crafting a reputation for an unusual company.

Madagascar has hardly any shipbuilding tradition despite being the world's fourth largest island. So, Le Village's own story is one of endeavor.

It was started by Frenchman Hervé Scrive, who arrived in Madagascar off the east coast of Africa with a passion. He sold it after 20 years to a family, but it hit choppy waters during the COVID-19 pandemic as Madagascar — already struggling with high levels of poverty — sank into a deep economic recession.

Postel, his wife and another French couple bought it last year with the aim of bringing it out of financial trouble and, hopefully, expanding. Postel said they want to start a woodworking school to spread the craft on the island and create opportunities for others. They'd also like to build a maritime museum of their own.

Ralahy, a house painter as a young man before finding another use for his nimble hands, sands the rough wood that will become the outer hull of the Soleil d’Orient model he’s started. Weeks of intricate work lie ahead for the team of crafters and some models take more than 1,000 hours of work. But the miniature sails will be hoisted on a new Soleil d’Orient nearly 350 years after tragedy befell the original and she sank with no survivors, sending her treasure to the ocean bottom.

Each model passes through the different workshops and through the hands of different specialists. Husbands and wives work together at Le Village, as do other members of the same families. It's a tight-knit team.

In another room, four women who craft and attach the tiny ropes, sails and other finishing touches, are working with a sense of urgency on one model. This one is nearing completion and has already been paid for.

“It’s a race,” said Alexandria Mandimbiherimamisoa as she gets mini flags ready to add to the ship. “We have to send the boat to its buyer in a week."

Her husband, Tovo-Hery Andrianarivo, also works at Le Village, his fingernails blackened from a misplaced hammer blow or two over the years, an occupational hazard. He spoke of their collective pride when they see how far some of their models have traveled.

Andrianarivo once watched a documentary on the recreation of a life-size version of the Hermione, an 18th-century frigate that carried French General Lafayette to the American War of Independence. It was rebuilt and launched again in 2014 to much fanfare.

“Behind the museum curator who was speaking, there was our model,” Andrianarivo said. "The feeling I felt that day was incredible."



Prince Mohammed bin Salman Project Restores Historical Al-Saidan Mosque in Al-Jouf Region

The renovation uses traditional Al-Jouf mud-brick techniques and natural materials - SPA
The renovation uses traditional Al-Jouf mud-brick techniques and natural materials - SPA
TT

Prince Mohammed bin Salman Project Restores Historical Al-Saidan Mosque in Al-Jouf Region

The renovation uses traditional Al-Jouf mud-brick techniques and natural materials - SPA
The renovation uses traditional Al-Jouf mud-brick techniques and natural materials - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has commenced the restoration of Al-Saidan Mosque in Dumat Al-Jandal, Al-Jouf Region. Dating back to 620 AH (1223 CE), it is the city's second oldest mosque and formerly served as a judicial court and a prominent educational center for Quranic studies.

As part of the project's second phase, the mosque's area will increase from 179 to 202.39 square meters, restoring its capacity to 68 worshippers after prayers were previously suspended, SPA reported.

The renovation uses traditional Al-Jouf mud-brick techniques and natural materials to preserve the site's authentic desert architecture.

Notable features being preserved include a historical well and an ancient underground stone water channel used for wudu.

By rehabilitating this landmark, the project fulfills its strategic goals of restoring architectural authenticity and highlighting the Kingdom’s civilizational heritage in line with Vision 2030.


Rome’s Colosseum Gets a Fresh Look That Recreates the Footprints of Long-Gone Columns

The inauguration of the new layout and archaeological area of the southern ambulacra of the Colosseum in Rome, Italy, 17 March 2026. (EPA)
The inauguration of the new layout and archaeological area of the southern ambulacra of the Colosseum in Rome, Italy, 17 March 2026. (EPA)
TT

Rome’s Colosseum Gets a Fresh Look That Recreates the Footprints of Long-Gone Columns

The inauguration of the new layout and archaeological area of the southern ambulacra of the Colosseum in Rome, Italy, 17 March 2026. (EPA)
The inauguration of the new layout and archaeological area of the southern ambulacra of the Colosseum in Rome, Italy, 17 March 2026. (EPA)

The Colosseum has a bright new look following a restoration using the same travertine marble of ancient Rome to recreate parts of columns from 2,000 years ago.

Thousands of Romans once flocked to this arena to watch gladiators battle each other and wild animals. The structure still captures the public's imagination; it is Italy’s most popular tourist destination, with 9 million visitors in 2025 alone.

The project focused on a semicircular piazza outside the arena, where Roman spectators crowded under two arcades comprised of marble columns stretching up to 50 meters (164 feet) high. People stood in these arcades as they waited to pass through the entrances and take their seats.

