Wooden Doors: Testament to Aseer's Artistic Heritage

Wooden doors are testament to Aseer's artistic heritage. (SPA)
Wooden doors are testament to Aseer's artistic heritage. (SPA)
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Wooden Doors: Testament to Aseer's Artistic Heritage

Wooden doors are testament to Aseer's artistic heritage. (SPA)
Wooden doors are testament to Aseer's artistic heritage. (SPA)

Researchers in architecture consider intricately decorated wooden doors, which have endured for centuries, as prime examples of the exceptional craftsmanship and artistic depth that have characterized the Arabian Peninsula, particularly the Aseer region.
Traditional decorations on wooden doors and windows have been a hallmark of architecture in the Arabian Peninsula since ancient times. These decorative elements have not only served as a reflection of a carpenter's skill, they have also played a significant role in marketing their work.
In an interview with the Saudi Press Agency, Dr. Ali Marzouq, professor of archaeology and Islamic arts at King Khalid University, emphasized the social significance of this art form. He noted that people derive psychological comfort from beautifying their belongings, and the decorative motifs associated with Islamic architecture, such as engravings and writings on doors and windows, became an integral part of building design, enhancing both functionality and aesthetic appeal.
Researcher Dr. Saleh Abu Arad concurred and highlighted the importance of the "door and window industry" as a skilled craft that relies on the use of local wood and the application of various techniques to create doors and windows of different sizes. These structures are often adorned with beautiful engravings and may include metal accents such as handles or rings.
The type of wood used in door and window construction significantly impacts the final product. The talh tree (red acacia), known for its cohesive fibers, is a preferred material for high-quality doors and intricate decorations. Carpenters have excelled in engraving decorations on both external and internal doors, taking advantage of the talh tree's properties.
Internal wooden doors and windows are often decorated by the housewife or with the help of female relatives and neighbors. These decorations incorporate a variety of geometric, botanical, and symbolic motifs, creating a welcoming atmosphere for guests and visitors.
Aseer region has a rich tradition of skilled carpenters who have mastered the art of creating traditional architecture doors and windows. These craftsmen have demonstrated their expertise in incorporating various geometric and botanical motifs into their designs, drawing inspiration from the surrounding natural world. While they avoid using human or animal figures, they skillfully employ plant, geometric, and symbolic elements to create unique decorative compositions.
Researcher Maryam Al-Omari said that popular artists frequently used geometric shapes, such as triangles and diamond shape, in their door designs. These were often combined in various ways, creating intricate patterns.
Due to the creativity and skill involved in carving and engraving wooden doors, they have become symbols of social status.
Marzouq said that the main door holds significant social importance, reflecting the owner's wealth and status. Elaborately decorated doors made from expensive wood are often found in the houses of wealthy villagers, while simpler doors are more common in the houses of ordinary people.
The tradition of decorating doors continues today, with people often renewing the decorations on their doors to celebrate holidays or special occasions.
In coastal Tihama, some people even plant aromatic plants around their main doors, creating a fragrant entrance.
In 2021, the Ministry of Culture recognized the importance of preserving this heritage and republished the works of the late French professor Thierry Mouget whose extensive photographic documentation of southern Saudi Arabia in the 1980s captured the region's architectural style, historical legacy, social life, and customs. His work sheds light on the rich cultural heritage of the Aseer region.



Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
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Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA

The Jazan Festival 2026 will launch on Thursday in a carnival anticipated by thousands of visitors from within the region and beyond.

The festival will open with a grand celebratory parade starting at 3:45 p.m. along the Jazan city waterfront, signaling the start of an entertainment and cultural season that will extend for several months, according to SPA.

This year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity, from its towering green mountains and golden beaches to its picturesque islands, alongside the authenticity of its rich heritage, complemented by modern touches in entertainment programs designed to meet the aspirations of all age groups.

Performing arts inspired by local folklore will add an authentic dimension, while moving installations will flow in harmonious rhythm.

Completing the visual spectacle, integrated light and sound shows will create an enchanting atmosphere before the festivities conclude with a dazzling fireworks display lighting up the Jazan sky in vibrant colors.


UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
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UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA

The United Nations Educational, Scientific and Cultural Organization (UNESCO) Chair in Translating Cultures at the King Faisal Center for Research and Islamic Studies (KFCRIS), with support from the Literature, Publishing, and Translation Commission, organized a training course and a series of specialized lectures on the translation and safeguarding of intangible cultural heritage, SPA reported.

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application, opening space for in-depth discussion of the challenges of translating intangible heritage as a living, evolving form of culture closely tied to its cultural, social, and performative contexts.

The course and lectures adopted a comprehensive approach that views translation as a cultural tool for preserving oral memory and building bridges between local specificity and the global sphere.

This approach was reflected through applied models, field experiences, and contemporary conceptual frameworks.


Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
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Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.

A boat belonging to an Egyptian pharaoh is being assembled in full view at the Grand Egyptian Museum’s exhibition hall.

Staff began piecing together the cedarwood boat, one of two that were found that belong to King Khufu, Tuesday morning as dozens of visitors watched.

The assembly of the 42-meter (137-foot) -long vessel, which sits next to its already-assembled twin that has been on display, is expected to take around four years, according to Issa Zeidan, head of restoration at the Grand Egyptian Museum. It contains 1,650 wooden pieces.

King Khufu ruled ancient Egypt more than 4,500 years ago and built the Great Pyramid of Giza.

“You’re witnessing today one of the most important restoration projects in the 21st century,” said Tourism and Antiquities Minister Sherif Fathy, who attended the event.

The $1 billion museum, also known as GEM, was touted as the world’s largest when it was lavishly inaugurated last month. It's home to nearly 50,000 artifacts, including the collection of treasures from the tomb of the famed King Tutankhamun, which was discovered in 1922. The museum, located near the pyramids at the edge of Cairo, is expected to boost Egypt’s tourism revenues and help bolster its economy.

The boat was one of two discovered in 1954, opposite the southern side of the Great Pyramid. The excavation of its wooden parts began in 2014, according to the museum’s website.

The exact purpose of the boats remains unclear, but experts believe they were either used to transport King Khufu’s body during his funeral or were meant to be used for his afterlife journey with the sun god Ra, according to the museum.