Those arches are long gone, collapsing over the centuries from earthquakes and unstable ground. But now, tourists will be able to sit on large travertine marble slabs where their columns once stood and read reproductions of the Roman numerals that indicated seat sections.

“These blocks of travertine marble are placed, located exactly where the pillars, the original pillars were based,” said Italian architect Stefano Boeri, who designed the piazza. “The idea we had was to give back to the public the perception of the proportion of the arcades and the proportion of the vaults of the arches that were used to enter in the center of the Colosseum.”

Over time, the outside area became filled with detritus, including pieces of ruins, and overgrown with weeds.

Restorers began by digging a meter (yard) to where the travertine paving stones once covered the entrance area. They discovered coins, statues, animal bones and a gold ring. Deeper down is the secret underground passageway where Emperor Commodus used to enter the Colosseum while avoiding the hoi-polloi, and which was opened to the public last year.

Restorers sourced the new slabs of travertine from the same quarries where the ancient Romans retrieved theirs — and that today are used build a new generation of religious buildings, banks, museums, government buildings and private homes.

“From the beginning we understood only one thing and that was that we wanted to be involved,” Fabrizio Mariotti, head of the Mariotti Carlo stonecutting firm that has been carving travertine to order for four generations in Tivoli, said Tuesday while sitting on a slab of the stone.

“For a family like ours that has been working with travertine for four generations, working at the Colosseum, which is the symbol not only of Rome but also of this material, is so important.”

Earlier this year, the city of Rome opened two new subway stations, one deep beneath the Colosseum completing a multi-billion euro metro project. The restoration of the Colosseum’s perimeter was done using compensatory funds from the metro, project officials said.


Northern Arabia Archaeological Site Reveals 13,500-Year-Old Human Settlement

The study documented human settlement at the site dating back about 13,500 years. (Saudi Ministry of Culture)
The study documented human settlement at the site dating back about 13,500 years. (Saudi Ministry of Culture)
TT

Northern Arabia Archaeological Site Reveals 13,500-Year-Old Human Settlement

The study documented human settlement at the site dating back about 13,500 years. (Saudi Ministry of Culture)
The study documented human settlement at the site dating back about 13,500 years. (Saudi Ministry of Culture)

The Saudi Heritage Commission, one of 11 sector-specific commissions under the Ministry of Culture, announced findings documenting archaeological evidence of early human settlement in northern Arabia. The scientific study presenting the evidence has been published in the journal Nature.

The findings, presented in the scientific study titled “The Natufian Epipalaeolithic and Pre-Pottery Neolithic in the desert of northern Arabia,” are based on advanced excavation and scientific analysis conducted at the Sahout site, an archaeological site located on the southern edge of the Nefud Desert between the Arnan and Al-Misma mountains.

The site occupies a strategic geographic position linking internal desert environments with settlement networks connected to the Levant, making it a key location for understanding early human movement and dispersal in the region during the late Ice Age and the beginning of the Holocene.

The study documented human settlement at the site dating back about 13,500 years. Stratified excavations uncovered distinctive stone tools, most notably Helwan bladelets - small, finely crafted stone implements used as arrowheads or as components of hunting tools.

These artifacts are important archaeological indicators associated with the Natufian culture. Their discovery at the Sahout site confirms the presence of human communities possessing advanced technical skills and the ability to adapt to desert environments. It also reflects the connection of the Arabian Peninsula to broader cultural networks extending to the Fertile Crescent during this early period.

The discovery also revealed a later settlement phase dating between approximately 10,300 and 8,700 years ago, characterized by greater settlement density and technological development in stone industries. Archaeologists discovered Abu Salem points, a type of finely crafted arrowhead used in hunting.

These findings provide important evidence of advanced human societies with sophisticated technological skills, reflecting a high level of organization and environmental knowledge during the Pre-Pottery Neolithic period and confirming the presence of developed human settlement in northern Arabia during that time.

Geochemical analyses of the obsidian used to manufacture the stone tools showed that the material originated from Jabal Al-Abyad in the Khaybar region, about 190 km south of the site. This indicates the existence of extensive communication and exchange networks, demonstrating that early communities were capable of traveling long distances to obtain resources from distant areas and highlighting advanced levels of cultural and technological interaction among populations in the region.

The study documented a direct link between human settlement and rock art at the site. Carving tools were found within dated archaeological layers alongside artistic elements depicting life-size camels and human figures.

These discoveries provide a precise chronological framework for the development of artistic expression in northern Arabia, confirming that artistic production was an integral part of the cultural life of the communities inhabiting the area during these early periods.

The findings reaffirm the Kingdom’s commitment to cultural preservation, historical understanding, and knowledge development.